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Analysis Final Presentation

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by

Kerrie French

on 29 July 2013

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Transcript of Analysis Final Presentation

The Allegro maestoso movement of Mozart's Concerto in G Major for Flute is a sonata form, with the exposition encompassing two theme groups that transform from G major to D major, and both theme groups recurring in G major during the recapitulation. The main theme, a ritornello, is used throughout the movement, and the development makes use of many motives found throughout the exposition.
Flute Concerto in G Major, K. 313
I. Allegro maestoso

THESIS
Exposition
Primary/Ritornello Theme: G Major
Transition Theme Group (3 motives)
Secondary Theme: D Major
Closing Material (2 motives)
Recapitulation
Primary/Ritornello Theme: G Major
Transition Theme Group (3 motives)
Secondary Theme: G Major
Closing Material (2 motives)
CADENZA
Coda


Development
Starts in V, then two Circles of 5ths:

d a e

a D G C D
PURPOSE
Understanding that this movement is in sonata-allegro form, and that the main theme is a ritornello, the listener will be able to recognize the start of each section of the movement. Additionally, by knowing the locations of the repetitions of the themes, the flutist can adjust his/her performance to emphasize the repetition through articulation and ornamentation.
Sonata-Allegro Form
in a Concerto
- Double Exposition
- Tutti orchestra v. Solo Flute

I. Allegro maestoso
II. Adagio non troppo
III. Rondo (Tempo di menuetto)
Concerto K.313
- 3 movements (fast-slow-fast)
- Solo Flute and orchestra (strings, oboes, horns)
- written in 1778 for Ferdinand de Jean
G Major, sonata-allegro form
Majestic
D Major, modified sonata form
Lyrical
G Major, Rondo form
Playful
I I vi V V O 5ths I IV I V I
DOUBLE Exposition: Orchestra, then solo flute
Cadenza
- free time, virtuosic solo passage usually preceding the final ritornello
- would have been improvised then,
now usually written out
Ritornello
- stated 5 times
- introduces each section
- only played by flute twice
(2nd exposition & recapitulation)
Uses: ritornello motive, closing motive, accompaniment figure from 2nd theme,
many other rhythmic and melodic figures
found throughout the movement
Relatively short:
58 measures of the 219 total
Everything is in tonic, EXCEPT transition themes briefly move through C Major
Sequencing of K2
Closing motif in preliminary exposition: strings
Sequence of same motif during development: solo flute
Full transcript