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Copy of Atlas Projects

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Jacob Jakob

on 23 July 2013

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Transcript of Copy of Atlas Projects

The Atlas "Mnemosyne"
of Aby Warburg
in the 1920th.
(Mnemosyne: The personification of
memory in Greek mythology)
The "Atlas Group".
A project established in 1999 to research and document the contemporary history of Lebanon:
"The Atlas Group
Georges Didi-Huberman:
"Atlas. How to Carry the World on One's Back"
Exhibition - Project - Catalogue
Aesthetic Experience
Experience in Arts
Intellectual Experience in Theory
Politics of Aesthetics
Aesthetics of Politics
Theater Institutions
What is an Atlas?
Aesthetic Experience
Experience in Arts
Intellectual Experience
Texts, Authors, Discourses

Dewey, John: “Having an Experience”, in: John Dewey: Art as experience. New York 1980, p. 36-59.

Gadamer, Hans-Georg: “The concept of experience (Erfahrung) and the essence of the hermeneutic experience”, in: Truth and Method. New York 2004. 341-355.

Gumbrecht, Hans-Ulrich: Production of Presence. What Meaning cannot convey. Stanford University Press 2004, p. XIII-XVII, 21-49.

Shusterman, Richard: “Placing Pragmatism” in: Living Beauty, Rethinking Art. Oxford 1992, p. 3-33.

Theater Institutions

Authors, Texts, Discourses

Appadurai, Arjun: “Here and Now”, in idem: Modernity at Large. Cultural Dimensions of Globalization. Minneapolis, London, 2005 (7th printing), p. 1-23.

Belting, Hans: “Contemporary Global Art. Critical Estimate”, in: Hans Belting and Andrea Buddensieg (eds.): The Global Art World, Audiences, Markets, and Museums. Hatzje Cantz 2009, p.38-73.

Nancy, Jean-Luc: The Creation of the World or Globalization. Albany: SUNY Press, 2007. (Chapter will be indicated)

Schlingensief, Christoph: Art without Borders. Ed. by Tara Forrest and Anna Teresa Scheer, London, New York: The Intellect 2010.

Sloterdijk, Peter: Im Weltinnenraum des Kapitals. Für eine philosophische Theorie der Globalisierung, Frankfurt am Main 2005, p. 11-29. und: p. 243-300.
Spanish version of one chapter: http://www.cccb.org/rcs_gene/petersloterdijk.pdf
Rocca, Adolfo Vásques: „Sloterdijk en el imaginario de la globalisación. Mundo sincrónico y conciertos de transferencia”, in: Nómadas. Revista Crítica de Sciencias Sociales y Jurídicas. 24 (2009, 4). See also: http://www.ucm.es/info/nomadas/24/avrocca2.pdf
Politics of Aesthetics
Aesthetics of Politics

Authors, Texts, Disourses:

Nancy, Jean-Luc: Being Singular Plural. Stanford: Stanford University Press, 2000. (Chapter will be indicated)

Mitchell, W.T.J.: “Vital Signs/ Cloning Terror”, in idem: What do pictures want? Chicago 2005, p. 5-28.

Rancière, Jacques: The politics. London, New York 2004

Röttger, Kati & Jackob, Alexander: “Who owns the images? Image Politics and Media Criticism in Theatre: A separation of powers”, in: Image & Narrative, September 2007.
Authors, Texts, Discourses

Arendt, Hannah: The Human Condition, University Press, Chicago 1958. (precise chapter will be indicated)

Heidegger, Martin: “The Age of the World Picture”, in idem: The Question Concerning Technology, New York et al. 1977, p. 115-154.

Heidegger, Martin: “The Origin of the Work of Art”, in: David Farell Krell: Basiv Writings, 1st Harper Perennial Modern Thought Edition New York. Harper Collins 2008, p.143-212.

Heidegger, Martin: “The Question concerning technology”, in: The Question Concerning Technology and Other Essays. New York et. al. 1977, p. 3-35.
Interaction between the different scopes, discourses by:

Artistic Research
Performance Theory
Interaction between the different scopes, discourses by:

Artistic Research
Performance Theory
Relations, Tensions, Ruptures between
Pictures - Images - Texts

Trans-"Atlantic" University of Sao Paulo
and Amsterdam
Videos / Performances
Titanic or the bad infinity?
William Kentridge: "100 Notes - 100 Thoughts No. 009: William Kentridge & Peter Galison: The Refusal of Time."
Pictures Images Texts
Section Sao Paulo

La Fura dels Baus
Olympic Games 1992
Walid Raad: "Secrets of the deep blue Sea" Dokumenta 2002
Postdramatic Theatre Performances
Programmatic Aspects
Short (preliminary) programmatic overview
Short (preliminary) programmatic overview
Short (preliminary) programmatic overview
The Politics of Aesthetic Experience in Contemporary European Performances
Workshop USP 6. 8. - 17. 8. 2012, by Kati Röttger and Alexander Jackob (University of Amsterdam)

Monday, 6.8.
Introduction and outline of the course: create a (virtual) interactive (future) university: S.P.A.M

Presentation of key terms, methodologies and topics
Our Subject: Researching the cultural and scientific relations between:

Postdramatic Worlds
Olympic Games

Critical Iconology
Text-Image-Picture Relations (Tom Mitchell)

Politics of Aesthetics / Aesthetics of Politics

Aesthetic Experience (in Arts and Theory)
Gadamer, Gumbrecht, Dewey, Shusterman

Aesthetic Research
Performance Theory

Tuesday, 7 August
1. Atlas. Image-Text-Picture. Example: Walid Raad
2. Student’s presentations of research (pictures, scapes, texts …)

Wednesday, 8 August
1. W.J.T. Mitchell: Vital Signs, Cloning Terror
2. Discussion of Student’s pictures with Mitchell.

Thursday, 9 August
Politics of Aesthetics I
Ranciere, Röttger, Jelinek’s Babel
Schlingensief: Ausländer

Friday, 10 August
Aesthetic Experience
Gumbrecht and Gadamer: Materiality and the experience of presence.
(Examples of postdramatic theatre, Abramovic(?)

Monday, 13 August
Politics of Aesthetics II
Time and Space
Jean Luc Nancy: Mondialisation or Globalization?
William Kentridge. The experience of Space
Opera as an experiment: Chrisoph Schlingensief’s “Operndorf”

Tuesday, 13 August
Aestehtic Experience II

Dewy (Having an experience) and the concepts of “artistic research” (Walid Raad and the Atlas Group )

Wednesday, 14 August
Performances between Arts and Knowledge
Carolyn Kristov …

Thursday, 15 August

Friday, 16 August
Round up
Full transcript