Solutions
Pricing
Log in
Teams
Get started
Log in
Get started
Macbeth, part 4
BV
by
Biljana Vlašković Ilić
·
188 views
·
Updated May 9, 2020
Share
Embed
Re-use content
Create your own
Audio Transcript
Auto-generated
00:01 - 00:04
As I said, this is a very dark way not
00:04 - 00:08
only symbolically, but also literally, because the majority of the
00:08 - 00:12
play takes place in darkness or semi darkness.
00:12 - 00:16
However, we do see the sunshine, but only twice.
00:17 - 00:18
And this is also there is symbolical.
00:18 - 00:21
So for the first time we see the sun is
00:21 - 00:25
when Duncan sees the swallows flying around the castle in
00:25 - 00:26
which he's going to die.
00:26 - 00:28
And in the end of the play, when the avenging
00:28 - 00:33
army is getting ready to, as they say, to rid
00:33 - 00:34
the Earth of its shame.
00:35 - 00:38
So the sun represents hope that Macbeth is going to
00:38 - 00:39
be, uh, guilt.
00:40 - 00:45
So Macbeths Imagination is very powerful and intense.
00:45 - 00:47
Is this that he has the imagination of a coat?
00:47 - 00:51
We can literally even see his conscience in the scene
00:52 - 00:53
with a dagger that I just spread.
00:53 - 00:58
And in the scene when he sees Banquo's ghost, which
00:58 - 01:02
is basically a metaphorical fantasy since the ghost, it's full
01:02 - 01:03
literally playing with his mind.
01:04 - 01:05
But what about the witches?
01:06 - 01:09
This is the question are which is merely symbolic representations
01:10 - 01:11
of Moretz, thoughts and desire.
01:12 - 01:14
We can actually discuss this.
01:15 - 01:16
The witches do not solicit.
01:18 - 01:19
They simply predict the future.
01:20 - 01:23
So nobody is responsible for his actions, not the witches,
01:24 - 01:25
but says, well, that is weak.
01:26 - 01:29
At the beginning of the play, he wouldn't have done
01:29 - 01:31
anything if there hadn't been for Lady.
01:31 - 01:31
Move back.
01:32 - 01:33
A. C.
01:33 - 01:35
Bradley sums it up like this.
01:35 - 01:38
There is not a syllable invest, implying that they're anything
01:39 - 01:39
but women.
01:40 - 01:44
But they have received certain supernatural powers from evil spirits.
01:44 - 01:48
Macbeth is perfectly pre in regard to them.
01:49 - 01:52
So he's more free than Hamlet, for example, who was
01:52 - 01:56
crippled by melancholy wonder Ghost appeared to him.
01:57 - 01:59
Of course, there is another way of new according to
02:00 - 02:04
which the witches and the prophecies are merely symbolical representations.
02:05 - 02:08
All my best thoughts and desires that the witches do
02:08 - 02:11
not even exist, not as which is not as women.
02:12 - 02:16
But this actually is inadequate because it cannot be appointed
02:16 - 02:17
to the facts from the plate.
02:18 - 02:22
We do see that the witches appear actually in the
02:22 - 02:25
place, so think about that and what you think about
02:26 - 02:26
the wishes themselves.
02:27 - 02:30
Um, Abed, at some point, says to be a gust
02:31 - 02:35
is nothing but to be safely thus, here occurs course
02:35 - 02:40
to being king to be thus Teoh, it's not a
02:40 - 02:44
total s so important as to keep the crowd upon
02:45 - 02:45
my head.
02:46 - 02:47
They placed the fruitless crown.
02:48 - 02:50
So the witches told him he would have no Children
02:51 - 02:53
and put to bear and step during like right thence
02:54 - 02:56
to be wrenched with a non lineal canned.
02:56 - 02:59
No son of mine succeeding you can see.
02:59 - 03:03
So not this one is important for Banquo's issue.
03:03 - 03:04
Have I filed?
03:04 - 03:05
My mind?
03:06 - 03:11
Issue here means Children, and Macbeth is devastated to realize
03:12 - 03:14
that he filed his mind.
