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M2 Video Talk
JH
by
Jess Havill
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Updated Jul 18, 2022
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00:00
Chapter 1
Audio Transcript
Auto-generated
00:01 - 00:05
Hello everyone, and welcome to my text. Talk assignment.
00:07 - 00:08
So
00:08 - 00:12
the poem I chose was out out by robert Frost.
00:12 - 00:15
And because it's so short, I have enough time to read it to you.
00:16 - 00:17
Out out.
00:18 - 00:21
The buzz saw snarled and rattled in the yard,
00:21 - 00:24
and made dust and dropped stove length sticks of wood,
00:24 - 00:28
sweet scented stuff when the breeze drew across it,
00:28 - 00:32
and from there those that lifted eyes could count five mountain ranges,
00:32 - 00:34
one behind the other,
00:34 - 00:36
under the sunset, far into Vermont,
00:37 - 00:41
and the sauce snarled and rattled, snarled and rattled
00:41 - 00:44
as it ran light, or had to bear a load,
00:44 - 00:45
and nothing happened.
00:45 - 00:47
Day was all but done.
00:47 - 00:49
Call it a day. I wish they might have said
00:50 - 00:52
to please the boy by giving him the half hour
00:52 - 00:55
that a boy counts so much when saved from work
00:57 - 01:01
his sister stood beside him in her apron to tell them supper
01:01 - 01:06
at the word he saw, as if to prove. Saws knew what supper meant.
01:06 - 01:09
Left out at the boy's hand, or seemed to leap.
01:11 - 01:12
He must have given the hand,
01:13 - 01:15
however, it was neither refused the meeting
01:15 - 01:16
but the hand.
01:17 - 01:21
The boy's first outcry was a rueful laugh as he swung towards them,
01:21 - 01:23
holding up the hand half an appeal,
01:23 - 01:26
but half as if to keep the life from spilling.
01:26 - 01:28
Then the boys saw all,
01:29 - 01:32
since he was old enough to know big boy doing a man's work,
01:32 - 01:35
though a child at heart he saw all
01:35 - 01:35
spoiled.
01:36 - 01:40
Don't let him cut my hand off the doctor when he comes. Don't let him sister
01:41 - 01:43
so, but the hand was gone already.
01:44 - 01:46
The doctor put him in the dark of ether.
01:47 - 01:49
He lay and puffed his lips out with his breath.
01:49 - 01:52
And then the watcher at his pulse took Fright.
01:52 - 01:53
No one believed
01:53 - 01:55
they listened at his heart little
01:56 - 01:56
less
01:57 - 01:57
nothing.
01:58 - 01:59
And that ended it
01:59 - 02:04
no more to build on their and they since they were not the one dead
02:04 - 02:06
turned to their affairs.
02:07 - 02:10
Okay, that is my poem.
02:10 - 02:11
And
02:11 - 02:15
And I will give you a quick overview of the text.
02:15 - 02:20
So I chose the poem out out by the American poet, Robert Frost.
02:20 - 02:24
Um this poem was written in 1916 and it's part of a larger
02:24 - 02:28
collection called mountain interval and it's actually based on a true story.
02:28 - 02:31
So this happened to the son of a friend of Robert Frost.
02:32 - 02:35
It features a single stanza and as you heard,
02:35 - 02:39
it doesn't follow a strict rhyming pattern or form and it's written in blank verse,
02:40 - 02:43
the poems a narrative and it tells the story of a young boy,
02:43 - 02:47
his tragic abrupt death and his family's cold response.
02:48 - 02:50
So this is the setting.
02:50 - 02:53
It is an idyllic mountain range in Vermont, as I said,
02:53 - 02:56
and this is a picture of actual Vermont.
02:56 - 02:58
If you ever get the chance, you should go. It's beautiful
03:00 - 03:02
and these are buzz sauce
03:02 - 03:04
In 1916.
03:04 - 03:05
So just for some context,
03:05 - 03:10
this is what the boy would have been using in the poem when his sister came outside.
03:11 - 03:12
So
03:13 - 03:16
the plot, his setting as we know,
03:16 - 03:18
we're in Vermont and the story begins with the buzz saw,
03:18 - 03:22
its snarling and rattling in the hands of the boy who's doing his chores outside.
03:23 - 03:25
The scenery is beautiful farmland,
03:25 - 03:28
there's mountains in view and the boys excited because
03:28 - 03:30
his work day is coming to a close,
03:31 - 03:35
his sister comes outside, lets him know supper is ready and distracted.
03:35 - 03:40
The boy loses control of the buzzsaw, letting it come into contact with his hand.
03:40 - 03:41
In that moment of shock,
03:41 - 03:44
he holds up his severed hand with a rueful
03:44 - 03:46
laugh before looking to his family for help.
03:47 - 03:49
A doctor arrives and gives him ether.
03:50 - 03:55
Um Ether is a chemical that was used as a common anesthetic in the 1960s.
03:55 - 04:00
And despite the treatment and the doctor's attention, the boy bleeds out and dies.
