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Chapter 21
JF
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Jodi Frizzell
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Updated Apr 14, 2022
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Chapters
00:00
Chapter 1
00:12
Chapter 2
02:36
Chapter 3
02:38
Chapter 4
03:42
Chapter 5
03:44
Chapter 6
10:01
Chapter 7
10:03
Chapter 8
11:18
Chapter 9
11:20
Chapter 10
11:25
Chapter 11
11:27
Chapter 12
14:05
Chapter 13
14:08
Chapter 14
14:10
Chapter 15
14:11
Chapter 16
Audio Transcript
Auto-generated
00:01 - 00:03
Okay, this lecture is over Chapter 21.
00:04 - 00:05
This is a long chapter.
00:05 - 00:08
So we're going to hit a couple highlights from each little section
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and move forward.
00:09 - 00:13
That way, we're going to start with neo classicism and romanticism.
00:16 - 00:20
Neoclassical style evolved during napoleon's empire and it
00:20 - 00:22
continued on after he fell from power.
00:22 - 00:26
Um It was felt that great art can only be made from great subject matter.
00:26 - 00:29
So they pulled from subject matters of history and the
00:29 - 00:34
bible neoclassicism was going to be characterized by clean contours,
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clean colors and precise craftsmanship.
00:37 - 00:42
Um The first neoclassical painter was David. He was the french court painter.
00:42 - 00:44
He painted the Death of Marriage that you have seen previously.
00:45 - 00:50
Um And Congress um English was one of David's students um ingress
00:50 - 00:52
actually painted the image that you see here on the left.
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Um He replaced David after napoleon fell from power
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um and went into exile.
00:58 - 01:00
So this piece is jupiter and Thetis,
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it's drawn from Homer's Homer's iliad um fetuses pleading to
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jupiter to save her son Achilles in the trojan war.
01:08 - 01:10
You have Juno in the background.
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This painting shows clear lines.
01:12 - 01:14
It's got the clean colors that we were talking about.
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It's very precise in its craftsmanship.
01:16 - 01:20
Um English is more known for his nudes um nowadays,
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but he valued paintings um such as this due to their subject matter and there um
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how they pertain to history.
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The next dominant trend after neoclassicism is going to be romanticism.
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Um The image on the right is gonna fall
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under that romanticism aspect is the women of Algiers.
01:42 - 01:45
Um so based on a more more of an attitude and
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characteristic it rebels against the 18th century age of reason.
01:49 - 01:52
Romanticism is going to be more emotion intuition,
01:52 - 01:55
more experience and imagination.
01:55 - 01:59
Um If you can think of Goias execution or Delacroix's
01:59 - 02:00
Liberty,
02:01 - 02:03
um Dell'acqua spent several months in North Africa and
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he used that to inspire many of his paintings.
02:05 - 02:09
Um So like I said, the Women of Algiers, this is Delacroix's painting,
02:09 - 02:14
it portrays the scene, most men do not get to see um specifically european men.
02:14 - 02:16
Um This painting is more painterly,
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it's more free than english is jupiter and Thetis,
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the contours are blurred, the colors are more broken. Um It lets you into a
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a scene,
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it lets you experience something that you would not typically get to experience.
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Um and that is what falls under romanticism.
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So after romanticism we fall into realism,
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This painting is a burial at Dornan's.
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Um This is an example of realism,
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realism rose against neo classicism and romanticism.
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It wanted to depict the everyday, ordinary scenes instead of history and heroics.
02:56 - 03:01
This painting is by Corbet, it was accepted into the Salon in 1850.
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Um admirers believed that it was the first masterpiece of the realism era.
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Uh those who hated it were deeply offended by its refusal to
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beautify the scenes and its monumental size. This piece was
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extremely large.
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Um He ended up in jail for two years after getting
03:19 - 03:21
in an uprising in paris and then he fled to Switzerland.
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Um but this piece specifically.
03:24 - 03:29
Um they did not appreciate the subject matter, They didn't like idealizing um
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those every ordinary day scenes. Um
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It was kind of a shift from what they were used to.
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So it was a very difference, very different in what they were
03:41 - 03:42
wanting to admire.
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Um Next up we go into Impressionism,
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so particularly in France artists submitted their works
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to be considered by an official jury.
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Um if it did not can fit that conservative style,
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um it was not chosen by the salon and it was rejected.
03:59 - 04:00
Um
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The salon was kind of the end all be well.
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Um if you wanted your pieces exhibited, you had to go through the salon.
