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Mother/PPNY - Redbull

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by

Sam Mason

on 19 July 2011

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Transcript of Mother/PPNY - Redbull

1 2 3 4 11 12 13 14 15 16 17 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 PARIS BERLIN MELBOURNE DETROIT ROME LONDON TORONTO NEW YORK camera tracks down from above ending up in front of the Arch de Triomphe we track along the streets in the neighborhood of Barbès, following a little
Citron we follow the citron to the cities edge, it goes beyond the table we track along with the Citron taking us through to Berlin. The car dissapears behind a building and giant tape cassette creatures come out from the distance and we follow them through the city. We eventually reach the berlin wall which has been modified to look like piece of installation art. The creatures pass through it and we continue past the wall revealing NYC we follow the tape creatures through a gap in the wall and continue past it revealing NYC the camera continues its track now following aboveground subway trains through a new york built out of boom boxes turntables and microphones. the trains enter a grand station through little mouse house holes on the buildings side we enter a train station interior and see an upside down Melbourne tram approach pull on the ceiling 5 7 8 9 10 the tram continues out of the station we get closer and closer until we enter the jack labeled "IN" we fly over the circuit board of the synth which plane coming into a city at night as we get closer we realize that the city is actually planted amongst the circuitry we begin to follow a pack of vintage sports cars towards the Packer Plant as the cars cross the threshold of the sign which reads "Motor City Industrial Car Park" there is a power surge and the cars transform into 80s sports cars and move into a grid formation robotic arms from the automotive plant begin to disassemble the plant. Picking up cars and warehouses until all that's left is a few remaining wires and smoking electrical components the last car drives off we do a long pan taking us from the smoking remnants of detroit through our spaghetti western sand covered rome we ease into a Sergio Leone frame, an old fashioned showdown we cut to an establishing shot of our villain we cut to a wide of hero and villain in the city of Toronto 39 18 We start at the Cliffs on Melbourne’s Oceanfront. The music initiates a playful dance of wind chimes and abstract shapes and color. The camera follows the shapes as they float up towards the sky. The camera tracks upwards watching the shapes undulate with the music. As the shapes begin to lock into a single position we realize that we are in an upside down city. A reverberating sound drives all the city pieces into order, showing Melbourne’s river front. The camera continues to move upwards, passing through the water. While underwater the shapes pulsate upwards towards the surface. As we emerge from the ocean a stylized Forum floats to the top. The animated colors still move upwards and still pop to the music. Our Journey ends in the sky as an undulating pattern grows to the music. The camera pushes in as the pattern grows bigger. Opening up to wipe on the last hold frame. we reveal our hero and villain in Toronto cut to a view from the street of our super hero pursuing his villain in a rooftop chase in the foreground a crowd cheer and sound airhorns. we look out over Lake Ontario and notice something beginning to bubble from the deep the bubbles begin to rise from the depths and a shape starts to emerge a vast robotic London begins to rise out of the water we see our giant London stand proud and move in to see the London Eye at his core. 6
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