04:00 - 04:04
The poem ends with an emotionless statement that his family since
04:04 - 04:07
they're not the ones dead will go on with their affairs.
04:08 - 04:13
So, some of the themes in this poem include the fragility of life, sympathy, death,
04:13 - 04:15
the dangers of technology,
04:15 - 04:19
What life was like for the working class and World War One perspectives
04:20 - 04:22
because this would have taken place during World War One.
04:25 - 04:30
So, I want to look at the suitability of this poem in addressing curriculum,
04:30 - 04:35
document expectations and I've chosen to specific expectations to look at both
04:35 - 04:40
are from the reading strand for grade 11 english university prep.
04:40 - 04:41
So E. N. G. Three U.
04:43 - 04:47
So under reading for meaning I have the first specific expectation of
04:47 - 04:52
making inferences because the shift from grade 9 10 to 11,
04:52 - 04:58
12 in making inferences is looking more and more at the subtle subtext.
04:58 - 05:01
Um And I want to see the students supporting
05:01 - 05:05
their explanations and really reading into what they're seeing.
05:05 - 05:07
So in the classroom,
05:07 - 05:10
the inaction part of my slide here in the classroom that might
05:10 - 05:14
look like me prompting them with explain how the poems introduction,
05:14 - 05:16
foreshadows, what will happen in the poem?
05:16 - 05:19
So in the beginning of the poem, we hear,
05:19 - 05:23
you know, the author says, oh if only they'd called it a day.
05:23 - 05:25
There's some clear foreshadowing there.
05:25 - 05:29
Um What does the physical presentation of this poem the way
05:29 - 05:32
it's laid out on the page contribute to its meaning?
05:32 - 05:35
So there is n jam mint, it has unusual typography.
05:35 - 05:40
You know, the sentences don't neatly end in each row, they continue on to the next.
05:40 - 05:42
What could we um
05:42 - 05:46
assume um based on Frost use of that style.
05:46 - 05:47
And then finally,
05:47 - 05:51
a more collaborative way to incorporate that as a jigsaw activity.
05:51 - 05:55
So similar to the Karen's house activity from module to content.
05:55 - 05:57
We have the jigsaw activity of reading
05:57 - 05:59
from different perspectives for different purposes.
05:59 - 06:03
So read from the purpose of um the life as the boy,
06:03 - 06:06
the sister and the family, the doctor.
06:06 - 06:10
And finally reading it as the saw itself because it is so
06:10 - 06:12
personified in this text.
06:13 - 06:15
My next expectation was form in style.
06:15 - 06:17
I couldn't resist I had to include looking at
06:17 - 06:20
stylistic elements in the poem because it's a poem.
06:20 - 06:21
Um,
06:22 - 06:25
again, the subtlety in the change from grade 9 10 to 11,
06:25 - 06:28
12 is we're looking at can you not just not
06:28 - 06:31
only identify the form and style in the poem,
06:31 - 06:35
but can you really explain their effectiveness and how they're enhancing the poem?
06:35 - 06:38
So in class in action,
06:38 - 06:41
I might prompt the students with how does the personification
06:41 - 06:44
of the buzzsaw enhance the effectiveness of this poem?
06:44 - 06:47
And then what's the final result? How does the addiction?
06:47 - 06:49
So the authors, you know, emotionless,
06:49 - 06:54
straightforward word choice present the working classes attitude towards death.
06:56 - 07:03
I looked at the text suitability outside of ministry expectations.
07:03 - 07:08
And I went for a more personal angle on this. So, if I were using this poem to teach
07:09 - 07:10
um
07:10 - 07:13
for personal reasons, I would use it as a collaborator,
07:13 - 07:16
a collection or an anthology on multiple
07:16 - 07:19
perspectives of death throughout several centuries.
07:19 - 07:23
So, as a greater collection, um,
07:23 - 07:26
to help tackle that topic of death with adolescence.
07:26 - 07:31
Um, I would also maybe use it as a part of a unit on war.
07:31 - 07:35
And I would use it as a cross curricular poem. And
07:36 - 07:42
I would also use this poem as a debate point because life is depicted so
07:42 - 07:47
differently and it can be interpreted differently in this poem when a child dies.
07:47 - 07:50
Is life more valuable or less because he's so young.
07:51 - 07:55
Um, and then finally, I think the larger message of this text,
07:55 - 08:00
and I actually got this idea from another um, author online is that
08:01 - 08:03
there is a warning of the use of technology.
08:03 - 08:08
So the larger message could be the buzzsaw represents our society's
08:08 - 08:12
reliance on technology and we take for granted its power.
08:13 - 08:15
And if we become overly reliant on this
08:15 - 08:19
technology and comfortable in our usage of it,
08:19 - 08:21
it could cause irreparable damage to our well being,
08:21 - 08:25
just like the sauce so quickly removes the boy's hand.
08:25 - 08:29
So these are my references. Um, and thank you for listening.
08:30 - 08:33
I hope that you got something from this.
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