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Um typically, but in 18 63 almost 3000 paintings were rejected,
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which led to the Salon des refuse a
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um So Ayman was,
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I'm sorry. Among them was Manet. Um and this piece in the top left hand corner.
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Um This was his attempt to update to famous works by Titian and Raphael.
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Uh They thought it was making a mockery of the masters.
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So historians still debate exactly what he meant by the painting.
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Um The models are a little bit odd. The perspective is off.
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So all of these combined,
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made his painting a Touchstone for modern art.
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Um So after the Salon refusal show many
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artists started entering other types of exhibits.
04:52 - 04:57
Um So when I referred to the Salon refusal show um like I said,
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if you could not get into the salon,
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you had to wait an entire year before you could submit your work again.
05:02 - 05:09
Um And a group of artists like Monet Degas Renoir. Um They didn't want to wait.
05:09 - 05:10
They visit, they couldn't wait.
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They had to sell their paintings, they wanted to get their paintings seen,
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they needed to sell them and make money and take care of their families.
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Um So they kind of all pulled their money together and held a show
05:21 - 05:26
um all on their own. They rented out a photographer studio. They held the show.
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Um and it was kind of a big
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a big thing.
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Nowadays we wouldn't think anything of people
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just putting their own show together,
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but during this time it was just unheard of and it created a lot of, lot of uproar.
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Um So like I said after the salon refusal show,
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many artists started entering other types of exhibits.
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Um So the top right hand corner, this is an image by Monet, It was present.
05:51 - 05:57
Um and it was critiqued to identify exactly what the new paintings had in common.
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Um They were capturing an impression.
06:01 - 06:03
Um so one of the critiques actually came in
06:03 - 06:05
and they referred to it as an impressionist exhibit,
06:06 - 06:11
hence the name, Impressionism. Uh They they took this name and they ran with it.
06:11 - 06:12
So
06:14 - 06:18
typically an impression an artist would go out, they would sketch
06:18 - 06:21
a landscape or some outdoor scene that they wanted
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and then they would take it into their salon,
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sorry, their studio and that's where they would work on it.
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Um So
06:29 - 06:33
prior to this time an impression was like a preliminary sketch.
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It wasn't a finished artwork.
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So the fact that these artists were putting what they would consider an
06:38 - 06:42
impression into a show and trying to pass it off as something as
06:43 - 06:46
um special as the pieces that we just
06:46 - 06:50
saw from neoclassicism and romanticism was just nuts.
06:50 - 06:54
Um So this piece is actually where the name came from.
06:54 - 06:58
Um So this movement, Impressionism, it took the painting outdoors.
06:58 - 07:02
So people are no longer taking this impression and going back into their studios.
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They are just setting up shop outside and they
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were painting the landscape and what they see.
07:06 - 07:10
Um They focused on how the light affected
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um
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The shadows, like the playing of the light on the water.
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They took in different atmospheric anomalies like rain, cloudy days,
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really sunny days.
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Um They were really interested in catching
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these fleeting moments of atmospheric um encounters.
07:28 - 07:31
So Monet actually painted this image from a rowboat.
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So as he floated past the city, he's painting just as quickly as he can.
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Um He actually removed black from his color palette.
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So all of the shadows that you see on this piece are going to be
07:42 - 07:46
very deep greens are very very deep blues. Um
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Black was not typically used in his paintings.
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Um So the painting on
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the bottom right hand side. Um This is Byron wall and this shows something very new.
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Um This is gonna be how the light comes through the trees um
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and how it kind of apples onto the ground and on the people.
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Um you can actually see the real strong highlights of the
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of the sun coming through.
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Um the guy in the foreground that's sitting on the chair,
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you can actually see on the back of his jacket,
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those little polka dots um that is the
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light coming through the trees and hitting him.
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If you look throughout the painting,
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you'll find these little sunlight polka dots all over.
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Um and that's what gives that effect of their under these trees
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there in the shadows but they're still getting sunlight hit on them.
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Um So light moves like Monet renoir captured these optical sensations.
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Um He did that through fluid brushstrokes a light and color palette and he colored
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the shadows. Um There's not really a strong black in his piece either.
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Um The bottom left hand side is a summer's day.
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This is by Morisot, Morisot is another founding of Impressionism.
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Um She's actually one of the few that were female.
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Um So after receiving private art lessons, she took a strong interest in painting,
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she exhibited nine paintings in the first impressionist exhibit.
