Happily ever after part 1

JV
by Johnny Vag1 view·Updated Apr 22, 2021

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  1. Mhm and they all lived happily ever after.
  2. Now, this type of conclusion is actually fairly newt, the
  3. entertainment industry or rather the genres of fairytale and pantomime,
  4. which is kind of strange when you think about it
  5. Now, future research that I wanted to conduct was to
  6. enter into this more and the ideas of how exactly
  7. have fairy tales and pantomime needed to adapt in order
  8. to fit within 21st Century Theatre.
  9. Now, as a logical starting point to this, as not
  10. everyone could have completely understand what fairy tales and pantomime
  11. are. Instantly, I would have to start off with a
  12. brief history of both subjects because it can be quite
  13. extensive now, starting off what is pantomime?
  14. Well, it's something that's actually rather hard to give one
  15. solid definition to as there is a lot of history
  16. to it and it continues to involve even as time
  17. goes by today.
  18. Originally, it had originated in mid 16th century Italy as
  19. committee and alert.
  20. And yet nowadays it's taken quite a term from the
  21. traditional slapstick comedy of the time.
  22. It's now reflects british traditions of family and as often
  23. occurs during the christmas season.
  24. For example, Charles dickens, dickens story of christmas, carol is
  25. one of the most common pantomimes that exists within today's
  26. society. So moving on, what exactly is a fairy tale?
  27. Well, there's a lot of definitions to it as they
  28. were once a form of critique from nobility.
  29. There are often used to teach specific values in a
  30. way that would catch the attention of all audiences, no
  31. matter the age group, the common characteristic of fairy tales,
  32. where the idea that there was anthropomorphized animals such as
  33. My Sad might have shirts on or top, Even talking
  34. animals or nobility were normally included in some shape or
  35. form entails.
  36. Our originally based on the contemporary imagination became later known
  37. as fairy tales.
  38. So that's all and good.
  39. But what's exactly the difference while at some point in
  40. the history of pants and pantomime, there is a scene
  41. or two where nothing is said.
  42. But his story is told through the actions of the
  43. actors and actresses and concepts that are often found in
  44. fairy tales can be included in pantomime, such as the
  45. anthropomorphized animals.
  46. Now moving on, I feel the need to talk about
  47. kind of like the big three names within these two
  48. genres as a whole and they are from left to
  49. right Charles Perrault, hans, christian Andersen and the brothers grimm.
  50. Now, who exactly they are.
  51. We'll get into shortly, Charles Perrault since existences.
  52. He was an influential figure in the court of King
  53. louis the 14th.
  54. He was the author of earlier versions of Cinderella, Little
  55. red riding hood and etcetera and key elements in his
  56. story or to show audience is the importance of wisdom,
  57. virtue, and obedience.
  58. So pretty much this was the guy that would often
  59. use his stories to teach lessons to the general public
  60. even though a lot of his stories were known to
  61. or more nobility due to his deep connection with them.
  62. Now moving on to hans christian Andersen, he was more
  63. so a novelist than uh being able to access the
  64. theater. The tales of his felt more compelling due to
  65. the personal history.
  66. Had him connect with the perspectives of the unfortunate and
  67. the outcast.
  68. His tales were meant for adults and Children but often
  69. had concepts that Children could not easily understand.
  70. And yet he's his tales also retained kinda like a
  71. almost shot like perspective that's still caught their intention.
  72. However, what is more commonly known for was the use
  73. of anthropomorphized animals.
  74. Now moving on to the Grimm brothers.
  75. These are sort of like the darker fairy tales as
  76. one might imagine.
  77. Or rather that is the first thought that some people
  78. could have.
  79. They actually originally started collecting tales in order to help
  80. friends with their projects and their tails remain the currently
  81. scientific collection of folk tales.
  82. And yet when you think about it, couldn't be, couldn't
  83. argue being made that some of the earlier story is
  84. we're if some of their earlier stores were performed, it
  85. could be seen as an early version of theater of
  86. cruelty. For example, the stepsisters in their version of Cinderella
  87. had cut off parts of their own feet in order
  88. to fit into the glass slippers, had their mother's mother's
  89. suggestion. Now moving on, the types of research that would
  90. be mandatory when conducting the search into the history, would
  91. be interviews in archival work.
  92. How and for each of them have their own set
  93. of problems.
  94. For example, with interviews, if you ask someone what exactly
  95. is pantomime, the most common answer you get, you would
  96. get what either be, oh, it's commedia Dell'arte or reflects
  97. british traditional values with very few people being able to
  98. answer any form of question of what happened to pantomime
  99. in between.
  100. You can also ask personal opinions about the three heads
  101. of the fairy tale and pantomime.
  102. And but personal opinions, we're are always going to be
  103. very different, which is why there's going to be a
  104. heavy reliance on archival work simply due to the fact
  105. that there is a lot of history that needs to
  106. be gone through.
  107. However, what what's limiting about this is that there's almost
  108. too much history to go through.
  109. For example, with the Grimm's brothers, you could do an
  110. entire presentation about the series of books that they created
  111. and how each version was kind of more light hearted
  112. than the last.
  113. Now, the next logical stuff after this is to talk
  114. about how society influences the story, because because, let's face
  115. it, this is what's normally happening these days.
