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Transcript of GOTHIC ART
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- ang kasaysayan ng pagkakalimbag na karaniwang natatagpuan sa likod ng pahina ng pamagat para malaman ang petsa ng mga pagkakalathala, sa gayon, madaling mawawari kung obsolit na ang libro o apdeyted pa.
- Style of
that developed in France out of
in the mid-12th century, led by the concurrent development of
- The word
for art was initially used as a synonym for
, and was therefore used pejoratively.
Gothic art emerged in Île-de-France, France, in the early 12th century at the Abbey Church of St Denis built by Abbot Suger. The style rapidly spread beyond its origins in architecture to sculpture, both monumental and personal in size, textile art, and painting, which took a variety of forms, including fresco, stained glass, the illuminated manuscript, and panel painting.
EARLY GOTHIC ART
The earliest Gothic art was
on the walls of Cathedrals and abbeys. Christian art was often typological in nature, showing the stories of the New Testament and the Old Testament side by side.
LATE GOTHIC ART
continued to be used as the main pictorial narrative craft on church walls in southern Europe as a continuation of early Christian and Romanesque traditions.
was an important and prestigious form of painting until the 15th century. In the early part of the period mainly black paint and clear or brightly colored glass was used. Lately, they used compound silver. By the end of the period designs increasingly used large pieces of glasses that were painted with yellows as the dominant color, and relatively few smaller pieces of glass in other colors.
represent the most complete record of Gothic painting, providing a record of styles in places where no monumental works have otherwise survived. Many such illuminated manuscripts were royal bibles, although psalters also included illustrations; the Parisian Psalter of Saint Louis.
with oil on canvas did not become popular until the 15th and 16th centuries and was a hallmark of Renaissance art. Painters like
Jan van Eyck
, made use of the technique of oil painting to create minutely detailed works, correct in perspective, where apparent realism was combined with richly complex symbolism arising precisely from the realistic detail they could now include, even in small works.