Bibliography:
“Front Face of a Stela (Free-Standing Stone with Relief).” Cleveland Museum of Art, January 6, 2021. https://www.clevelandart.org/art/1967.29#.
Hawley, Henry H. "A Maya Relief." The Bulletin of the Cleveland Museum of Art 50, no. 3 (1963): 50-55. Accessed February 1, 2021. http://www.jstor.org/stable/25151941.
“Head of a Royal Woman, Possibly Lady K'abal Xook of Yaxchilan.” Head of a Royal Woman, possibly Lady K'abal Xook of Yaxchilan | Yale University Art Gallery. Accessed February 10, 2021. https://artgallery.yale.edu/collections/objects/211678.
“Lintel: British Museum.” The British Museum. Accessed February 5, 2021. https://www.britishmuseum.org/collection/object/E_Am1923-Maud-4.
“Panel with Royal Woman.” Cleveland Museum of Art, December 2, 2020. https://www.clevelandart.org/art/1962.32.
Turner, Andre D., and Michael D. Coe. "A Portrait of Lady K’abal Xook, Queen of Yaxchilan." Yale University Art Gallery Bulletin, 2018, 66-73. Accessed February 10, 2021. doi:10.2307/26573512.
Wanyerka, Phil. "A Fresh Look at a Maya Masterpiece." Cleveland Studies in the History of Art 1 (1996): 72-97. Accessed February 10, 2021. http://www.jstor.org/stable/20079682.
Audio TranscriptAuto-generated
we're going to be examining the presence of women in
ancient Maya are particularly with limestone and stucco sculptures created
within the classic period between the years of 259 100
a. D.
Here we view a piece called Panel with Royal Woman,
which is a limestone panel in the collection of the
Cleveland Art Gallery.
The last three higher Olympics in the lower right corner
recorded Maya Date, which falls in 795 a d of
our modern calendar.
Some of the higher Olympics referred to a ritual which
remains undefined, that the woman had completed at this time.
This panel came from a palace interior at a site
near ya, Sheila Ancient Lee, known as Papa John, or
Split Sky and is located on the modern Borden between
Mexico and Guatemala.
The royal wound faces left, exposing the detail of her
headdress. The great feathered headdress, with its long tassels and
complex pattern of twisting, overlapping feathers, is the central figure.
The costume that she wears, along with the high ethics
in the panel, identify her as a woman.
In her hands lies a mannequin creature with a serpent
leg and a grotesque head with a smoking torch on
its brow.
This creature is a god of loyalty and a symbol
of civil author authority, denoting that it is a woman
of royalty.
Other symbols of high rank might include her jade jewelry
and her costume.
Now we will be exploring to pieces, which depict Lady
Kabbalah Shock Queen of Yash Ilan.
Here we view a stick of portrait in the collection
of the Yale University Art Gallery.
It was created around 600 to 900 a D and
is thought to represent Lady Kabbalah Show the most important
queen in the city of Labeled head of a royal
Woman. This portrait is a fragment of a low relief
seen that portrayed members of the royal court.
Unlike this, lines do co portrait.
Many of the my most widely recognizable Maya monumental works
are relief card limestone Stella's.
However, my artists, especially in my low lands, also use
limes. Do go to adorn exterior faces and interior chambers
of building.
This portrait epitomizes the my conception of feminine beauty as
the face has a flat forehead and a long nose,
which is essential.
Waited by a curved incision extending from the brow to
the bridge.
The shape of the figures head shows elite status because
it was likely acquired by cranial modification, which intended to
make adult Mayan rulers looked like living embodiment of the
Mayas. God and his female consort on the remaining pigment
of the chin is evident that the skin was once
paid in a deep red okra.
A scar runs through the broken top of the head
through the top of the ear, suggesting that she once
wore a headdress once again indicating royalty.
Her ear is garnished with a unique and elaborate ornament
and an ear school that pierces the lobe.
There are traces of green pigment on the ornament intended
to look like jade, one of the most precious materials
and all of muscle America, because it was very rare
and the color was of new vegetation.
The incorporation of jade jewelry suggests wealth and royalty emerging
from the ear.
Spool is ahead of a supernatural serpent with an angular
upturns. Now this exact ornament appears on other carved in
lintels from the which also portray Lady Kabbalah shock.
One of the lintels that portray the ear ornament is
lentil 24.
Here. Review a carved and painted limestone Lindell representation of
Lady Kabash, which was created in 723 or 726 a.
D and is currently displayed in the collection of the
British Museum.
This lentil appeared on a major building in Yeah, structured
23 Structure 23 was decorated with famous lentils and is
described as the house of Lady.
Kabbalah shook when structure 23 was excavated.
It was thought to have the remains of two individuals
embodied there in which were thought to be Lady Kabbalah
and her husband, also known as shield Jaguar.
Or it shall not Balham.
Given the ages of structure 23 burials, however, it is
highly unlikely that these remains are those of, um, the
third and lady cab who ruled for at least 60
years. Perhaps it was a close relative.
This representation of Lady Kabbalah shook and shield.
Jaguar portrays a bloodletting ritual event that took place in
709 80 80 Kabbalah.
Shock pulls a thorn, studied cord through her tongue as
she kneels over an offering bowl that is filled with
scroll soaked in blood shield.