03:14 - 03:18
Which means got a 30 uh, for Banquo's Children, a
03:18 - 03:19
not for his own.
03:20 - 03:23
So he hires murderers to kill Banquo, and he saw
03:24 - 03:26
Leone's. But the boy, uh, escapes.
03:27 - 03:29
And it is that night at the beast that Banquo's
03:30 - 03:31
ghost visits from back.
03:32 - 03:33
But interestingly on Lima beckon.
03:34 - 03:35
See him and he gets frantic.
03:36 - 03:38
So letting Beth tries to calm down the situation.
03:40 - 03:44
But the Scottish nobility is pulled by the way he
03:44 - 03:46
acts in this scene.
03:47 - 03:50
Um, bets as to any move, you make me sick.
03:50 - 03:52
Strange even to the disposition that I owe.
03:53 - 03:55
When now I think you can behold such sites and
03:55 - 03:58
keyed the natural movie of your chicks when mine is
03:59 - 03:59
launched with fear.
04:00 - 04:04
So this is at the beginning, ah, way when he
04:04 - 04:08
was not able to understand the cruelty lady movement.
04:09 - 04:12
But by this thing, by the appearance with bank was
04:12 - 04:15
goes on, the situation has drastically changed.
04:16 - 04:19
Leading been plays the role of a perfect wife.
04:20 - 04:23
She's encouraging and cheering her husband, but as he plunges
04:24 - 04:27
deeper and deeper into blood, she cannot keep up with
04:27 - 04:31
him. The movements are frequently called the most happily married
04:31 - 04:37
couple in Shakespeare, but they will eventually draw part because
04:37 - 04:40
the Beth will become a ruthless killer, whereas Lady Macbeth
04:41 - 04:43
is going to be tortured by her own conscious.
04:44 - 04:47
You should try and compare them when you are preparing
04:47 - 04:50
for your exams to Romeo and Juliet to Antony Cleopatra,
04:51 - 04:54
two of talented Simona Patrol is in Cressida to Paris
04:55 - 04:58
and gallons of try and think about these couples and
04:58 - 05:01
how they are similar or different toe.
05:02 - 05:02
One other.
05:03 - 05:06
So a said Lady Macbeth is not about love as
05:06 - 05:11
equal, despite being his asthma, Beth as partner off greatness.
05:12 - 05:17
So only Macbeth is the focus of this place in
05:17 - 05:20
act for Mobile goes to see the witches again, and
05:20 - 05:22
they show him a series of spirits and demons.
05:23 - 05:26
And there is a vision of Banquo and eight of
05:26 - 05:30
his Children crowned and they prop assign three more things.
05:30 - 05:33
You can see them in this line and they're riddles
05:34 - 05:34
in themselves.
05:35 - 05:36
Macbeth must sold them.
05:37 - 05:38
Beware. Beware, Macduff.
05:39 - 05:41
Okay, that that's That's a good one.
05:42 - 05:45
None of women worn show harm about now, huh?
05:46 - 05:47
Think of this.
05:47 - 05:48
How that feels.
05:49 - 05:52
Um uh, courageous.
05:52 - 05:56
Because he now knows that no man or woman can
05:57 - 05:57
harm him.
05:57 - 06:00
And the 3rd 1 is my best shall never vanquished
06:00 - 06:04
be until great Birnam Wood to high Dunsinane Hill shall
06:04 - 06:05
come against him.
06:06 - 06:09
So it's not possible that the forest should move.
06:10 - 06:14
And he thinks he's quite safe on is relieved because
06:15 - 06:16
of these prophecies.
06:17 - 06:18
But what has happened to McDuck?
06:19 - 06:22
In the meantime, he has fled to England to join
06:23 - 06:24
Malcolm Soma.
06:24 - 06:30
Beth sends assassins to seize Madoffs Castle and kill his
06:30 - 06:30
wife and Children.
06:31 - 06:38
So even though the prophecy says, Beware, Macduff, many people
06:39 - 06:44
have been asking whether this was necessary to kill my
06:44 - 06:46
gulfs wife and Children.