  116. So in order to do this, you would have to
  117. take a focus on the rise of Disney amongst other
  118. companies due to the idea of how much of the
  119. connection Disney has and how much of an influence they
  120. have on stories as a whole.
  121. It's, there is some minor changes, but for for the
  122. most part, theatrical performances would uh would often have some
  123. 90 of their material similar to what Disney and uh
  124. other giant entertainment industries have formed.
  125. But a good question to ask though, is how did
  126. they choose which story tales to base their fairy tales
  127. off of?
  128. For example, Disney's Cinderella was based off Charles Perrot's version,
  129. even though the story can actually be traced back to
  130. ninth century china.
  131. Was it due to popularity at the time?
  132. Because it would be, it is interesting to think about
  133. what have Disney actually chose to base their stories off
  134. of the work of the Grimm's brothers.
  135. That would be a lot darker tales.
  136. And how much of a change was the genre of
  137. pantomime in fairytales encounter as a whole?
  138. Due to companies such as Disney who now play a
  139. large role in the entertainment industry.
  140. Well, that means that needs to be answered through something,
  141. through something like a case study, an example of which
  142. is on this next slide, A case study of 1804
  143. Drewry Lane Cinderella.
  144. Now, this performance was based off the tail of chalk
  145. by Charles Perrault, but do the conflict conflict that was
  146. starting to rise up between Britain and napoleon's France.
  147. Everyone felt a need to remove as many french connections
  148. to the pantomime as possible.
  149. Moving on, what was weird, it was that venus in
  150. Cuban forced the prince to fall in love with whoever
  151. wears a specific dress in order to counter to stop
  152. his military ambitions and improve his romantic life.
  153. So when you think about it, uh our society is
  154. so used to everyone having a happily ever after.
  155. And yet in this case, does the prince actually get
  156. a happily ever after when he marries Cinderella?
  157. Did he fall in love with her as a person
  158. or did the gods venus and Cupid force him to
  159. fall in love with her?
  160. Everyone's happy?
  161. And yet there's no real mention of what the princess
  162. actual mental state is at the time.
  163. And going back to an earlier point that I mentioned
  164. that fairy tales in pantomime were a form of critique
  165. for nobility.
  166. Was the prince reflection of King George the third.
  167. During that time, King George had actually had a madness
  168. that was similar to the manic station of bipolar depression.
  169. Yeah, so the Prince falling under occurs.
  170. Could it actually be portrayed as kind of like a
  171. mood swing, which is which is very common with bipolar
  172. depression or bipolar disorder?
  173. Even the fact that the prince was a character that
  174. had no lines.
  175. Could it be shown as the concept between are the
  176. connection between nobility and the general public where the public
  177. actually knows who the princes, Even though the Prince never
  178. really says one word to them directly.
  179. That's it.
  180. And moving on from there, the types of research that
  181. would need to be performed for the viewpoint would be
  182. attending performances, conducting interviews and are once again, archival work.
  183. Yeah. Now attending performances that would that would have to
  184. That would mean that you would have to attend multiple
  185. performances of not exactly one specific show, but 11 type
  186. of show, for example, you would have to watch performance.
  187. You watch the performances, Cinderella, that might take place within
  188. today is Society, Another one which may take place within
  189. the 1980s.
  190. Now, moving on to interviews, that would probably the hardest
  191. type of research to conduct.
  192. Because in order to be successful interviews wouldn't even be
  193. set up with it.
  194. Bigwigs of the Disney Corporation, amongst others.
  195. Yet, it's not exactly as if there would be completely
  196. outright with Oh, yeah, we we know we had a
  197. heavy influence on, on the entertainment society and we know
  198. we're shaping it.
  199. It's gonna be hard to get a straight answer like
  200. that. Which is why it's back to a lot of
  201. archive archival work once again, just to just to see,
  202. oh yeah, the society of this time was reflected within
  203. this piece by this reason or in other words, archival
  204. work would be dedicated to getting a lot more case
  205. studies to provide examples in such.
  206. Now moving on or rather where to move on from
  207. here. Institutions exist, our pantomime and fairy tales even important,
  208. still important into a society.
  209. Well, personally, I like to think so because the pantomime
  210. and fairy tales used to teach us valuable lessons that
  211. we would take to heart.
  212. And yet nowadays it seemed more so as a money
  213. maker for the entertainment industry.
  214. So is it still important from a moral standpoint, or
  215. is it important from a monetary standpoint?
  216. And do older plays exist?
  217. That would be successful in 21st Century Theatre without having
  218. to be edited?
  219. Most likely that wouldn't be the case due to the
  220. due to our cancel culture society.
  221. What may have been completely fine in yesteryear?
  222. What someone would take offense to today and the future?
  223. Where will be presented and published?
  224. I like it to be in papers about committee and
  225. alert and papers about how theater survives in today.
  226. But more than likely this type of research would be
  227. presented within ted talks.
  228. Budget and considerations.
  229. Uh, budget would have to mostly go to archival work
  230. due to the facts of how heavy that it would
  231. be. And most of the budget would have to go
  232. to the interviews and attending performances.
  233. Now constraints there would be a lack of willing interviewees
  234. or repeated information gained from them.
  235. So