Solutions
Pricing
Log in
Teams
Get started
Log in
Get started
1 FIGURES IN FLATLAND
MB
by
Martina Belli
·
7 views
·
Updated Feb 21, 2021
Share
Embed
Re-use content
Create your own
Audio Transcript
Auto-generated
00:01 - 00:04
So we have done a presentation about the comparison between
00:04 - 00:08
figures in flatland society in Victorian society and the figures
00:09 - 00:10
in contemporary art.
00:10 - 00:11
We have got the idea.
00:12 - 00:16
After visiting Carla Cardiss exhibition in the museum, 20 Millon
00:16 - 00:20
Ah, Cardi was best known for her husband, abstract paintings
00:21 - 00:22
and her colleague Graphic Science.
00:23 - 00:26
And she was the one of the founding members off
00:27 - 00:30
former one, a group of artists who embraced the futurism
00:30 - 00:35
and Marxism as a response to the expressive face ist
00:35 - 00:36
regime in Italy.
00:37 - 00:40
In her works, Ah cardi made paintings off circles, science
00:41 - 00:45
and other figures to express her feelings and to fight
00:45 - 00:51
against her society, we saw participate in paintings which inspired
00:51 - 00:54
us to compare them to flatland society.
00:56 - 01:01
So women in flatland society are straight lines and they
01:01 - 01:04
are dangerous for men because they can kill them.
01:04 - 01:08
And so men have to be warned about their presence.
01:08 - 01:12
For this reason, women have to follow lots of rules
01:13 - 01:16
to be noticed by men on the other end.
01:16 - 01:20
In real life, they were not considered at all, and
01:20 - 01:22
they hadn't any kind, off writes.
01:23 - 01:26
Women had to stay home and look after their Children
01:27 - 01:31
and house Oh and household the chores, trying to be
01:32 - 01:34
as inconspicuous as possible.
01:36 - 01:39
This is an A car, this painting else off straight
01:40 - 01:45
lines. Then we have soldiers and the lowest class off
01:45 - 01:46
the workers in flatland.
01:47 - 01:50
They are isosceles triangles with a small base and a
01:50 - 01:53
sharp angle so that they could be dangerous.
01:54 - 01:57
Um, in the Victorian age, some men were forced to
01:57 - 02:00
join the army without choice, as in flatland.
02:00 - 02:04
And so they became a simple soldiers while the workers
02:05 - 02:08
at work several hours per day with very low salary
02:09 - 02:12
salaries and disclosed their poor living condition.
02:14 - 02:17
And this is on a cardi painting which represents lots
02:18 - 02:23
off isosceles triangles, a lta gether in a painting.
02:25 - 02:28
Then we have the middle class, uh, in flatland.
02:29 - 02:32
They are collateral triangles and if they have a lot
02:32 - 02:37
of success or they are diligent and skillful Labradors, they
02:37 - 02:41
will erase that their class because the male child shall
02:41 - 02:44
have one more side than his father.
02:44 - 02:49
In Victorian society, they were hard workers and they had
02:49 - 02:51
to face a very financial problems.
02:52 - 02:57
Victorian age was a golden period for the middle class.
02:58 - 03:02
In fact, some of them became rich, richer and richer.
03:02 - 03:03
Thanks to the industrialization.
03:06 - 03:09
And here we have some a car, these paintings off
03:09 - 03:10
equilateral triangles.
03:12 - 03:15
Oh, then we have Mr Square Class in flatland.
03:15 - 03:19
They are squares and Pentagon's, and they represent the gentleman
03:21 - 03:22
in the Victorian age.
03:22 - 03:25
They did not need toe work in order to earn
03:25 - 03:30
money or perform any labor, any manual labor in order
03:30 - 03:31
to live and survive.
03:32 - 03:34
In fact, they own their own land.
03:35 - 03:38
Um, and they had a particular, particularly generous income.
03:39 - 03:43
Eso they can dedicate themselves to their patient became in
03:43 - 03:46
more culture it as Mr Square deal with the mess.
03:46 - 03:46
Uh huh.
03:47 - 03:52
Those are some car these paintings which represents squares.
See full transcript