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Art History Presentation

A collection of pictures of artwork from Second Life compiled together with other photos and information.
by

Min Htun

on 13 May 2010

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Transcript of Art History Presentation

AVincent van Gogh Art History Presentation Van Gogh spent his last and most prolific years painting the fields, farmhouses (mas in Provençal) and people of this corner of Provence. He produced so many images of the area that stretches from Avignon, west to Nîmes and south to Arles (the gateway to the Camargue) that visiting it, you might feel as if you’re walking around a living art gallery. Farmhouse in Provence, 1888 1889 Bedroom in Arles - Vincent van Gogh - Arles 1888
this was his bed room in the town of arles
Vincent: May 8, 1889 “Tree and Man (in front of the Asylum of Saint-Paul, St Rémy)” van goghs house in arles one yesr before he died he painting yellow house in
1889

Birth Year : 1853
Death Year : 1890
Country : Netherlands

Vincent van Gogh, for whom color was the chief symbol of expression, was born in Groot-Zundert, Holland. The son of a pastor, brought up in a religious and cultured atmosphere, Vincent was highly emotional and lacked self-confidence. Between 1860 and 1880, when he finally decided to become an artist, van Gogh had had two unsuitable and
unhappy romances and had worked unsuccessfully as a clerk in a bookstore, an art salesman, and a preacher in the Borinage (a dreary mining district in Belgium), where he was dismissed for overzealousness. He remained in Belgium to study art, determined to give happiness by creating beauty. The works of his early Dutch period are somber-toned, sharply lit, genre paintings of which the most famous is "The Potato Eaters" (1885). In that year van Gogh went to Antwerp where he discovered the works of Rubens and purchased many Japanese prints.

In 1886 he went to Paris to join his brother Théo, the manager of Goupil's gallery. In Paris, van Gogh studied with Cormon, inevitably met Pissarro, Monet, and Gauguin, and began to lighten his very dark palette and to paint in the short brushstrokes of the Impressionists. His nervous temperament made him a difficult companion and night-long discussions combined with painting all day undermined his health. He decided to go south to Arles where he hoped his friends would join him and help found a school of art. Gauguin did join him but with disastrous results. In a fit of epilepsy, van Gogh pursued his friend with an open razor, was stopped by Gauguin, but ended up cutting a portion of his ear lobe off. Van Gogh then began to alternate between fits of madness and lucidity and was sent to the asylum in Saint-Remy for treatment.

In May of 1890, he seemed much better and went to live in Auvers-sur-Oise under the watchful eye of Dr. Gachet. Two months later he was dead, having shot himself "for the good of all." During his brief career he had sold one painting. Van Gogh's finest works were produced in less than three years in a technique that grew more and more impassioned in brushstroke, in symbolic and intense color, in surface tension, and in the movement and vibration of form and line. Van Gogh's inimitable fusion of form and content is powerful; dramatic, lyrically rhythmic, imaginative, and emotional, for the artist was completely absorbed in the effort to explain either his struggle against madness or his comprehension of the spiritual essence of man and nature. A Brief Understanding of Van Gogh's Early Years.

On March 30, 1853 Anna Cornelia Carbentus gave birth to a boy in Groot-Zundert, Holland. Unbeknownst to her or the father, Reverend Theodorus van Gogh of the protestant church, this boy would be tormented by severe
mental instability for the majority of his life, die from his own hands, and ultimately change the outlook on art for the rest of history. His life was to become one of uncertainty and madness, involving largely his own need to find a niche and the undeniable love for art. This man was Vincent van Gogh.

Vincent's family consisted of his three sisters Elisabeth, Anna, Wil, two brothers Theo and Cor, and his mother and father. His earliest years were spent as a quiet child with little or no attention spent on art or artistic qualities. Other specifics about Van Gogh's childhood are not known.

In 1870, after completing a sketchy array of education, Van Gogh was employed by the Hague gallery, run by French art dealers Goupil et Cie, at the age of 16. Later in 1873, Goupil transferred Vincent to London then again to Paris by 1875. After this relocation, Gogh lost all desire to become a professional art dealer; instead following in his father's foot steps and devoting his life to the evangelization of the poor seemed more logical. Despite his erratic behavior his parents agreed to pay for his education. Gogh soon abandoned his lessons and began a ministry with the miners of Borinage. During this time he was able to identify with the miners, their lifestyles, and their families. This interaction between Gogh and the worker class is later shown in his works as he becomes fascinated with depicting peasant life.

After working with the miners for a period of time, Vincent's own urge to leave something of importance behind for mankind along with his brother Theo's consistent pressure, he became an artist. Without any proper training, or even having open artistic talent, Gogh doubted his abilities, and was supported in this doubt by his parents. However, Theo continued to push Vincent forward and supported him financially. The outcome would be the creation of a master of art, who evolved from his doubtful shell into a brilliant but besieged mind very rapidly.

A Brief Understanding of Van Gogh's Later Years.

