subUrban Legends - Poetry Assignment

PL
by Prezi Lucy1 view·Updated May 7, 2020

Audio TranscriptAuto-generated

  1. Hi, it's Lucy.
  2. And today I'll be doing my suburban Legends Poetry assignment
  3. presentation. So to start off, we have the theme.
  4. So second, So I came up with a couple themes.
  5. The main one I kind of based my products around
  6. is more of a thesis.
  7. But basically it's about how trauma are traumatic experiences, influence,
  8. decision making.
  9. Some other ones I came up with were pessimism, hopelessness
  10. and irony.
  11. But based on the main theme or thesis, it's kind
  12. of talking.
  13. I'm tryingto like, kind of make it talk about how
  14. people will choose to either face or avoid the factors
  15. off their traumatic experience.
  16. And within the syriza poems, what I see is that
  17. the character and narrator is avoiding their path and avoiding
  18. the storyline of the very tell, because it's not what
  19. they want.
  20. Um, which is, I think it's pretty reasonable, because in
  21. this in the fairy tale, even though in mice it's
  22. like narrated to be, ah, happy ending.
  23. There are many parts that are masked and just not
  24. talked about.
  25. So it seemed like a happy ending, but it really
  26. isn't so.
  27. It makes sense that the characters trying to avoid it
  28. However, while they're trying to avoid it, they end up,
  29. um kind involving themselves in a very similar situation.
  30. They just have different expectations put upon them.
  31. And really, all the decisions they make are based on
  32. the fact that they're trying to avoid going back to
  33. their first situation.
  34. Yeah, um, So onto the poetry analysis there a couple
  35. aspects that lead me to my conclusion, For example, the
  36. use of a fairy tale I found was quite interesting
  37. as it kind of, um pointed out the fact that
  38. everyone's trying to live this perfect life even though there
  39. really isn't this possibility of a perfect life.
  40. Things they're just masked to make it seem perfect and
  41. a majority of people, rather than just straight on figuring
  42. out their problems and just gradually improving their own situation,
  43. they just decide to mask it up in order to
  44. achieve that perfect life.
  45. Um, so for the use of fairy tales, I think
  46. it's really good contrast to show how it's not realistic.
  47. Essentially another idea is the seasons, so winter versus spring
  48. is the main one that is shown throughout the poems.
  49. I also put this as a motif, but Basically, my
  50. idea is that the use seasons is as a cycle,
  51. and I kind of saw it within the timeline of
  52. the poems to it seemed as if we were starting
  53. in winter, and then it kind of went like spring
  54. edge with back to winter because it kind of follows
  55. the feelings of the character, too.
  56. But then it eventually goes through spring and summer and
  57. autumn and right back to injured.
  58. And the point of that in from how I see
  59. it, is how it's a cycle that people have to
  60. go through and haven't understand that instead of avoiding their
  61. situation, they have to fix it in order to move
  62. on. Um, a couple other ideas I had that were
  63. more that could also be seen as motifs were the
  64. stains and shadows.
  65. They I see them quite.
  66. I, like, noticed them quite a lot about the poems.
  67. Um, and I kind of saw them as how she's
  68. still stained by her experiences in the past.
  69. And his shadow is her experiences following her all along
  70. and she feels think hostility towards it.
  71. Um, and also sicknesses and injured, like injuries or illnesses,
  72. were mentioned a lot, and the way I see is
  73. how there's like this illness within her that just keeps
  74. getting worse and worse as she avoids her situation.
  75. And it will only get better once she kind of
  76. notices it where acknowledges it and decides to trying to
  77. cure it.
  78. Um, a smaller idea is like the aspect of Apple's,
  79. which is made, goes It kind of just solidifies idea
  80. that she was trying to find something to replace an
  81. object of her past which once again kind of points
  82. out how she's not moving on.
  83. She's just trying to replace things.
  84. And, yeah, doesn't.
  85. I just don't really think it helps when they try
  86. to replace them.
  87. You know what I mean?
  88. Like rather than replacing them with another object to try
  89. and avoid the facts that they are traumatized by this
  90. thing, they should be finding something completely new with a
  91. new meaning and not just to replace it.
  92. Um, moving on to my visual, I apologize for it.
  93. We're, ah, being kind of low quality and possibly hard
  94. to see.
  95. I did use pencil for some portions of it.
  96. Um, I was gonna zoom in and basically talk about
