structure of essay

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by Amna Ejaz4 views·Updated Feb 24, 2021

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  1. Greetings, everyone.
  2. This is from Pakistan.
  3. Ah, Nde.
  4. My research is is going to focus on isolation but
  5. very bare form of isolation, physical isolation, the sort of
  6. isolation that I believe everyone listening to me right now
  7. I can totally relate to over 2020 Andi, I guess
  8. 2021 being the heir of the pandemic, we were physically
  9. isolated for a very long period of time.
  10. On this is an isolation that we have never experienced
  11. before. My research focuses on how the cinema experience during
  12. this isolation changed for people.
  13. So why, yes, they were away from everyone.
  14. They were not heading out.
  15. They weren't interacting with people that they were interacting with
  16. on an everyday basis.
  17. How did their interaction with their own screen changed?
  18. With screen time skyrocketing, um, many people turned to the
  19. American streaming giant Netflix.
  20. Netflix in Pakistan came in 2000 and 16.
  21. It was only two years later that had gained a
  22. lot of traction.
  23. And this was in 2000 and 18 when the national
  24. broadband service PTCL partnered with with Netflix.
  25. This meant that Netflix had exclusive cashes on Dhe even
  26. when broadband service was was faltering.
  27. or they're very low signals.
  28. Netflix would run on zero buffering issues.
  29. This was this was huge because this man that people
  30. did not have to rely on a very strong three
  31. year 40 service in order to enjoy Netflix with 2020
  32. and with the pandemic many, many people spent hours binge
  33. watching on Netflix became a very, very fond companion of
  34. them. All my research is is coming from semi structured
  35. interviews that were remotely conducted over calls on these were
  36. done with the main demographic, which were students between the
  37. age of 18 and 23.
  38. It's very important to note here that these students belong
  39. to metropolitan cities on dhe cities that are slightly more
  40. developed in the rural areas of Pakistan.
  41. On dhe, this also translates toe who has access to
  42. Netflix. What is the infrastructural threshold in Pakistan?
  43. The infrastructure required to be a Netflix user and while
  44. all of these were very a very diverse group of
  45. people, they shared some very common strands off background.
  46. So all of them had access to in Internet service,
  47. whether that be their home Internet service or their private
  48. three g 0 40 service is they all had a
  49. private device.
  50. Now this is important because the screen culture over the
  51. years has changed from communal viewing inside the lounge, where
  52. the entire family would sit together or a group of
  53. people would sit together and watch anything that was being
  54. live broadcasted to streaming service is toe to toe, bringing
  55. the screen to your lap or to your hand to
  56. your palm.
  57. And now you're watching in your own personal space.
  58. So for them to have this personal space and toe
  59. have a personal device is another infrastructural threshold.
  60. They should, or they all of them shared, um, screen
  61. sharing eso.
  62. Majority of the respondents and I were talking to had
  63. the maximum amount of screens that Air Force screens on
  64. this would be shared amongst friends or family members, with
  65. one of them having a bank card, a debit card
  66. to pay for the subscription.
  67. Now, while ah password is required to sign in tow
  68. the subscribed account.
  69. There is no password needed to switch between screens.
  70. But a unset protocol that existed between them is that
  71. you were not to go in someone else's screen.
  72. Um, if there are three screens, there are four screens
  73. with four different people.
  74. Uh, the answer protocol would mean that I will not
  75. go into your screen to see what sort of content
  76. you have been watching.
  77. And this allowed for a certain level of privacy.
  78. Lastly, territorial licensing relating to the amount of content that
  79. is available in Pakistan.
  80. So not all content that is streamed on Netflix is
  81. available for Pakistan.
  82. Moving on.
  83. We now focus on how dure ing this isolation and
  84. white people were away from daily conduct.
  85. They were self interacting with themselves on the Netflix app.
  86. How did this happen?
  87. So Netflix brings about a lot of engagement that one
  88. is doing with the screen.
