Qualitative Media research: What is it for?

AR
by Andy Ruddock98 views·Updated Aug 29, 2021

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This video identifies the focus of qualitative research, and explains why gender studies exemplify the advantages of qualitative approaches. The video explores: *Generalisability and qualitative methods. *The importance of studying apparently trivial media examples. *The role qualitative research plays in questioning common sense.

Audio TranscriptAuto-generated

  1. in this unit, we're going to be learning about qualitative
  2. media research, what it's for and how we can do
  3. it and that's what we're going to be exploring in
  4. the videos this week, I suppose broadly speaking, what I've
  5. got here in the background is a picture of a
  6. cinema audience from the 1930s and we see a collection
  7. of young people who are looking with fascination, trepidation, engagement
  8. at a screen.
  9. And one of the things that media researchers quickly discovered
  10. was that if you want to know about how media
  11. are affecting society, one of the most effective ways of
  12. figuring out how that works for real people in real
  13. situations is to talk to them.
  14. And one of the first things that media researchers began
  15. to do was take groups of people like this and
  16. just ask them how they felt about their media experiences,
  17. what they meant to them, how it made them feel
  18. why they valued them and so on and so forth.
  19. And so what we're going to do in the in
  20. the learning activities for this week is to think about,
  21. well, what role does that kind of research play in
  22. forming a wider understanding of media influence and how can
  23. we begin to think about doing this kind of research.
  24. And that's very much the theme of the reading for
  25. this week on qualitative media research, which takes a particular
  26. focus on thinking about the role that gender studies have
  27. played in teaching us general principles about how to do
  28. qualitative research and why we should want to do it
  29. in the first place.
  30. So let's start off just by thinking broadly about the
  31. main point of the reading.
  32. So one of the things that we know is that
  33. the reading that I've asked you to do for this
  34. week is about various ways of researching the production of
  35. images of gender and the reception of images of gender.
  36. And I've looked very specifically at the pornography industry.
  37. But what I want you to do right now is
  38. not think about pornography but think about the more general
  39. issue of gender representation.
  40. Because that's the point that I'm trying to make in
  41. that right in that published work.
  42. So what are the general points that I want you
  43. to be taking away from the reading from this week
  44. where we are listed here.
  45. So what we're talking about is the way that gender
  46. studies exemplify qualitative media research.
  47. We can learn general points about why and how to
  48. do qualitative research by looking very specifically at studies of
  49. gender. And the main points that I want you to
  50. think about are as follows.
  51. First, qualitative media studies relate specific examples of media culture
  52. and action to general principles of media influence.
  53. And this is articulated in rows gilles notion of intersectionality.
  54. What does that mean?
  55. Well, what it means is you can take particular examples
  56. of media and action now that can be a particular
  57. tv show or it can be a small group of
  58. people who enjoy using social media or or fans of
  59. a particular celebrity, anything that you are interested in, and
  60. you can talk about how the particular things that are
  61. happening in your media example, reveal general principles in media
  62. culture. So we can use particular examples of media to
  63. explain the structures of media cultures that exists in a
  64. more general is double flange frame.
  65. So in other words, if you're a fan of a
  66. particular celebrity, looking at why you are the fan of
  67. that particular celebrity will probably tell us something generally about
  68. how celebrity as a whole functions as a particular kind
  69. of media for.
  70. So one of the things that we're looking at is
  71. that in studies of gender, for example, whether we're looking
  72. at and whether we're looking at why particular women celebrities
  73. are popular, or if we're looking at why particular groups
  74. of women are attracted to particular kinds of social engagement
  75. through social media, what all of those things tend to
  76. be about is the question of how we live gendered
  77. identity in relation to media narratives, what that means is
  78. that there's a lot of evidence to suggest that the
  79. way that we understand and live are gendered identities, draws
  80. on media narratives, draws on media content and draws on
  81. media cultures and that although that happens in a variety
  82. of ways we can see those principles at play in
  83. people's daily interactions with media cultures.
  84. And so the point of all of this is to
  85. show that the way media are produced and consumed is
  86. meaningful and sensible now.
  87. What do I mean by those two terms?
  88. Well, the two terms, the reasons why we say that
  89. is that firstly to say that media production and consumption
  90. is meaningful is to say that it has a logic
  91. and it has a significance.
  92. So the production of media, for example, isn't simply about
  93. entertainment or simply about attracting an audience, it's about putting
  94. a meaningful reality experience together for audiences through particular processes
  95. that arrange our world in a particular way.
  96. And it's also sensible in the sense that there are
