Copy of Can't we All Just Get Along: Lost, The Fan Author InteractionCopy of Can't we All Just Get Along: Lost, The Fan Author InteractionWWCopy of Can't we All Just Get Along: Lost, The Fan Author Interaction

Copy of The Mistborn FranchiseCopy of The Mistborn FranchiseWWCopy of The Mistborn Franchise

Copy of Mega Man - Essential InfoCopy of Mega Man - Essential InfoWWCopy of Mega Man - Essential Info

The Secret Life of SjinThe Secret Life of SjinWWThe Secret Life of Sjin

Peter Jackson's Tolkien's Middle EarthPeter Jackson's Tolkien's Middle EarthWWPeter Jackson's Tolkien's Middle Earth

LF: Classroom of OneLF: Classroom of OneWWLF: Classroom of One

Brackin Non-Linear Story ModelsBrackin Non-Linear Story ModelsWWBrackin Non-Linear Story Models

TEXTBOOK PROCESSTEXTBOOK PROCESSWWTEXTBOOK PROCESS

Level Design & World BuildingLevel Design & World BuildingWWLevel Design & World Building

3353 - Individuals of Consideration - "All your Base..."3353 - Individuals of Consideration - "All your Base..."WW3353 - Individuals of Consideration - "All your Base..."

3352 - Business and Culture of Game Design3352 - Business and Culture of Game DesignWW3352 - Business and Culture of Game Design

3353: Academic Topics in Games3353: Academic Topics in GamesWW3353: Academic Topics in Games

ATEC 3352: Narrative, Story Arcs, & AuthorshipATEC 3352: Narrative, Story Arcs, & AuthorshipWWATEC 3352: Narrative, Story Arcs, & Authorship

3352 - Week 6: Characters3352 - Week 6: CharactersWW3352 - Week 6: Characters

6356 Audience, Authorship, & Agency6356 Audience, Authorship, & AgencyWW6356 Audience, Authorship, & Agency

ATEC 3353 - Primary, Secondary, Tertiary SourcesATEC 3353 - Primary, Secondary, Tertiary SourcesWWATEC 3353 - Primary, Secondary, Tertiary Sources

ATEC 6356 - Ludic Activity, Authenticity & ValidityATEC 6356 - Ludic Activity, Authenticity & ValidityWWATEC 6356 - Ludic Activity, Authenticity & Validity

6356: YOGSCAST (Interaction Sequence and Choice)6356: YOGSCAST (Interaction Sequence and Choice)WW6356: YOGSCAST (Interaction Sequence and Choice)

3353: Game Reviews as Entertainment vs. Analysis3353: Game Reviews as Entertainment vs. AnalysisWW3353: Game Reviews as Entertainment vs. Analysis

3352: Gameplay, Content & Interactivity3352: Gameplay, Content & InteractivityWW3352: Gameplay, Content & Interactivity

3353: From Authenticity to Validity3353: From Authenticity to ValidityWW3353: From Authenticity to Validity

6356: Of Harry and Katniss6356: Of Harry and KatnissWW6356: Of Harry and Katniss

3353: Why Game Studies?3353: Why Game Studies?WW3353: Why Game Studies?

6356: Interactive Story -- what is it?6356: Interactive Story -- what is it?WW6356: Interactive Story -- what is it?

ATEC 3352 - WEEK 2: Brainstorming and 10 Commandments of Game DesignATEC 3352 - WEEK 2: Brainstorming and 10 Commandments of Game DesignWWATEC 3352 - WEEK 2: Brainstorming and 10 Commandments of Game Design

Teamwork and Game DesignTeamwork and Game DesignWWTeamwork and Game Design

Story Elements: Theme & ToneStory Elements: Theme & ToneWWStory Elements: Theme & Tone

Transmedia & ARGTransmedia & ARGWWTransmedia & ARG

Story Element: Setting & Point of ViewStory Element: Setting & Point of ViewWWStory Element: Setting & Point of View

Story Element: PlotStory Element: PlotWWStory Element: Plot

STORY ELEMENT: CharacterSTORY ELEMENT: CharacterWWSTORY ELEMENT: Character

Non-Linear StorytellingNon-Linear StorytellingWWNon-Linear Storytelling

Depth of ContextDepth of ContextWWDepth of Context

Campbell MonomythCampbell MonomythWWCampbell Monomyth

History of FantasyHistory of FantasyWWHistory of Fantasy

Classroom of OneClassroom of OneWWClassroom of One