In 1881, at the age of 27, Vincent moved back in with his parents after completing nine months of further education in Brussels. At home Vincent set to work on teaching himself how to draw. He tested various different techniques and styles along with experimenting with different subject matters. Other areas he worked on mastering were perspective, shading, and anatomy. Many of his earliest pieces were of
peasant life, which could be attributed to his work with the miners of Borinage. Vincent soon became passionate about becoming an acclaimed drawer of figures, and continued to practice his newly developed skills. By the end of 1881, Vincent had moved from his parent's house and was acquiring lessons from Anton Mauve, his cousin by way of marriage. Vincent also began a relationship with Sien Hoomik, a pregnant prostitute whom had had one child out of wedlock already. Vincent was deeply shunned by Mauve for this relationship thus causing the two to fall out of friendship. However, Vincent continued to master the skills of drawing and used Hoomik as a model whenever possible.

Vincent soon became irritable and made the choice to break off his relationship with Hoomik and move once again to follow artists like Van Rappard and Mauve to Drenthe. Vincent soon found a lack of inspiration and models and moved back in with his parents to continue practice. Here Vincent was first introduced to the paintings of Jean-Franqois Millet, a French artist, who had become quite famous across Europe for his renditions of peasant life. Van Gogh began painting and he forcibly modeled his style after Millet. By the age of 29, Vincent had moved from his parents' house and worked in a make-shift studio located in a room he rented from a Catholic church.

From the beginning of Van Gogh's artistic career he had the ambition to draw and paint figures, in 1884 he began working on mastering weathered hands, heads and other anatomical features of peasants. He was planning on creating a multiple figure piece that would make his name respected in the artistic community. The piece he created was entitled The Potato Eaters and was completed in 1885. This piece proved to be success, but not in his lifetime.

After the personal failure of The Potato Eaters, Vincent decided he needed some professional training in art techniques. He enrolled later that year in an academy in Antwerp where he discovered the art of Peter Paul Rubens, and various Japanese artists. Both of these factors would greatly affect Van Gogh's style in art. By early 1886, he had moved to Paris to live with his brother Theo. Here Vincent was immersed in a centrifuge of modern art from the impressionist and post impressionists. Van Gogh quickly dropped the dark colors he had used to create The Potato Eaters after discovering the palette to be horrendously out of date. He adopted the brighter more vibrant colors with ease and began experimenting with the techniques he saw in the art of the impressionist and post impressionists. He soon began to research the styles found in the Japanese artwork he had discovered a year earlier.

While in Paris, Vincent was acquainted with various other artists including: Paul Gauguin, Camille Pissarro, Claude Monet, and Emile Bernard. Vincent befriended Paul Gauguin and moved to Arles in 1888 hoping that his new friends would join him to create a school of art. Vincent was confident in his new and highly personal style and felt that he could attribute it to modern art with his outlandish new color combinations.

Later Paul Gauguin did join Van Gogh in Arles. Vincent began painting sunflowers to decorate Gauguin's bedroom. These sunflowers would later become one of Vincent's signature pieces. Although something much greater was brewing in Vincent's head, that he couldn't control.

Towards the end of 1888, the first signs of Van Gogh's mental illness began to take hold. He suffered from various types of epilepsy, psychotic attacks, and delusions. One such episode entailed Vincent pursuing Gauguin with a knife and threatening him intensely. Later that day, Vincent returned to their house and mutilated his ear, then offered it to a prostitute as a gift. Vincent was temporarily hospitalized and released to find Gauguin swiftly leaving Arles and his dream of an artistic community shattered.

As the year of 1888 came to an end, Vincent traveled to Saint-Rémy-de-Provence where he committed himself to an asylum. Here his paintings became a torrent of activity. Although he could not draw and paint for long periods of time without suffering from an attack, he managed to create The Starry Night which resides as his most popular work and one of the most influence pieces in history. The swirling lines of the sky are a possible representation of his mental state. This same shaken style is visible in all of his work during his time in the asylum.

Vincent left Saint-Rémy-de-Provence in 1890 and began contacting his brother Theo. van Gogh continued working and created a number of pieces; nearly one painting day. Vincent viewed his life as horribly wasted, personally failed and impossible. On July 27, 1890 Van Gogh attempted suicide by shooting himself in the chest. He survived, but died two days later from the wound.

Theo, who had collected the majority of Vincent's work from Paris, died only six months later. His widow took the collection to Holland and dedicated herself to getting the now deceased Vincent the recognition he deserved. She published his work and Vincent became famous nearly instantly. His reputation has been growing since.

The story of Vincent van Gogh's tragic life, filled with mental evils and artistic triumphs , lingers almost becoming that of legend. His work is still astounding millions around the world daily, and though he sold only one painting in his life, his influence on the outcome of art has been amazing and overwhelming. His paintings have reached new records when sold for hundreds of millions of dollars, and his persona has sparked number one hit songs. Vincent van Gogh has altered mankind forever... and he believed his life was a terrible failure!
A Time Line of the Major Events of Gogh's Life

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