S21CEC12- Part 3ExtraYellow

TW
by Thomas Webster0 views·Updated Apr 5, 2021

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  1. Hi, everyone.
  2. Sorry about giving you another video to watch, but I
  3. did want to get to the questions that I received
  4. over the weekend.
  5. So I'm kind of doing this in a hurry for
  6. you. Uh, let's take a look at your questions for
  7. article number four.
  8. Um, we look here closely.
  9. I've kind of color coded by your groups, but it
  10. doesn't matter.
  11. Um, again, just like with the other questions I've, um
  12. I've highlighted the parts that I can actually answer again.
  13. A lot.
  14. You guys ask a lot of really good questions.
  15. Um, but But if the if the question cannot be
  16. answered by what's in the text, including inferences made from
  17. the text, uh, then I can't really give you an
  18. answer. That's any better than yours.
  19. So I'm not going to try, Really?
  20. But some of these questions are direct questions that I
  21. can answer from the text like this one.
  22. How does the first one at the top of how
  23. does Paul altering relate to the gray area between truth
  24. and lies?
  25. Yeah. In the story, it says it says the gray
  26. area between truth and lies.
  27. And that's just referring to the common kind of idiom
  28. that we have mentioned before, which is black or white,
  29. black and white or black or white.
  30. Okay, if you say something is black and white or
  31. you say it's black and white.
  32. Oh, you know, if you if you kind of criticize
  33. someone and say, Oh, that's black and white thinking that
  34. means that they they're not considering the details of something.
  35. They're kind of just saying it's all or nothing, right?
  36. So it's again.
  37. It's a kind of simple way of thinking that it's
  38. often incorrect.
  39. It's too general.
  40. So if if something is either black and white, yes
  41. or no up or down, the gray area between tells
  42. you that faltering relates to to an area that is
  43. a detail that that puts it in between the white,
  44. which which would be the truth and the lies, which
  45. would be the black.
  46. So it's gray because it contains a little bit of
  47. the white and a little bit of the black as
  48. well. So it's a little bit truthful, but it's a
  49. little bit of a lie as well.
  50. So that's what they mean the gray area between Okay,
  51. the next one here that I saw was whether you're
  52. asking whether I think the author is being biased.
  53. Do I think the author is being biased again?
  54. You can.
  55. I like your question here when you're talking about framing
  56. and you're saying it seems like the impression the overall
  57. impression was negative and she focuses on the manipulation.
  58. But then the author mentions the innocent examples of faltering
  59. I agree with you that that there's there seems to
  60. be a kind of an attitude and perspective of the
  61. of the author.
  62. There seems to be, uh, kind of both sides being
  63. presented here.
  64. And just like I said before, it's up to you
  65. to decide whether you think overall, this author is being
  66. positive or negative critical of this of this idea, it
  67. helps to keep in mind the structure.
  68. When I'm trying to figure out the author's attitude, I
  69. bring into into the thinking the structure and the structure
  70. I thought for for this article was it's mainly descriptive.
  71. It's mainly describing this new concept of faltering has a
  72. lot of compare and contrast in it, though, right?
  73. So if I think the structure is kind of descriptive
  74. and there's a lot of comparing contrast with again with
  75. with, like, faltering amongst, um, politicians and other public figures
  76. and what we do in our own lives that when
  77. I take into consideration all of that, I think that
  78. the author clearly well, I I don't know.
  79. I wouldn't say clearly, but I would say that the
  80. author is not biased.
  81. I wouldn't use the word biased.
  82. Okay, but what I would say is that it's It's
  83. hard to determine whether the authors, um attitude and the
  84. way they speak about it is more objective or not.
  85. But I think clearly the the author is fairly objective
  86. because they're presenting both sides.
  87. But the author can be a little loose in the
  88. way they refer to it.
  89. So I'm going to leave it like that.
  90. And this goes into the next question here from Group
  91. D R R simplifications all soap altering and this question
  92. that you're asking about here, um, that that the simplifications
  93. again, whether it's being simple about something, is actually faltering.
  94. I think this is really this is really good thinking
  95. from Group D.
  96. Um, the in this article, you can see there's actually
  97. a bit of an issue with that isn't there that
  98. when the authors talking about Paul altering the author seems
  99. to include a lot of things into faltering that may
  100. not actually beep altering.
  101. For example, what you mentioned here is that when when?
  102. When there's a kind of case where the where the
  103. author wants to tell you.
  104. Or I should say the speaker wants to wants to
  105. say something in a more kind of general sense so
  106. that people can understand it.