  97. reasons behind people's pleasures in media that are worth exploring
  98. and are really quite serious.
  99. So it may seem that people are attracted to celebrity
  100. for a range of fairly trivial reasons.
  101. But and it may even seem that some of the
  102. things that people do with media seem quite strange from
  103. the outside.
  104. So, for example, um, well, we're going to talk about
  105. an example in a second.
  106. Um, but if we look very closely at why people
  107. engage with media, even if that media seems fairly trivial,
  108. we quickly find that there are actually some fairly serious
  109. reasons behind why people engage with media in the way
  110. that they do.
  111. Yeah, and that quite often selecting case studies that are
  112. widely considered to be quite trivial or even dangerous is
  113. a good way of underlining why media culture is really,
  114. really serious now here.
  115. Let me get you, let me take you to the
  116. picture above.
  117. So we've got sports fans versus boy band fans.
  118. Now, I really like research on women or on on
  119. on fans of boy bands, because this really demonstrates the
  120. idea that apparently that forms of media engagement that the
  121. world seems sees as kind of mad, bad or dangerous
  122. are actually very interesting, very important and very serious.
  123. So, if we look at the way that society considers
  124. people who like boy bands, um and very often this
  125. focuses on teenage girls, for example, what we see quite
  126. often is that society worries about this kind of phenomenon.
  127. So the sorts of women that we see being photographed
  128. here in this photograph above, a group of young women
  129. taking photographs of uh the latest boy band that's come
  130. along, and quite often society sees this kind of activity
  131. as silly.
  132. It's kind of overly emotional, it's hysterical.
  133. Um it's not something to be taken seriously because boy
  134. bands themselves are fairly generic and not very interesting, and
  135. they all look the same.
  136. Of course, the point of um of the point of
  137. this photograph is to show that when we talk about
  138. the same sort, when we talk about male sports fans
  139. very often we take them seriously, right.
  140. If we talk about male sports fans, they're engaging with
  141. sports teams.
  142. Um and we take their passion very, very seriously.
  143. Don't, no one thinks that men who show up to
  144. sporting events dressed in a particular way and shouting and
  145. screaming at the top of their lungs, no one thinks
  146. they're silly or trivial.
  147. Um but people quite often do think that when women
  148. do the same thing in relation to boy bands or
  149. in fact anybody who likes boy bands, um but equally
  150. research on this area shows that that that people who,
  151. like boy bands are driven by the same sorts of
  152. motives. They're driven by the same sorts of desire to
  153. be part of a community.
  154. They're driven by the same sorts of desires to create
  155. a public presence for themselves as you would see in
  156. sports fans.
  157. And so what we see in the different way that
  158. people regard sports fans versus boy band fans is the
  159. way the society makes gender distinctions.
  160. Um so looking at an apparently trivial example of media
  161. culture and action, such as people who like boy bands
  162. can be a way of uncovering, for example, highly gendered
  163. social distinctions.
  164. So we can look at something that people think is
  165. quite trivial and actually use that study to looking at
  166. why do people engage with boy bands?
  167. What are the social pleasures?
  168. What is the social logic behind doing that?
  169. And one of the things that we can find is
  170. that quite often there are some very serious and well
  171. thought out rationales behind engaging with forms of media that
  172. the rest of the world doesn't take particularly seriously.
  173. And so one of the things that that underlines is
  174. the fact that one of the purposes of doing qualitative
  175. research actually isn't finding answers, but it's learning to raise
  176. important questions.
  177. So, for example, if we look at people who like
  178. boy bands, we're not trying to validate what they do
  179. necessarily, but what we are trying to do is we're
  180. trying to raise questions about how do people make social
  181. distinctions through looking at the way that people consume different
  182. types of media?
  183. Why do we take sports fans far more seriously than
  184. we take boy back than we take the fans of
  185. boy bands?
  186. Where do those distinctions come from?
  187. What do they do in society?
  188. Why do they matter?
  189. And how can we find out how people use those
  190. processes to make sense of their place in the world?
  191. So what we're trying to do is we're trying to
  192. find particular examples of media in action and we're trying
  193. to relate them to general principles in major influence.
  194. We're trying to take examples of media and action that
  195. people find either mysterious or trivial or dangerous.
  196. And we're trying to explain why they make sense from
  197. either the point of view of how media produced or
  198. consumed. We're learning that selecting case studies that people think
  199. are trivial or mysterious or dangerous can be a really
  200. useful way of showing how media has significant and structured
  201. influences on society.
  202. And we're becoming comfortable with the idea that research isn't
  203. about finding answers, but quite often it's about problema ties
  204. in knowledge and asking the correct questions.
  205. And so those are the main learning outcomes that I
  206. want us to get from this week.