  89. You can actively see trailers.
  90. You can actively add that to your my list.
  91. You can pause, you can play.
  92. This is important because you could not pause or play
  93. on a television.
  94. When something is being live broadcasted, there isn't an option
  95. toe playback or to increase the speed, so there's a
  96. lot of engagement that's happening.
  97. Also, creative customization, so customization off your own screen you
  98. would only keep watching content.
  99. Um, would you particularly liked and this would mean that
  100. your entire screen would show you suggested content like that.
  101. One of the respondents mentioned how she would have a
  102. separate screen tow watch reality TV because that was a
  103. guilty pleasure.
  104. And she did not want advertisements or more content.
  105. Like those reality TV shows on her main account, where
  106. she usually watches drama or sci fi or romance on
  107. dhe. It's the way that people are just charting their
  108. own personal space in the application off Netflix.
  109. Um, privacy concerns are obviously there.
  110. So so some of the respondents that do watch erotic
  111. content like 3 65 days or M I.
  112. L. F.
  113. Or other such shows that were aired and made it
  114. to the top 10 of Pakistan.
  115. They were very particular about people who were sharing screens
  116. with them, that they don't log, that they don't, you
  117. know, move into someone else's screen to see what sort
  118. off erotic content was there in their histories.
  119. So this level of privacy was maintained, and my theory
  120. mostly focuses on on Susan Book Morris's um, Susan book,
  121. Morris's account on the baddest our kids in 1995.
  122. So why was Netflix?
  123. Such a huge thing for Pakistanis?
  124. Was because of their experience before Netflix.
  125. So a lot of people were tormenting or they were
  126. using illegal websites on dhe.
  127. This would meant that they had tons of ads.
  128. They had, ah, lot of things that a lot of
  129. computer viruses Toto negate toe negotiate true.
  130. Ah, nde.
  131. What Netflix brings about is a phantom is good article
  132. dreamscape. And but Morris talks about this as fantastic and
  133. magical places.
  134. So these air places that will give overload to your
  135. senses, being being in the log down, not being able
  136. to go out with the streets, being completely empty and
  137. silent. Noble birds, no ads.
  138. You're suddenly on the Netflix happened.
  139. Everything is shiny, and and and in the Paris arcades
  140. she talks about this with the products that are being
  141. displayed with each and every movie as a product as
  142. a sort of commodity that is being displayed to you
  143. with with colors.
  144. And whenever you would lock into the Netflix app, there
  145. will be a trailer that would automatically start playing eso.
  146. You have audio senses as well.
  147. Ah, nde So So this is This is how a
  148. Netflix screen would come up to you and the first
  149. thing. We just start playing.
  150. You'd have rows and rows off evenly distributed TV shows,
  151. um, all calling for you to consume all calling for
  152. you to tow, you know, take part in this commodity
  153. consumption. Um, but what happens after that?
  154. Uh, there was a great level of binge thirst on
  155. the consumption patterns that developed during the pandemic and largely
  156. the black hole that came with this media consumption.
  157. So while convenience was a big part of it, convenience
  158. also meant that they could not keep their eyes off
  159. the screen on this goes well, hand in hand with
  160. the way that Netflix was using its algorithms toe firstly
  161. suggest things that you would be interested in, but also
  162. to make the app in a certain way that you
  163. could not lift your finger off it.
  164. So while there is a greater engagement you can have
  165. with the screen, there's also a lack of engagement so
  166. you can just sit back and the next episode would
  167. automatically play after the five seconds.
  168. Ah, nde.
  169. This would mean that you could watch it at ours.
  170. It end on be completely glued, glued to the screen.
  171. Um, Netflix algorithms working with to show suggestions that are
  172. very, very articulated so they would monitor you Google searches.
  173. They would monitor the things that you are watching on
  174. Facebook or Instagram.
  175. And they would carefully curate a list of things that
  176. are the top picks for you.