  107. You know, like when the UK Labour Party talks about
  108. talks about what they're talking about, you know, whether you
  109. can you know about voting and whether you can, whether
  110. you can join the Army or whether you can get
  111. married. All of those things are an oversimplification, and that
  112. doesn't really matter.
  113. It doesn't map well.
  114. We say it doesn't fit well on to the idea
  115. of faltering, because it's not a classic example of faltering.
  116. But it is, I think, notable that the author doesn't
  117. really talk about that distinction between whether at what point,
  118. if you just kind of simplify something and say it
  119. more generally more generally, at what point does that become
  120. kind of misrepresented misrepresentation?
  121. When does it become a lie?
  122. And by the way, this is very related to the
  123. idea of stereotyping.
  124. Do you know stereotyping?
  125. That's a really simple I mean, that's a really big
  126. problem by being overly simple, really, is what the issue
  127. is when you stereotype, you say all of these things
  128. are the same when actually they're not, and the details
  129. matter often.
  130. So I agree with you.
  131. I think that's kind of a red flag from the
  132. author. Actually, that the author didn't distinguish a lot of
  133. differences between different ways of kind of, of speaking, like
  134. over, you know, like giving generalizations or simplifications of of
  135. of information without trying to actually mislead.
  136. Okay, um, this question here, number 11.
  137. What does the phrase we give our kids very mixed
  138. messages mean mixed messages means that it confuses.
  139. It's a message that someone says to someone that is
  140. very confusing because it contains both two things that seemed
  141. like the opposite.
  142. So the two messages here are You shouldn't lie, And
  143. then the other messages I'm lying to you and it's
  144. okay. So again, if you're trying to tell kids that
  145. you shouldn't lie, you're trying to give them examples of
  146. that. And yet you tell them that there is a
  147. Santa Claus, which is a lie.
  148. So what's which one is true?
  149. Can I can I know that the child wonders?
  150. Are you telling me that it's okay to lie?
  151. Sometimes? Are you telling me it's never okay to lie?
  152. Those are two competing or contrasting.
  153. I, you know, ways to act, uh, and speak about
  154. truth. So they're mixed.
  155. It's a mixed message.
  156. So the result of a mixed messages confusion.
  157. Okay, The next one is why the author dealt with
  158. so many different examples and mentioned different experts.
  159. Well, this is, uh, you're talking about credibility.
  160. Is there a problem with credibility with using so many
  161. sources? I don't think so.
  162. I don't think so.
  163. I think the more you can put into your story
  164. is usually the better.
  165. It helps to make your story more believable.
  166. However, we did talk about the idea of over doing
  167. it, putting too many sources in our too much instead
  168. of in other words, instead of speaking for yourself as
  169. the author you're having other people speak for you.
  170. If you use too many quotations or too.
  171. Too much.
  172. Write too much outside information and not enough of your
  173. own. Well, again, this is up to you to decide.
  174. Is this a red flag?
  175. Is this author using too many things and not really
  176. expressing their own opinion?
  177. And it is kind of hard to tell what the
  178. author is kind of perspective is of this of this
  179. story a little bit because they present so from both
  180. two different sides a little bit.
  181. And they talk about politicians or public figures, lives in
  182. people's lives, and and also, um, the, you know, the
  183. idea of of of experts being brought in to to
  184. in many different, you know, little pieces all throughout This
  185. is up to you to decide whether you think that's
  186. a red flag.
  187. Personally, I I don't really see it as a problem.
  188. I think that the experts are okay that the amount
  189. seems alright to me, although I could see someone arguing
  190. in certain places where it's not needed.
  191. So yeah.
  192. Okay. This one, um, this question here is this the
  193. last question We got something down at the bottom.
  194. But this this question here is about paragraph 19 when
  195. Rogers is talking about.
  196. It's how human cognition works.
  197. Yeah, So what does this mean?
  198. The idea.
  199. What is this, this cognition that he's talking about in
  200. paragraph 19?
  201. So if we look at the story in paragraph 19,
  202. Um, yes, I would be over here, going down, Baby
  203. Barber. Yeah, it says here, lying can and does, um,
  204. it does.
  205. He lying can and does clearly serve a devious social
  206. purpose so that the author clearly is saying, it's bad.
  207. It's people use it for bad.
  208. It can help someone paint a better picture of the
  209. truth or help so we could do something good, kind
  210. of paint something better.
  211. Or it can kind of let politicians not answer a
  212. question they don't want to.
  213. It's unethical, and it makes our democracy worth worse.
  214. But it's how human cognition works.
  215. Human cognition means how we think, how we operate in
  216. real life.
  217. And so in other words, this is a way human
  218. cognition. It's how human cognition works.
