Grid Drawing

MH
by Megan Henry5 views·Updated Aug 26, 2020

Audio TranscriptAuto-generated

  1. Hey there, everyone.
  2. This is your introduction to your next unit, which will
  3. talk about drawing on a grid.
  4. So grid drawing will be the skill that we are
  5. tackling, and we will be focusing on proportion, accuracy and
  6. also texture.
  7. So, your goals for this lesson, you will be taking
  8. a realistic photo and recreating it as a drawing.
  9. Using a grid will help you to accurately represent your
  10. subject and keep the proportions correct.
  11. Your photo could be anything that you choose.
  12. It could be a photo that you took or something
  13. that you find online.
  14. If you take a look here, you can see the
  15. grid on photo to the left.
  16. Matches the drawing on the right, and this is a
  17. photo that I took of my job.
  18. So you can either find a photo or you can
  19. take one yourself.
  20. So let's talk a little bit about grid drawing.
  21. Since ancient Egyptian times, artists have been using the grid
  22. method as a drawing tool to improve accuracy, and they
  23. would use this method by snapping a string soaked in
  24. red dye against their drawing surface.
  25. So you can see that red dye grid over here
  26. and For those of you that don't know, Egyptian art
  27. followed a canon of proportion where each one of these
  28. grids would dictate the size of what they were creating.
  29. It was very mathematically based.
  30. The Renaissance artists in Europe used the grid method a
  31. bit differently.
  32. They would create a wooden frame, kind of like the
  33. one that you see here, and then you can see
  34. they have this still life set up, and then a
  35. grid drawn on their paper and the objects go within
  36. the square.
  37. So, for example, the mouth of this base.
  38. If I want to go ahead and represent this accurately,
  39. I'm going to count down and over, right?
  40. It's like a game of battleship.
  41. So I'm going to go.
  42. 1234 Throw down 123 over.
  43. And there is the mouth of my vase.
  44. And then I, of course, can follow this curve like
  45. the shoulder is on that crisscross right there.
  46. It comes out almost all the way to the edge.
  47. You get the idea.
  48. When the Renaissance artists were using these frames, they would
  49. hammer those nails into place around the outside tie strings,
  50. and then that would give them their grid.
  51. As you can see in the illustration down here, this
  52. gentleman is working on his grid paper there with the
  53. frame in front of him, and his objects would be
  54. behind. So that's a little bit about use of great
  55. in the Renaissance.
  56. And then, of course, throughout history, many famous artists have
  57. used to the grid method for drawing are just like
  58. EMC, Essure, Leonardo da Vinci Obrecht, er, Van Gough.
  59. And since the invention of the camera, the grid method,
  60. of course, has evolved to where you can apply that
  61. grid digitally, which we're going to be doing.
  62. So you have that option.
  63. Of course, if you want to go ahead and build
  64. this frame, that would also be pretty cool, too.
  65. A couple of other uses today, anybody to strive anybody's
  66. driving to create and accurately represented drawing can go ahead
  67. and benefit from the grid method.
  68. It's especially helpful if you are trying to change sizes
  69. so you can see this artist here is a mural
  70. artist, and for him to take his sketch and blow
  71. it up on the wall.
  72. A grid grid method allows him to help keep those
  73. proportions, keep that style.
  74. Keep everything looking accurate without too much too much distortion.
  75. And there's a video here in the presentation that you'll
  76. have access to that talks a little bit more about
  77. that. So let's talk process pictures you are going to
  78. like. I said, start with a photo of your own.
  79. If you want to print it out and draw your
  80. lines on, you can do that.
  81. You can also use a digital version.
  82. You will then, of course, to be creating the same
  83. size grid on your drawing surface.
  84. So you see, this is 1234 squares wide.
  85. 1234 squares is what I need when I'm recreating my
  86. piece. Same thing for the height, and then that helps
  87. to keep your, um, proportions correct.
  88. So you proportion is the size relationship in relation to
  89. other parts.
  90. So if I take a look at this horse's front
  91. lip on his snout and this backlit, it looks like
  92. the drawing over here, they maybe made it a little
  93. too low.
  94. It only comes to about the middle of that box
