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Longevity
KS
by
Karsten Stryker
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Updated Feb 11, 2023
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Chapters
00:00
Chapter 1
00:00
Chapter 2
00:11
Chapter 3
00:13
Chapter 4
01:18
Chapter 5
01:20
Chapter 6
02:31
Chapter 7
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Audio Transcript
Auto-generated
00:01 - 00:02
Alright,
00:02 - 00:07
so the next thing we're gonna look at is the longevity of traditional music.
00:07 - 00:12
Uh and how the flaw can actually have a positive effect on that.
00:12 - 00:15
Um So we're gonna start by looking again at community.
00:15 - 00:17
And so like I was saying before the fall
00:17 - 00:22
brings together players from all regions and areas now,
00:22 - 00:25
even including outside of Ireland.
00:25 - 00:30
Um and so that's beneficial because it exposes players two ways of playing or
00:30 - 00:35
ideas or techniques that they might not have had in their own area.
00:35 - 00:38
So when it was more insular, they might not have had those things,
00:38 - 00:41
bringing in kind of fresh perspectives on the music that really
00:41 - 00:46
keep the music alive and exciting and it keeps people interested.
00:46 - 00:47
So that can be a positive thing.
00:47 - 00:50
And then the next thing is that in addition
00:50 - 00:53
to bringing together players from all these different areas,
00:53 - 00:56
it also brings together players from different age groups.
00:56 - 01:01
So that's crucial to keeping traditional music alive,
01:01 - 01:03
is having these people who really know the
01:03 - 01:05
have been doing it for years,
01:05 - 01:10
being able to show it to younger people who aren't as familiar
01:10 - 01:12
and haven't spent that time with it yet.
01:12 - 01:16
And so having this intergenerational group of musicians is
01:16 - 01:19
very beneficial to keeping the music alive and well.
01:20 - 01:23
And then the next area we're going to look at,
01:23 - 01:27
which can be beneficial in some ways is the competitions.
01:27 - 01:32
Um And so what that does is, on the one hand, can add competitiveness,
01:32 - 01:35
which could perhaps make people,
01:35 - 01:40
particularly younger musicians want to practice more and improve their skills.
01:40 - 01:43
So that's going to be beneficial to the music perhaps.
01:43 - 01:48
And then the next thing is that in order to be adjudicated,
01:48 - 01:54
there has to be kind of a common repertoire for people to play and be adjudicated on.
01:54 - 01:59
And so having this kind of common repertoire of tunes means that people
01:59 - 02:04
are able to play with more musicians from all over the place.
02:04 - 02:10
And that helps to keep the musical Live as well because they're playing with
02:10 - 02:13
all these people instead of just having it in their own insular community,
02:13 - 02:17
their small community where if there's only,
02:17 - 02:21
say 10 musicians and a few of them maybe die,
02:21 - 02:25
some of them stop playing well now the music is going to be lost.
02:25 - 02:26
Whereas this way,
02:26 - 02:30
by having more people who can play the same songs and play together, um,
02:30 - 02:31
it's gonna survive longer.
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