  177. Or a title, which has a 95% match for you,
  178. Helen on and Jeff as they talk about this as
  179. a shift from appointment viewing toe binge viewing.
  180. So appointment viewing from the way that you would watch
  181. one episode every Thursday when it was being aired toe
  182. binge viewing, watching the entire season in one go.
  183. Yeah, a lot of other features like like audio descriptions
  184. allow for you.
  185. Do not even look at the screen when you're consuming
  186. content. So this capitalist enterprises very, very successful in allowing
  187. you to multi task.
  188. One of the respondents mentioned how she wouldn't start having
  189. lunch until unless she could find a suitable title that
  190. she could watch during her lunch.
  191. And with this amount off content that they were watching,
  192. there was a great level off off the blurring of
  193. boundary between the nation states, international boundaries that were being
  194. blurred, um, in 2000 and 20 with all the news
  195. of fear, disease and death.
  196. There was La Casa, the Purple on and money heights
  197. like a took the Internet by a storm.
  198. The fourth season that dropped in became the most popular
  199. in demand show in the world.
  200. Why did Netflix allow for such a huge, huge viewership
  201. for such a program?
  202. Um, one thing that is very intrinsic off Netflix is
  203. it's inbuilt option off subtitles.
  204. Many of the respondents mentioned how this allowed for them
  205. to watch a lot of content that was not in
  206. English. So, um, for example, they started doing stuff in,
  207. um, you know, Turkish dramas that were that gained a
  208. lot of traction in Pakistan.
  209. Ah, lot of Japanese and Korean dramas.
  210. So animals became very, very popular.
  211. Spanish dramas like er, money, heist or baby.
  212. Um, also a lot of American and British shows where
  213. we're much more popular now because what happens with subtitles
  214. is while although English is a very, very common language
  215. in Pakistan, it's it is Colonial gift or a subset
  216. or, uh, something that has remained here.
  217. Um, a lot of accents are very difficult to decipher.
  218. If one were listening without subtitles.
  219. So American shows and British shows that would have a
  220. very Scottish accent or in shows like Sherlock, where the
  221. main character would speak so fast that you wouldn't you
  222. wouldn't be able to get all the details.
  223. Subtitles become very important.
  224. This allows for people to get a lot of pop
  225. culture references as well things that they would otherwise have
  226. missed on.
  227. All of this becomes part off a cultural capital, something
  228. that is being borrowed from Bordeaux or cultural capital.
  229. Off these people off what becomes school toe watch what
  230. becomes hip toe.
  231. Watch off the things there, then being inculcated into the
  232. daily lives of people.
  233. So, um, money, heist and and a lot of songs
  234. of money heist where now are now?
  235. Ah, very prominent part of vetting functions in Pakistan.
  236. Ah, nde.
  237. Indian shows are particularly important here because Indian content otherwise
  238. is banned in Pakistan and Netflix became the only only
  239. legal place toe watch Indian content.
  240. So people that weren't able to see any Indian shows
  241. or the newer Indian younger, you know that featured young
  242. people on TV.
  243. They turned to Netflix and under the question that we
  244. would, um, cater to is how to Netflix change the
  245. screen watching landscape.
  246. So what change does not like bring upon ah, nde.
  247. This is particularly to Netflix originals and two other shows
  248. that are now being made for audiences but also being
  249. put up on Netflix So they capitalize on the binging
  250. habits of people.
  251. Um, for example, what you have in front of you
  252. is next in fashion.
  253. This is a clip shot from next in fashion, and
  254. at the end of every episode, uh, the two presenters
  255. would sit on a sofa and they point to the
  256. right end of the screen and they'll ask you Toe
  257. klik play next.
  258. Because that's the exact spot that Netflix displays its play
  259. next, and a lot of script changing changes in script
  260. writing has occurred, so there are less commercial breaks, no
  261. need for commercial breaks.
  262. There are larger cliffhangers at the end of the every
  263. every episode toe toe allow you to, you know, watch
  264. the next one to go on to the next episode.