06:46 - 06:47
Why did Shakespeare do it?
06:48 - 06:50
Why did he make this scene?
06:50 - 06:53
Eso unbearable to watch Because the prior to the murder
06:54 - 06:58
weekend. See the Children just having a very nice intelligent
06:59 - 07:01
talk with their mother and then all of a sudden
07:02 - 07:04
they will get were killed.
07:05 - 07:10
In the meantime, we have, of course, in enact by
07:10 - 07:14
already Act five, Scene one, the famous sleepwalking scene.
07:15 - 07:18
So Lady Macbeth has fits of sleepwalking and interest.
07:19 - 07:22
Sleepwalking. She experiences the night of dunk of murder over
07:22 - 07:23
and over again.
07:24 - 07:27
She believes her hands to be blood stained by saying
07:28 - 07:30
out them Spot out, I say.
07:31 - 07:35
And then she basically relives the night when Duncan Waas
07:36 - 07:39
killed. So let me just assume that in she says
07:40 - 07:41
Hell is murky.
07:42 - 07:43
Ah, hands murky.
07:43 - 07:47
Would should have basically means that everything around her is
07:48 - 07:49
dark. It's gloomy.
07:50 - 07:53
And she's so familiar with the darkness.
07:54 - 07:56
You know she is sleeping in this scene.
07:56 - 07:57
Sleepwalking, elastic.
07:58 - 08:01
Now she remembers her own words by my Lord, by
08:02 - 08:04
a soldier and a beard and so on.
08:05 - 08:09
Then I guess this line is the most genius lying
08:10 - 08:10
the whole play.
08:10 - 08:12
Definitely to me, she says.
08:13 - 08:16
Yet who sold the old man to have had so
08:16 - 08:18
much blood in him?
08:18 - 08:22
Huh Mean these must be the most horrible lines.
08:22 - 08:23
The whole play.
08:23 - 08:23
It's not funny.
08:24 - 08:28
Sorry, I laughed, but she refers to the amount of
08:28 - 08:31
blood that Duncan had in his body.
08:32 - 08:34
So she was unscrupulous and cruel at the beginning of
08:34 - 08:35
the play.
08:35 - 08:38
But now she's tormented with the images of blood, and
08:39 - 08:41
at the end she kills herself.
08:42 - 08:47
So we have this progression from, Ah, her saying to
08:47 - 08:48
move it.
08:48 - 08:51
Consider it not so deeply or where she says, a
08:51 - 08:54
little water clears us of this deed all up to
08:55 - 08:55
her suicide.
08:56 - 08:59
And now the circle is full.
08:59 - 09:03
And at the same time we see Macbeth when he
09:03 - 09:07
says, I have almost forgot the taste off fears.
09:08 - 09:09
Isn't this a nihilistic?
09:10 - 09:14
I mean, there is nihilism, ALS, the four major tragedies
09:15 - 09:19
and, for example, in Hamlet when she when he says,
09:20 - 09:23
and yet to me, what is this quintessence of dust?
09:24 - 09:27
Remember that line or in a fellow when he says,
09:28 - 09:32
Ah, referring to Desdemona, when I love thee, not chaos
09:33 - 09:33
is come again.
09:34 - 09:37
Of course, in King Lear, uh, the most famous nihilistic
09:38 - 09:40
line is as flies to wanton boys.
09:41 - 09:41
Are we to the gods?
09:42 - 09:43
They kill us for their sport.
09:45 - 09:45
And now, of course.
09:46 - 09:50
Um, I have to say that I think is the
09:50 - 09:53
most nihilistic old aboard of tragedies.
09:54 - 09:56
And maybe this is the reason while you why you
09:56 - 09:59
like this play so much, I will end this lecture
10:00 - 10:03
with his nihilistic speech.
10:04 - 10:08
This is his reaction to Lady Macbeth's death.
10:09 - 10:10
You cannot actually feel it.
10:10 - 10:13
I think, uh, he has become so insensitive.
