Solutions
Pricing
Log in
Teams
Get started
Log in
Get started
Merchant of Venice
EM
by
Espana Mack
·
0 views
·
Updated Nov 4, 2020
Share
Embed
Create your own
Audio Transcript
Auto-generated
00:00 - 00:02
Okay. Hello.
00:03 - 00:04
My name is Spagna.
00:04 - 00:09
Mac and I did my presentation on The Merchant of
00:09 - 00:13
Venice. We'll start first with our plot.
00:16 - 00:19
Um, this actually was really hard.
00:20 - 00:23
I understand watching it, but it is a dark humor
00:25 - 00:31
about money, love and of course, lying in my description,
00:32 - 00:39
I have literally the smallest synopsis of the story that
00:39 - 00:43
you could possibly get Mhm.
00:44 - 00:49
Our main characters are Shylock Bas, I know and Porsche.
00:54 - 00:58
We see them frequently throughout the story, and we don't
00:58 - 01:03
understand why until close to like the middle slash in
01:04 - 01:05
what their point is.
01:05 - 01:06
Behind it.
01:10 - 01:13
Um, one of the main events throughout this story is
01:17 - 01:21
by Sano convinces his friend to take alone and by
01:22 - 01:26
taking that loan so he can convince Portia that he's
01:26 - 01:28
wealthy when he is, in fact not.
01:31 - 01:34
But what he doesn't know is that her father has
01:34 - 01:36
created a sort of game that people have to play
01:38 - 01:40
in order to win her hand in marriage.
01:41 - 01:41
Insert quotes.
01:43 - 01:46
There's three boxes, one made of gold, one made of
01:46 - 01:47
silver and one made of lead.
01:48 - 01:51
She's had multiple people come to her to try, and
01:53 - 01:58
when her hand in marriage extremely uninterested in preferring to
01:58 - 02:01
be alone until she meets Bison New.
02:04 - 02:05
They fall in love.
02:05 - 02:08
She gives him a hint toe open the box, and
02:10 - 02:12
he obviously wants her hand in marriage at this time.
02:12 - 02:17
She gives him a ring and tells him to never
02:17 - 02:17
lose it.
02:18 - 02:20
Never give it to anybody like he has to keep
02:20 - 02:20
it forever.
02:25 - 02:29
The outcome amongst a lot of other things that happened
02:29 - 02:36
in this story with the debt or the loan that
02:37 - 02:42
was taken is the debt that comes due to the
02:42 - 02:46
loan that Bassano convinced his friend to take without interest.
02:47 - 02:48
His payment was a pound of flesh.
02:49 - 02:49
Will shy.
02:49 - 02:52
Log was upset because at the time his daughter had
02:52 - 02:56
just robbed him and took off with some man.
02:57 - 03:00
So he was bitter and, oddly enough, looking for his
03:01 - 03:03
pound of flesh in like revenge.
03:05 - 03:14
Um, Porsche and Jessica dress up as doctors and show
03:14 - 03:16
up to the courthouse, convinced Shylock not to take his
03:17 - 03:17
pound of flesh.
03:19 - 03:27
And after everything is said and done, they talk to
03:28 - 03:30
the men and, like you should give me your ring
03:30 - 03:32
as payment for what I've done to help you.
03:33 - 03:35
And the guy goes well, what about some money and
03:36 - 03:38
they're like, No, we want the rings So they give
03:39 - 03:43
the rings up, but they don't tell their wives up
03:43 - 03:56
front. Okay, this is a short clip on them.
03:58 - 03:58
In my eyes.
03:58 - 04:00
It would be pulling a prank on their husbands.
04:09 - 04:13
Yeah, our first critic is Grace Tiffany.
04:14 - 04:20
She's actually a doctor, like she has her doctor it
04:21 - 04:22
and she did.
04:22 - 04:26
A critic called Law and Self Interest in The Merchant
04:26 - 04:26
of Venice.
04:27 - 04:35
She noted how this particular play was different from his
04:35 - 04:36
other ones.
04:36 - 04:41
She mentions how in taming of the Shrew and a
04:41 - 04:47
few others where love severely overpowered or nullified law, However,
04:47 - 04:50
in this one they were very strict about law.
04:50 - 04:52
They enforced law.
