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Printmaking Portraits

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by

Becca Heasley

on 4 February 2015

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Transcript of Printmaking Portraits

Printmaking Portraits
Goals & Objectives
Research and group share on the history of printmaking (1.2)
Use the appropriate terminology when discussing printmaking (3.1)
Engage in critical discussion using the four steps of art criticism - describe, analyze, interpret, and judge (3.2, 4.1, 4.2, 5.2)
Plan and design a positive and negative portrait that has dramatic lighting (6.2, 6.4,7.1)
Carve design and create three prints for a portfolio (6.6, 7.1, 7.2, 7.3)
Vocabulary
The Process
Our Project
#selfie

Positive/Negative
Print
Plate
Brayer
Baren
Proof
Edition
Hatching
A positive shape is the main object. A negative shape is the area surrounding the object.
An image that is transferred through the use of pressure.
"Print, what?!?
>>> Printmaking is the process of transferring an inked design onto a surface
Woodcut
Monoprint
Etching/Intaglio
Screenprint
Digital
The tool used to roll the ink out, and then used to roll the onto your design.
The tool used to press your inked plate to your paper.
From Caves to Machines
Each table will be assigned one question. Use the reading to find the answer and be prepared to share!
The surface that is used to create the design.
A practice print that is properly labeled.
A final print that is labeled #/total made
Carved lines that are kept to create texture, detail, and value.
Step One - Design
> Create a positive and negative design

> Transfer design to plate using tracing paper and graphite pencil
Step Two - Carve
> Carve away the negative shapes and do not touch the positive shapes

> Use your cutter to create intentional hatching lines
Step Three - Ink
> Roll the ink onto the plate, keeping only the positive shapes inked

> Check for smooth and consistent ink
Step Four - Print
> Place paper on top of inked plate and use a baren to transfer the ink onto you paper

> Carefully peel the paper away to reveal your print
A photo of yourself, friend (or an object, drawing/design, or a photo of something you could photograph)
Print or email >>> 5x7" - 6x9"
Your Rubric
Student
Examples
Hatching
multiple textures
communicate form
hatching shapes
details and
stylized
textured
positive &
negative
communicate
grayscale
Photo/Drawing >> shoulder-up portrait or a photo you have taken, must be or look original
Positive Negative >> 50/50 B/W; composition and background; no words and symbols
Hatching/Carving >> hatching throughout; texture, detail, value; smooth edges to all shapes
Portfolio >> 3 types of prints; crisp and clean; properly labeled
Lino Cutter
& Nibs
A tool that has a handle
and interchangeable blades for hatching and carving
A Completed Portfolio
Full transcript