09:14 - 09:17
Um This piece is very typical of Morrison's style.
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She had a very light color palette and her brushstrokes were very, very free.
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Um Typically a female painter during this time painted what
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they were able to see or encounter and experience.
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So a lot of female painters um
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did scenes of domestic life like with a mother and child.
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Um There's a few
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anomalies to this, this painting being one of them,
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but it's all leisure activities um that middle class leisure um enjoyable times.
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It's not that everyday life, it's kind of
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elevated.
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Um
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So after Impressionism that is going to lead us into post Impressionism,
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So post Impressionism admired many aspects of Impressionism um but they
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have their specific styles which caused them to be grouped together.
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So you have um Sarah van Gogh Gorgon Cezanne.
10:18 - 10:21
Um gagan actually traveled to the islands of the
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pacific which inspired a lot of his art.
10:24 - 10:28
The image on the right hand side is one of dragon's piece pieces.
10:29 - 10:32
Um So along with the qualities of Impressionism, he added flattened forms.
10:32 - 10:35
He had broad color areas and strong outlines.
10:36 - 10:39
Um He used tertiary color harmonies and he
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focused more on exotic subject matter.
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Um So this piece is from his first visit to Tahiti.
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Um He believes the obsession with greek and roman art had just ran its course
10:50 - 10:54
and he was looking for a new inspiration which he found during his travels.
10:55 - 10:59
Um The image on the left is from season.
10:59 - 11:04
So unlike dragon, he season actually found his inspiration very close by.
11:04 - 11:06
So he found it in the south of France.
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Um this is an underlying geometry, it was created through hundreds of small,
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vivid little patches of paint.
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Um so it has structural lines that are echoed throughout his artwork.
11:18 - 11:24
So after post Impressionism, we move into fauvism, expressionism and cubism.
11:32 - 11:35
So the bottom left hand image in 1905 and
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exhibit was held in Paris that created Fauvism.
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Fauvism refers to wild beasts. So the leader of this art style is going to be matisse.
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So this particular piece, you have a pink sky, yellow earth,
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you have orange foliage, blue and green tree trunks.
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Um and fauvism color was freed from its natural role.
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You didn't have to follow what you typically see. Um Fauvism did not last long.
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It was roughly 4 to 5 years.
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However, it was a crucial aspect in the development of modern art.
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Um so the image right above it, top left hand corner.
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So fauvism helped artists feel that they weren't confined to
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use real colors as they were found in nature.
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They were influenced by expressionism. Um
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they were able to really push it further.
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So expressionism is when an artist takes his feelings.
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Um and they let that take precedent over the
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the observation of the object.
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Um So Kandinsky was a Russian painter
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who believed arts spiritual and communicative power
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um could be found in its lines and its forms and its colors.
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Um he was one of the first painters to eliminate representation altogether.
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Um so specifically he says that he was inspired by
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a painting he didn't recognize in his own studio.
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So, a piece that he had painted,
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he did not even recognize what it was because it was upside down.
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And that kind of
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made his brain click that he believed the subject matter
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was incidental informs and color could impact the soul.
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You didn't have to have a strong
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specific subject matter.
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Um The far right hand side is gonna be by Picasso.
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So, while Kandinsky was working with color,
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Picasso was concentrating on representing form and space.
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Um so in this piece, particularly Picasso was experimenting with several ideas.
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He includes nontraditional elements.
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He emerges the figure with the ground
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and he used fragmentation of the figure. He breaks this up.
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So, although Picasso is considered the founder of Cubism,
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he worked with Brock from 1909 and 19 and by 1910,
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their styles had almost became identical and interchangeable if you will.
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Um brock was influenced by Cezanne and this piece here in the middle.
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Um he creates a man playing the guitar,
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but it's broken up into geometric shapes and it's fully cubist.
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Um the psychological merging of real and not real
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would have been important implications for later artwork.
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So after
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this, we moved into
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dada and surrealism.
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Um So on the left hand side, this is called fountain.
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Um So America's most famous dot est is Marcel Duchamp. Ah he created ready made art.
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So ready made art is not art the artist creates, but it designates
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so this
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peace is a porcelain urinal.
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It was entered in the new york art exhibition under the name of our mutt.
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Um So when they put on this exhibition,
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the organizer said that all art would be accepted.
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So he said,
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let's see if we can really do this. And so he wanted to challenge them.
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So he goes out, finds a urinal and puts it into the exhibit.
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So from this, a ton of philosophical questions were asked revolving around art.
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