10:14 - 10:20
And this speech alone is worth the trouble off watching
10:20 - 10:20
move Beth.
10:21 - 10:23
And it can be also redder the suffered home.
10:23 - 10:24
So I knew it.
10:24 - 10:28
You tomorrow and tomorrow and tomorrow.
10:29 - 10:33
Creeks in this Betty pennies from day today to the
10:33 - 10:35
last syllable of recorded time.
10:36 - 10:40
And all our yesterdays have lighted fools the way to
10:40 - 10:41
Dusty tha.
10:42 - 10:45
So basically, he says, with each day that passes, we
10:46 - 10:48
come mirror closer to death.
10:49 - 10:51
He calls humanity foolish.
10:52 - 10:55
He says every man and woman in this world is
10:55 - 10:59
a fool because with each day that passes which eat
10:59 - 11:03
with each yesterday were closer to death than humans are
11:04 - 11:04
out out.
11:05 - 11:05
Brief candle.
11:06 - 11:08
Of course, it would brief candle.
11:08 - 11:12
He refers to this life Candle is a metaphor for
11:12 - 11:15
life because if you money, if you picture a candle,
11:16 - 11:18
it gets smaller and smaller as it burns down.
11:19 - 11:20
He wants this scandal to be extinguished.
11:21 - 11:22
He wants his life to bend.
11:23 - 11:26
Why is but a walking shadow like an illusion once
11:26 - 11:30
it Ah, the poor player that struts and press his
11:30 - 11:32
hour upon the stage and then is heard no more.
11:33 - 11:37
So life is here, compared in this beautiful metaphor to
11:37 - 11:40
an actor, a four player who is very grave and
11:41 - 11:43
bowls while he's on stage.
11:44 - 11:47
But when he gets on the stage, he's hurt no
11:47 - 11:50
more. Of course, the spade here is another metaphor for
11:50 - 11:56
life. Remember that that she's a favorite a comparison when
11:56 - 11:57
he says All the world's a stage.
11:58 - 12:01
It is a tale told by an idiot full of
12:01 - 12:05
sound and fury, signifying nothing.
12:06 - 12:07
Now this.
12:07 - 12:11
It's so nihilistic when Morris says it is a tale
12:11 - 12:15
told by an idiot eat trippers to life and sound
12:16 - 12:16
and fury.
12:17 - 12:21
This race, inspired with your poker, to name his most
12:21 - 12:24
famous novel into sound and the Fury and the first
12:25 - 12:30
character who speaks in this novel is actually an idiot
12:30 - 12:35
too literally and the best and his you bendable history
12:36 - 12:40
by saying that the line, generally speaking, signifies nothing.
12:41 - 12:43
If this doesn't get you.
12:43 - 12:45
Nothing will trust me.
12:46 - 12:50
I think there is so much truth do these lines.
12:51 - 12:55
And, uh, because of this speech, I guess even if
12:55 - 12:58
we have identified with my best by now, and we
12:58 - 13:03
should have, we feel that his death is justified and
13:03 - 13:08
justifiable. And we feel happy for over I think he
13:08 - 13:11
deserves or to die in the end.
13:11 - 13:15
So it's not like with the Lear and Othello and
13:15 - 13:20
Hamlet whose death we feel to be are devastating here.
13:20 - 13:25
We feel that Beth finds true happiness in his death.
13:26 - 13:28
Even more so than Hamilton fell.
13:28 - 13:31
Linking were old off full four characters in old.
13:32 - 13:35
The major tragedies are quite happy to die.
13:36 - 13:39
And I think this is the overall message that we
13:39 - 13:41
should take from Aled.
13:42 - 13:43
These four major tragedies.
13:43 - 13:46
I would love to hear from you in the exam,
13:46 - 13:50
of course, of which of these four you liked best
13:51 - 13:51
and why?
13:51 - 13:53
So we think about that.
13:53 - 13:58
And, uh, you will first read more text from a
13:58 - 13:59
breath with your tutorials.
14:00 - 14:02
Next time I will speak about my favorite play.
14:03 - 14:03
And that is Julius.
See full transcript