  97. how my visual represents the theme, uh, are carnage hard
  98. to make us?
  99. So it's like she's looking through one lens while she's
  100. trying to find herself in her own path and which
  101. I'll explain a bit more in the next portion.
  102. But, um, the mirror is the post Rip Santo character
  103. is kind of seeing a version off herself within that
  104. mirror. She's also seeing things that she thinks she wants.
  105. However, she only really wants them because she's trying to
  106. avoid her situation.
  107. Um, I guess the point is that she's looking through
  108. one lens, and this one lens is caused by her
  109. traumatic experience.
  110. And now, on to the details of the visual.
  111. I'm just gonna go back to the visual.
  112. Um, so a couple of the details are for the
  113. lens. I made it model tone, and I kind of
  114. blew out the sides to make it focus on her
  115. because her focus is kind of on herself.
  116. Um, and this monotone is also supposed to create this
  117. lack of energy and how, rather than this perfect fairy
  118. tale, they kind of the author really showed the dark
  119. side to this very tail and how not everything is
  120. perfect. Uh, furthermore.
  121. Ah, there are a couple colored portions, but those are
  122. the portions that are either part of the fairy till
  123. that she wants to avoid or kind of.
  124. The new fairy told us she created that she's trying
  125. to go into trying to, you know, enjoy her freedom,
  126. trying to create this new storyline for herself.
  127. But she just end up creating a new storyline with
  128. basically the same kind of situation as the first story
  129. line she was in, Um, the mirror.
  130. I kind of talked about a little bit, but there
  131. are a few portions are a little bit hard to
  132. see, but the mirror has, like a really pretty fancy
  133. frame kind of shows how that is, what societal expectations
  134. put upon people.
  135. They're supposed to be these perfect rule models, you know,
  136. good looking.
  137. They gotta be well presented everything, however, that it's really
  138. hard to see.
  139. But there are some cracks in the mirror and those
  140. cracks responsible to represent how this is this false idea
  141. that people have off perfection and that is really not
  142. achievable. Um, and I kind of talked about a little
  143. bit before, but it's kind of was represent how nothing
  144. will ever be perfect.
  145. But because it is this idea out there, people feel
  146. a need to try and match it.
  147. Try and, you know, even go over that measure that
  148. has Arabian sit, and they do so by covering up
  149. the problems, their lives, to make it seem perfect rather
  150. than gradually improving their situation.
  151. And, you know, improving things to the best of their
  152. ability and for to the best of their own interests.
  153. They do so to kind of prove to other people
  154. that they're doing well.
  155. Um, I also put in a shadow that's following the
  156. girl, and in time I can talk about this a
  157. little bit earlier.
  158. But the shadows supposed to represent, like all her problems,
  159. were just following her along her way, even though she's
  160. trying to leave them behind her.
  161. She really basis all her actions on her problems from
  162. before. She's like she's not fixing it, though she's based
  163. interactions off the fact that she's trying to avoid it.
  164. I also put in the contrast of the seasons or
  165. the weather because I noticed that it was mentioned a
  166. lot that winter was kind of associated with, um, the
  167. more like depressing side and the more broken side.
  168. While spring was more so, she was life and, like
  169. happiness, settlement over and I eso essentially over.
  170. Oh, I also forgot to mention that the mirror is
  171. round. Teoh kind of represent this round appearance that they're
  172. supposed have, rather than like a sharp mirror.
  173. It's post ribs and how they're such good people, essentially.
  174. And there's also no face because the character doesn't feel
  175. like they have an identity and kind of trying to
  176. search for search for it.
  177. Um, which I kinds on the portion where she left
  178. her husband to live somewhere else.
  179. But she still didn't feel fulfilled because she felt like
  180. empty, lonely.
  181. And then the other portion about the wolves.
  182. Um, that should be about it.
  183. So since that is the end, thank you for your
  184. timeto watch my presentation.
  185. There may be a couple parts that are slightly unclear
  186. expectations from a little bit nervous to film it.
  187. So, um, is there are any questions?
  188. Um, I guess I could try and clear up what
  189. I'm trying to say if we email or use the
  190. Dropbox and I'll probably also including image off my visual
  191. in a drop box.
  192. Anyways, thank you for watching