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The Middle Ages
Transcript of The Middle Ages
Historians refer to the Middle Ages as the time between the fall of the Roman Empire (476 AD) to the coming of the Renaissance (around 1350 AD).
The medieval theatre was born in the liturgy of the Christian Church of the ninth century.
During this time, liturgical elaborations occurred, called
(from Latin, tropus, "added melody")
The first of these tropes was
("Whom do you Seek") This call/response, which was chanted or sung began in the Easter Mass as it told the story of the three Marys.
This was not yet a drama as there was no impersonation attempted, but there was dialogue.
This is a form of drama that originates from the Mass, itself. It is often changed and was a form of worship used to fully illustrate stories from the bible and of the saints.
The Plays of the
Corpus Christi Plays
Mystery Plays were very similar to Liturgical drama, but were longer and were presented in plain vernacular. These plays, too, told the stories of the bible and of the saints.
By the 12th or 13th century, drama was no longer allowed in church, and clergy were no longer allowed to participate
Passion Plays was a mystery play that specifically dealt with the trial, abuse, and crucifixion of Jesus.
Usually performed at Easter
Corpus Christi plays were mystery plays that were performed at a specific time of the year (between late May and late June) to celebrate the church festival of Corpus Christ.
Outdoor religious dramas
People of all ranks an professions involved
In England, the participation of Guilds
Plays dramatizing the Bible from creation to doomsday
The Wakefield Cycle
Manuscript contains a cycle of 32 plays: Creation to Last Judgement
Playwrights: Anonymous, multiple
Processional staging using pageant wagons
All actors were male
Guilds were assigned plays related loosely to their professions
Performances at 5:00am and lasted all day, sometimes for multiple days
All work was suspended
Religious drama independent of church
Written in vernacular language
Not financed by the church
Portrayed an archetypal human, usually named Mankind or Everyman
Other characters represented good/evil ideas or concepts, such as Good Deeds, Truth, Fellowship, Envy, Wrath, or Pride
They were presented for moral teaching
Served as a trancistion between medieval religious drama and secular drama of Shakespeare's time.