  95. and down here, I don't know.
  96. It just feels like it's a little bit further down.
  97. Like if I drew a straight line across here.
  98. It looks like it should be more up here, so
  99. things like that can help be corrected by your grid.
  100. And of course, you can see there are just a
  101. couple of other examples.
  102. Now, a couple of other artists who use Scholastic or
  103. excuse me, who use a grid are these two scholastic
  104. winners. And I wanted to take this opportunity to introduce
  105. the idea of scholastic to you.
  106. So this is Jordan Hall.
  107. He is a golden key Scholastic winner from 2015.
  108. So that is him on the left.
  109. And then this is the piece that he created using
  110. a grid.
  111. And then this is Caylee Washington.
  112. She was also a gold key winner, and she was
  113. also a winner in 2015.
  114. So that's her on the left.
  115. And this is her piece of art.
  116. So what in the world is scholastic?
  117. So these guys used a grij toe interscholastic What?
  118. What is elastic?
  119. So if you go to this website, I'm not going
  120. to take you there now, but I will link it
  121. elsewhere, um, in your canvas module.
  122. So scholastic is a Siri's well, it is a educational
  123. resource, and they also go ahead, and they do scholastic
  124. art in rating awards.
  125. And so if you are a writer, you can enter.
  126. If you are an artist, you can enter.
  127. There's more information on the website about what kinds of
  128. things you can enter.
  129. But I have the deadlines and timeline for you here
  130. so you can see fall 2020.
  131. That's us right now.
  132. Sept. 12 Submissions will open.
  133. If you are interested, you should go take a look
  134. at the website.
  135. Eventually you will need to go create a log in
  136. or account make some art, depending on what media you
  137. want to enter, and then your deadline to submit work
  138. is December 22nd.
  139. They usually announced the winners early in the following year,
  140. so usually they'll announce that, um, the winners around January
  141. of 2021.
  142. So that's just something to consider.
  143. If you are interested in getting your work out there
  144. and competing in that and if not, these are your
  145. next steps, you're gonna take a photo from online or
  146. use one that you take yourself and you're going to
  147. put a grid on it.
  148. So even if you are taking your photo from a
  149. online resource, save it to your camera roll and you
  150. are going Teoh, go ahead and you are going to
  151. download the app rid and then you guys call it
  152. a hashtag.
  153. Older generations call it a pound symbol, but this is
  154. the name of the act that you're gonna go ahead
  155. and download.
  156. Once that's done, you're gonna pick one square so you
  157. can see it's pretty right in this photo.
  158. Um, a little less noticeable in this photo, but you
  159. are going to experiment with some different textures.
  160. So if I zoom in, this is the photo grid
  161. square that I selected and you can see down here.
  162. I'm experimenting with the different textures in my dog's snout
  163. and also the blanket so you can see I'm kind
  164. of playing with some for and whisker textures here.
  165. I have some woven texture to do this blanket.
  166. Um, and you specifically want to pick a square that
  167. has multiple textures.
  168. So I have her nose, which is different than the
  169. actual fuzzy snout and then the blanket as well.
  170. And this is just a good way for me to
  171. decide if my picture is something that I want to
  172. continue working with.
  173. If I realize that this blanket is way too difficult
  174. for me, maybe I'm going to simplify it or change
  175. the texture or even pick a new picture.
  176. So you'll experiment with how you're gonna represent those textures
  177. in your drawing, and you'll create these texture samples that
  178. air down at the bottom.
  179. Then you're going to go ahead and find a surface
  180. to draw on.
  181. You're gonna make sure that your grid matches the one
  182. in your photo for a number of squares and go
  183. ahead and start drawing so you can see I chose
  184. four squares by four squares.
  185. I have four squares by four squares.
  186. You get to choose how many squares that you want
  187. and the more squares that you have, the more structure
  188. it will give you.
  189. You, of course, can go ahead and adjust that in
  190. the act.
  191. So if you have any questions, just let me know.
  192. And in the meantime, have fun picking.
  193. We're taking your pictures