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Dos Uno Nueve (219) by Omar Apollo
ZT
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Zack Thomas
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Updated Nov 22, 2020
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Song Analysis Project (SAP) for Dr. Franke, Global Popular Music. By Zack Thomas.
#dosunonueve
Audio Transcript
Auto-generated
00:01 - 00:03
Hello. My name is Zak Thomas, and this is my
00:03 - 00:10
presentation on dose by Omar Apollo To begin, I'd like
00:10 - 00:13
to introduce Omar Apollo as Omar Al Polonia Velasco.
00:14 - 00:17
He was born on May 20th 1997 in Hobart, Indiana.
00:18 - 00:22
The Mexican American singer songwriter had his first released in
00:22 - 00:26
2017 and has come to drop many singles in projects
00:26 - 00:26
since then.
00:27 - 00:30
So now I play a song called Kickback from his
00:30 - 00:31
2019 e.
00:32 - 00:56
P. E e o.
00:57 - 01:14
A. So since then, Omar has obviously dropped many more
01:15 - 01:18
projects, and he dropped his first album earlier this year,
01:19 - 01:23
with those being one of four singles that were released
01:23 - 01:24
in anticipation of the album.
01:25 - 01:32
So now I'll briefly play a bit of dough e
01:52 - 02:25
E. So does helps to answer the broad question of
02:26 - 02:28
How has the Cove in 19 Pandemic and the resulting
02:29 - 02:32
global shut down and quarantined affected musical creativity.
02:34 - 02:36
So, with the song in mind, I believe the answer
02:37 - 02:40
is that the pandemic has been beneficial for music and
02:40 - 02:45
art. Creation, uh, is an excellent example of what the
02:45 - 02:49
Kovar 19 pandemic and the national quarantine situation has done
02:49 - 02:50
for musical creativity.
02:51 - 02:54
It demonstrates have a lock down has allowed for a
02:54 - 02:57
peak and artistry from truly talented creators.
02:58 - 03:01
True and genuine artists such as Omar Apollo have been
03:01 - 03:03
able to stand out above the rest.
03:09 - 03:16
So does blends the cultures of Mexican music and the
03:16 - 03:19
traditional style that Omar Apollo has worked with.
03:20 - 03:25
So a pilot song emerges Mexico traditions, Mexican musical traditions
03:26 - 03:28
with the R and B funk style that Omar Apollo
03:29 - 03:30
has come to master in his work.
03:31 - 03:34
It incorporates the cultural makeup of Apollo as 219 is
03:35 - 03:37
the area code corresponding to where he grew up in
03:37 - 03:41
Indiana, or the song takes on heavy Mexican musical influences.
03:45 - 03:46
I'm going back in time.
03:48 - 03:51
So those influences come in the form of a corridor,
03:52 - 03:55
which is a form of narrative song or ballad popular
03:56 - 03:56
in Mexico.
03:57 - 04:01
Apollo was able to creatively produce a modern re imagination
04:01 - 04:03
of the said genre.
04:04 - 04:07
For instance, corridors traditionally are very string heavy, and the
04:07 - 04:09
guitar stands out Group.
04:09 - 04:11
We're creating a distinct timber.
04:12 - 04:16
This is seen in as well as traditional cooperative's.
04:17 - 04:22
In addition, traditional corridors frequently have the chorus of the
04:22 - 04:27
song that incorporates a vocal Sando where the artist voice
04:27 - 04:29
sees wave like flows between pitches.
04:31 - 04:34
Omar Apollo has also adapted this from traditional corridors to
04:35 - 04:35
use in.
04:35 - 04:41
His song With That said is unique as a Mollo,
04:42 - 04:45
as Omar Apollo put his touch on it.
04:46 - 04:49
It carries a slightly slower tempo and is a bit
04:49 - 04:54
groovy. ER and modern and R and B funk ish
04:55 - 04:56
than corridors typically are.
04:58 - 05:02
In addition, the form of traditional corridors contains eight Kwan
05:02 - 05:06
trains that contained 4 to 6 lines, each of which
05:06 - 05:07
is usually octo symbolic.
05:08 - 05:12
However, in Omar Apollo Song, his versus contained many more
05:13 - 05:18
syllables. Also, the topics of traditional corridors are generally about
05:19 - 05:25
oppression. Historic events love, infidelity and religion, while Omar Apollo
05:25 - 05:32
Song tracks his maturity and upbringing and growth in his
05:32 - 05:36
hometown. So I will now play a traditional corridor to
05:36 - 05:38
use as a reference for Omar inspiration.
05:41 - 06:11
The oh, mhm Hey, hey, That song was called Laporta
06:11 - 06:13
Negra from Los Tigres del Norte.
06:20 - 06:23
In conclusion, it was the pandemic that allowed a pilot
06:23 - 06:27
to successfully incorporate and mesh varying styles and influences.
06:28 - 06:32
All in all, despite the obvious downfalls of a global
06:32 - 06:36
pandemic, the quarantine aspect has allowed artists to blossom creatively
06:37 - 06:41
with added time and space in Omar is no exception,
06:42 - 06:46
as she was able to successively blend various cultures into
06:46 - 06:48
one unique and beautiful song.
06:52 - 06:52
Thank you.
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