04:52 - 04:55
They talked about it in every aspect you could think
04:55 - 05:01
about. Um, Shylock would sue people immediately if they defaulted
05:02 - 05:04
on their loans or didn't pay the day it was
05:04 - 05:09
do like this was seriously about law, so it was
05:10 - 05:13
entirely different than any of his other works.
05:17 - 05:22
Grace Tiffany is a professor of Shakespeare and Renaissance drama.
05:23 - 05:29
Like I stated before, she has her doctorate, and she's
05:29 - 05:34
done ah, lot of different critiques of some of Shakespeare's
05:35 - 05:38
works. burn decades.
05:38 - 05:47
At this point, the critical essay I found about the
05:47 - 05:52
play in itself and, like the key point, would be
05:54 - 05:55
almost like religion.
05:56 - 06:00
Um, in this they make Shylock the bad guy for
06:00 - 06:05
being Jewish, and they spit at him, calm all sorts
06:05 - 06:07
of names, make fun of them all the time.
06:07 - 06:10
His daughter leaves him and takes his money.
06:11 - 06:16
His servants try to get hired under new people it
06:19 - 06:22
and it caused a lot of almost racial issues.
06:23 - 06:28
As things have gone on, you know, Ah Bloom himself,
06:29 - 06:32
Harold Bloom states that, you know it's hard to be
06:32 - 06:35
objective, especially with everything that has happened in our history,
06:37 - 06:39
um, to Jewish people themselves.
06:41 - 06:47
So while back in Shakespeare's time, they probably would have
06:48 - 06:50
all pointed their finger at him and saw him as
06:50 - 06:51
the bad guy.
06:51 - 06:57
And today's time it's a bit more like you can
06:57 - 06:59
see how cruel everybody was to him.
07:01 - 07:04
And while they claim this is supposed to be more
07:04 - 07:10
of a Christian play, it doesn't really reflect in a
07:10 - 07:11
Christian type manner.
07:14 - 07:17
Um, those rumors about where, sure?
07:23 - 07:29
Where William Shakespeare got the idea for Shylock, Um, some
07:30 - 07:32
even go as far to say that he was Shylock
07:32 - 07:35
himself and that it represented a part of himself.
07:36 - 07:39
However, Howard Blum was extremely hesitant on that idea.
07:46 - 07:48
Yeah, my personal opinion on this play.
07:49 - 07:50
I chose it specifically because I used to go to
07:51 - 07:51
Venice all the time.
07:52 - 07:52
Quite literally.
07:53 - 07:56
My I lived in Italy for two years.
07:58 - 07:59
Um, right.
07:59 - 08:00
Like an hour away from Venice.
08:01 - 08:04
It was hot spot, you know, great food.
08:04 - 08:05
Great time.
08:08 - 08:09
Um, great sites.
08:09 - 08:10
Always great to see.
08:12 - 08:16
So that's why I chose this place specifically, Um, I
08:16 - 08:17
think this was a place slash film.
08:18 - 08:20
It was set up kind of like a play with,
08:20 - 08:21
like, the backdrop in everything.
08:23 - 08:28
But it was filmed like this wasn't like somebody caught
08:29 - 08:30
film and filmed it.
08:31 - 08:34
This was intentionally filmed and distributed.
08:37 - 08:41
My first impression of this was really confusing because the
08:42 - 08:46
language, mainly being that it was filmed in 2001 I
08:46 - 08:48
expected it to be a lot more modern than it
08:48 - 08:50
waas. But it wasn't.
08:51 - 08:57
It was almost in, like it was staying very near
08:58 - 09:03
and true to the original, so that made it kind
09:03 - 09:04
of difficult to watch.
09:05 - 09:12
But it was different than I expected it to be,
09:12 - 09:15
um, after I watched it, I had to do some
09:15 - 09:17
reading just to make sure that I was on track
09:18 - 09:18
with it.
09:20 - 09:23
And I end up investing a lot of time into
09:23 - 09:26
making sure I was understanding everything the way I was
09:26 - 09:26
supposed Thio.
09:28 - 09:33
So that way I could explain this in a good,
09:33 - 09:43
like, clear and concise way, and that is the end
09:43 - 09:43
of my presentation.
See full transcript