Jaguar stands a above her illuminating the scene by torchlight.
On this winter, it is evident that Lady Kabbalah Shock
is wearing the same ear ornament previously seen on the
Stoeckel portrait ahead of a royal woman.
The front nose serpent that emerged in the year school
is seen in other contexts of mine art and other
my American cultures as well.
The Maya threat.
No Serpent appears as a physical manifestation of solar fire.
This lentil also shows some higher cliff fix.
The first two Olympics in the text at the top
of the lentil indicate the event and the date on
which this took place in 709 80.
The Last Cliff represents the emblem cliff or city name
of Yeah, she, Lamb.
The glitz and the left of the panel contained the
name and the title of Lady Kabbalah Shock.
Beginning in the 17th century, royal women became more important
in monumental artwork.
While some monuments show royal women as military leaders, other
emphasized the importance of queens as ritual specialists as seen
on Little 24 as Lady Kabbalah show conducts rituals to
make peace with the gods and sanctioned the king succession.
Okay, here we view front face of Stella, a limestone
monument in the collection of the Cleveland Art Gallery.
It dates back to 250 to 900 a D card.
With both images and higher graphic texts, This limestone monument
is the front face of a larger, freestanding Stella.
For the ancient Maya, Estella acted as political billboards, which
commemorated dynastic histories.
Political events and religious rituals that the ruling elite participated
in. Thes tell us, were often placed in ceremonial plazas
in front of important temples or other sacred buildings.
In its original form, this Stella was much larger than
it is today.
The original site of this monument has been debated over
many years.
Originally, it was suggested that the Stella came from Kalam
Uncle Camp, a tree in Mexico.
However, it was later established with indisputable evidence that the
monument originated from al Peru.
The front face of the Stella depicts to elaborately dressed
figures Ah, large, formidable woman and a dwarf.
The woman represented in this piece is thought to be
knock on Naja, who ruled al Parul as military governor.
Her left fortune allows for maximum clarity, display of her
headdress, costume and held objects.
The royal woman's elaborate costume is recognizable as that of
the affiliated maize God due to the characteristics featured of
the Cuadrado polar tight monster had dressed beated que por
skirt and shell waste ornament the mice.
God was responsible for rebirth and recreation of the soul
and all living things, while also representing the progression of
human life and the cycle of nature.
The Royal Woman Where is the costume of the Mice
guide to celebrate the passage of a 20 year period
known as Cata own by wearing the attire of a
god, she assembling the powers of renewal and rebirth for
the passage of the old cartoon and the inauguration of
the new cartoon.
The objects in her hands are symbols of divine kingship
and war.
In her right hand, she grasps a boat and respect
scepter, which is often held by rulers and essays a
session rights.
By holding this, she visually declares that she is the
bringer of holiness.
In her left hand, she grasped the small decorated shield
made with pirate mosaic, which perhaps indicates that the royal
woman dance at the maize god as the maize God
with the sacred instruments of kingship and war on her
waist is a fish like creature known as the Zach
Monster. The creature has a nasal curl between its eyes
been sweeping down and outward from its face serrated teeth
and Spahn Dallas Shell emerging from its mouth.
This shall perhaps represents fertility and birth.
The oval shaped mirror on its forehead marks it as
a divine being.
The woman headdress contains several important elements above her hairline.
There is a profile head of the quad apartheid monster,
which symbolizes the path between the natural and supernatural world.
There is a sacred, bold atop the headdress.
Thes bulls are used to hold the sacred offerings and
instruments and are seen as portals to the underworld.
There are three sacred objects emerging from the bull.
First, this Panelists shell, which symbolizes the first creation.
Second, the squareness monster had emerging vertically from the bowl
symbolizes the center of the Maya universe and third, the
sprouting cartouche with cross bands, which has death symbolism On
her feet.
She wears high backed sandals tied in front with a
small nap beside her, a finally dressed war stands holding
a pair of objects with handles.
His costume includes a French cape turban cloth cloth headdresses
tied at the front.
High back sandals and an array of jade jewelry dwarves
air. Frequently portrayed as members of the Maya courts as
entertainers, they were also known as possessors of supernatural powers
that could bring rain framing the royal woman.
And dwarfs are hieroglyphic texts that name.
Each person described the rituals that they perform and explain
the monuments purpose.
Although the artists are unknown, there appears higher Olympics that
suggest that at least eight individual artists are responsible for
the creation of this monument.
Also known from Ira Cliff IQ inscriptions, this work portrays
the featured events in the erection of Stella 34 in
March of 682 A D to commemorate Jaguar Par Pop
fires a session to ruler of Chemical mill About six
years later.
Does he have six years earlier, and to link this
event to the CATA own ending Around this time, my
A society began to slowly decline, warfare excavated, and throughout
the next 200 years, city states were destroyed, abandoned and
thus ended Maya civilization and art tradition.
Although women were often not depicted through these types of
sculptures, the ones that we have examined today are excellent
representation of women in ancient Mayan art based on their
lack of presence and art and on the ways in
which they're depicted in art that we deserve today.
What do you think?
That the role of women, what were in ancient Maya
civilizations? In what ways do you see this represented in