Loading presentation...

Present Remotely

Send the link below via email or IM


Present to your audience

Start remote presentation

  • Invited audience members will follow you as you navigate and present
  • People invited to a presentation do not need a Prezi account
  • This link expires 10 minutes after you close the presentation
  • A maximum of 30 users can follow your presentation
  • Learn more about this feature in our knowledge base article

Do you really want to delete this prezi?

Neither you, nor the coeditors you shared it with will be able to recover it again.


Make your likes visible on Facebook?

Connect your Facebook account to Prezi and let your likes appear on your timeline.
You can change this under Settings & Account at any time.

No, thanks


No description

Missy Rich

on 25 February 2015

Comments (0)

Please log in to add your comment.

Report abuse

Transcript of KARA WALKER

"Untitled (Hunting Scenes),"
Cut paper and adhesive on wall
Left panel: 98 x 68 inches Right panel: 103 x 63 inches
1. Describe
Born in Stockton, California in 1969
Works in large black cut-paper silhouettes.
Explores race, gender, sexuality, violence and identity in her work.

MFA from Rhode Island School of Design
Kara Walker currently lives and works in New York City
Slavery! Slavery!
Cut paper on wall, Installation
144 x 1,020 inches, 365.76 x 2,590.8 cm
Burning African Village Play Set with Big House and Lynching
Painted laser-cut steel
24 x 38 1/4 x 90 in.
Camptown Ladies
Cut paper and adhesive on wall.
9' x 67'
The paper cut outs of the image
Untitled (Hunting Scene)
by Kara Walker are all black on a white background. They create silhouettes of figures and organic shapes that resemble plants, clouds, fire, a stream, tree limbs, grass, and heads on top of sticks. There are two figures to the left of the image facing right. One is crouching, the other is standing. Their silhouettes show their profiles to include long facial hair and pointy facial features. It looks as though they are holding guns. At the end of the gun of the crouching figure it looks like there are heads of humans attached. The facial features of these faces are rounder. On the right side of what looks to be a stream there is a nude and thin figure standing. He appears to be holding on of the sticks with a head attached at the top.

2. Analyze
The black silhouettes on the stark white background creates a bold contrast. The complex organic shapes jump off of the page because of this light to dark contrast. The curved lines of the plants and the directions of the pointing guns and the body positions create movement in the image that carries your eye from left to right. The repetition of the body-less heads is jarring. It shows a variety of profiles with varying facial features and hair styles.
3. Interpret
The artwork of Kara Walker tends to comment on the black and white relationships during the time of slavery. The difference in lines that create the facial features of each silhouette leads the viewer to believe that the two men with guns are white men holding the heads of African Americans on sticks. And in contrast the figure standing on the right appears to be African American holding the heads of white men and women. The title implies that the figures have killed the people whose heads the are holding because in a hunt you are killing your prey. The fact that the African American is holding heads of white men might imply a hope of revenge for the deaths of their people.
4. Evaluate
Full transcript