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Renaissance art and the development of humanism

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Jordan Macaranas

on 18 June 2015

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Transcript of Renaissance art and the development of humanism

Renaissance Period (1400- 1600)

Artists were interested in showing the human character, the capabilities of the mind and body, social relationships, economic condition and the people's place in political life
Form and Style in
Renaissance Painting
Style is the manner in which the artist expresses himself or herself, which is influenced by the characteristics of an art historical period.
In this period, the artist record the interplay between light and color.
Characteristics of Renaissance Period
Changes, new discoveries, inventions, and human experiences
- all of which contributed
to the spirit of

Leonardo da Vinci
Leonardo di ser Piero da Vinci, more commonly Leonardo da Vinci, was an Italian polymath. He was a painter, sculptor, architect, musician, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer.
Michelangelo di Lodovico Buonarroti Simoni, commonly known as Michelangelo, was an Italian sculptor, painter, architect, poet, and engineer of the High Renaissance who exerted an unparalleled influence on the development of Western art.
The age of Humanism
applying perfection of beauty and by practicing intellectual exchanges, exploration and experimentation
Renaissance art and the development of humanism
Materialism and Individualism

Adoration of the Magi of 1475
The Adoration of the Magi
is a painting by the Italian Renaissance masters Sandro Botticelli, dating from 1475 or 1476. It is housed in the Uffizi of Florence. Botticelli was commissioned to paint at least seven versions of The Adoration of the Magi.

The Last Supper
is a late 15th-century mural painting by Leonardo da Vinci in the refectory of the Convent of Santa Maria delle Grazie, Milan. It is one of the world's most famous paintings, and one of the most studied, scrutinized, and satirized.

Raffaello Sanzio da Urbino, known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur.
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