  219. Another way to say that would be that this is
  220. just natural.
  221. It's just human nature.
  222. It's just the way we are as humans.
  223. We can't help it.
  224. We lie.
  225. Sometimes it's just part of the way human brains work.
  226. We don't always tell the truth perfectly.
  227. Is what the author is saying here.
  228. Okay, so you can see Rogers.
  229. I should say, saying this, um saying and then the
  230. the examples that follow are examples.
  231. These examples here about Santa and the tooth fairy, these
  232. mixed messages, the way that we're saying that you shouldn't
  233. lie. But then here, look, we're going to lie to
  234. you. Well, again, This is just the way people are.
  235. They don't.
  236. In other words, people are not robots.
  237. They're not logical.
  238. They should.
  239. They should be consistent, but they're not.
  240. Parents tell things to their Children that are confusing because
  241. they're opposites, right?
  242. Is it okay or not?
  243. Okay. But they mix and mixed messages saying sometimes it's
  244. okay, sometimes it's not.
  245. Okay. Uh, this question here, why is it challenging the
  246. spotlight in real time?
  247. This is Yeah.
  248. This is a question I asked in self study for,
  249. um they talk about in real time.
  250. I wanted you to focus on the idea that in
  251. real time means actually, as it's happening when you see
  252. the in real time, that implies that the person who
  253. is the actor?
  254. You know, you're trying to spot the lies, the or
  255. the faltering.
  256. You're trying to spot them.
  257. It's hard because you're not just a scientists who doesn't
  258. have to interact.
  259. You can't just sit back with a lab coat and
  260. watch what happens and listen and look at the transcript
  261. like like in research.
  262. You can't do that in real time.
  263. You are in it.
  264. You're a participant, so people are talking to you.
  265. You feel nervous?
  266. Maybe. Maybe you you ate too much that day and
  267. you kind of burping or you feel kind of uncomfortable.
  268. Maybe you're thirsty.
  269. You're Maybe you got to use the bathroom.
  270. I mean, all of these real life things play into
  271. your ability to spot to actually pay attention carefully to
  272. what people are saying and when they are faltering or
  273. lying. In other words, it's hard to do when you
  274. have all of these other things that you have to
  275. think about and care about, including your physical body and
  276. interactions with other people.
  277. Okay. Uh, why Second question 12.
  278. Why are most people not comfortable challenging someone in that
  279. way again?
  280. You can read that and you can go watch that
  281. video of Paxman and Howard.
  282. Most people are not comfortable repeating the same question when
  283. someone doesn't answer.
  284. So if I say, uh, you know if he hears
  285. you and here's your mom and you know, let's not
  286. use your mom because you would never do that.
  287. But imagine here's your friend.
  288. And here's you.
  289. You were You're waiting for your friend and she's an
  290. hour and a half late and she comes up and
  291. goes, Oh, hi.
  292. I'm here.
  293. And then you say, Well, where were you and then
  294. your friend, uh, you go Wait a minute.
  295. Where were you?
  296. And then your friend says something.
  297. Oh, you know, I'm sorry I'm late.
  298. It's okay.
  299. Let's just get started.
  300. No. Why are you late?
  301. Well, you know, I it's very busy outside the road
  302. is traffic, you know?
  303. No. Why are you late?
  304. You know, people are uncomfortable acting like that being a
  305. robot. They just keep asking the question over and over
  306. until that person gives a direct answer.
  307. Uh, that that doesn't again.
  308. That's uncomfortable.
  309. Okay, The last one there looking like a blimp.
  310. Yes, it does mean looking fat.
  311. A blimp is a big, long thing shaped like a
  312. watermelon. So if you look like that, if you look
  313. like a blimp, it means you're really fat.
  314. So you don't want to tell somebody they're really fat.
  315. So instead of saying they look like a blimp, you
  316. might Paultre, they say and tell them Oh, no, you
  317. look fine.
  318. Yeah, you look, you look, you know, you might think
  319. of something.
  320. Oh, yeah.
  321. You look thinner than before, you know?
  322. Maybe they do.
  323. But it's not thin and no admission.
  324. What is?
  325. No admission of guilt?
  326. No. Admission of guilt means that you don't admit that
  327. you did something wrong in this example.
  328. Trumps trumps organization.
  329. Did something wrong?
  330. They discriminated against, you know, they were racially discriminating against
  331. certain African American people and they, but they wouldn't admit
  332. it in court.
  333. Even though they did it and they got caught, they
  334. wouldn't say.
  335. They wouldn't say I did it.
  336. Okay, good luck on the exam.