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Week 4
JJ
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Josephine Jones
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Updated Jul 7, 2021
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Hansbury to Hamilton
Audio Transcript
Auto-generated
00:00 - 00:03
Hey everybody, I'm looking forward to the first artist presentations
00:04 - 00:07
this week and the deep dive we're going to take
00:07 - 00:11
into Lorraine Hansberry's a raisin in the Sun.
00:11 - 00:16
We have a great production to watch and um the
00:16 - 00:21
introduction to the play in the Norton anthology of drama.
00:21 - 00:27
The excerpts from the library is really good and um
00:29 - 00:31
you know, does does the job and introduction should do,
00:32 - 00:36
It sets the tone for what um the play accomplishes.
00:37 - 00:40
And it also in order to see that you need
00:40 - 00:44
to know the context of the time, the housing issues
00:44 - 00:44
in Chicago.
00:45 - 00:47
Um and everything.
00:49 - 00:54
The central tension, of course, is between walter the younger
00:55 - 01:01
um and his dreams of having the privilege that he
01:02 - 01:05
sees the white man, he drives around, enjoy in terms
01:05 - 01:11
of capitalist expansion of his family's wealth and how he
01:11 - 01:14
hasn't done that, but he has a chance at it
01:14 - 01:18
if he can get a hold of his um father's
01:19 - 01:20
uh inheritance.
01:21 - 01:25
So, so the tension is between his dream and what
01:25 - 01:31
the women in his life think of that obviously, and
01:32 - 01:36
some of the women's dreams too, but if you you
01:36 - 01:40
know, think of going backwards in time from Hamilton uh
01:41 - 01:45
you know uh to look at Hansberry and where this
01:45 - 01:45
comes from.
01:46 - 01:50
Um that's what the presentations about this time, you can
01:50 - 01:55
listen to Lorraine talk about her work here and then
01:55 - 01:57
I just try and give you kind of my thoughts
01:58 - 02:01
about how things relate in these presentations.
02:03 - 02:09
Um The module is really pretty straight forward this week.
02:10 - 02:14
Um and I look forward to hearing what you have
02:14 - 02:19
to say about a raisin in the sun and the
02:19 - 02:23
artist presentations in the upcoming discussions.
02:24 - 02:27
I appreciate all the writing, the walking and the drawing
02:28 - 02:31
that we have all done and I encourage you to
02:31 - 02:36
continue to do that throughout the quarter as you um
02:36 - 02:39
can and sort of push yourself to do just a
02:39 - 02:41
little bit more of whatever it is you might be
02:42 - 02:42
able to do.
02:43 - 02:47
Um if you took it real easy because I find
02:47 - 02:49
that we're gonna be integrating a lot of big ideas
02:51 - 02:57
um, and getting a sense of of what it must
02:57 - 03:00
have been like to write the script, which just has
03:00 - 03:01
such incredible moments in it.
03:03 - 03:07
So, um, I was gonna just share a couple of
03:07 - 03:08
those with you, just from the introduction.
03:10 - 03:17
Um, big walter quoted as saying Alina who are really
03:17 - 03:21
related to Lena this time, uh seem like God didn't
03:21 - 03:23
see fit to give the black man nothing but dreams,
03:24 - 03:25
he would say.
03:26 - 03:28
But he did give us Children to make them dreams
03:29 - 03:29
seem worthwhile.
03:31 - 03:37
Um, just the language in your ear of Lena's voice,
03:40 - 03:43
the southern, the generation that moved from the south to
03:43 - 03:44
the north and the great migration.
03:47 - 03:51
Um, so when walter lee doesn't get his way.
03:52 - 03:57
Um, as the introduction points out, he experiences it as
03:57 - 04:01
rejection. And Lena sees this as the, as the result
04:02 - 04:04
of the change in the values between the generations.
04:06 - 04:13
So, um, Again, in the introduction on 1195, you my
04:13 - 04:15
Children, she says, but how different we done become.
04:17 - 04:22
And beneath a uh, is like Hansberry yourself at a
04:22 - 04:26
younger age, restless and full of ideas caught between the
04:26 - 04:26
two suitors.
04:27 - 04:28
She chooses africa.
04:29 - 04:35
And that whole relationship between the the revolution in africa
04:36 - 04:39
against colonialism going on at the same time as the
04:39 - 04:42
civil rights struggle was going on in the United States.
04:42 - 04:45
So definitely another worldwide phenomenon.
04:46 - 04:49
Um, look forward to the artist presentations.
04:49 - 04:52
It's great if they're in the 60s and 70s, it's
04:52 - 04:53
okay if they're not.
04:54 - 04:55
And I'll talk to you online.
04:56 - 04:56
Thanks
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