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Jeopardy!

Music Theory II Review
by

Copper Ferreira

on 3 May 2012

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Transcript of Jeopardy!

Jeopardy!!!
Borrowed Chords
and Mode Mixture
Seventh Chords
Secondary Dominant Function Chords
Modulation
Phrases and
Periods
IV Fun
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This musical structure has to occur at the end of a phrase
This musical structure is created when the second phrase ends with a stronger cadence than the first
This period type consists of 3 phrases, where the only PAC occurs after the last phrase
Name 3 musical parameters that can be used to compare two phrases
What type of structure does this phrase diagram show?
mm. 1-4 5-8
HC PAC
a b
What type of structure does this phrase diagram show?
mm. 1-4 4-8 8-12 12-16
IAC HC IAC PAC
a a' b b'
Four types of modulation
Two most common areas to modulate to from a major key
In order to be analyzed as pivot chords, the two chords must have this in common
One of these 3 things must be present to consider a modulation to have occurred as opposed to a tonicization
This is the only type of modulation to occur at the beginning of a new phrase
The chord member of a secondary dominant that serves as the temporary leading tone
Identify the harmony (key) being tonicized in this progression
DM: I-vi-V/IV-IV-V7-I
The chord member that serves as the temporary leading tone of a secondary leading tone seventh chord
The effect of a chord becoming a temporary tonic by preceding it with a secondary dominant function chord
Where a pivot chord most often happens
The four steps to identifying a chromatically altered chord
Resolve the following leading
tone seventh chord correctly:
Spell a bVI chord in the key of Bb Major
Spell a V7/ii in the key of EM
What structure is present in the following phrase diagram?
All of the possible pivot chords between CM and dm
All of the closely related keys to AbM
Correctly spell your professor's last name
The seventh of every seventh chord has to resolve in this direction at this interval
The diatonic quality of a supertonic (ii) seventh chord in a minor key
T/F The seventh of every diatonic seventh chord must belong within the tonic key
These three members of a leading tone seventh chord must resolve (Bonus: where do they resolve to?)
A major seventh chord is built this way
T/F All diatonic seventh chords have the same function as their triadic counterparts
Where are borrowed chords borrowed from?
Spell a fully diminished seventh chord in the key of A major (Bonus: where is this chord borrowed from?)
The chord built on scale degree 7 in a minor key is diatonically this quality, is still considered a variant triad because it is rarer
Spell the following triad: bIII in E major
What is the correct RN
label for this chord?
The tonic key is DM.
This borrowed chord often ends a minor work with a major tonic triad
mm. 1-4 5-8 9-12 13-16
HC PAC IAC PAC
a b c d
Full transcript