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AART1100 W11 Revolution by Night: Psychoanalysis and Surrealism

This lecture explores the impact of Sigmund Freud’s ideas of psychoanalysis into the Surrealist movement in the 1920s. Surrealism was fundamentally a political movement, aimed at creating a revolution by freeing our minds from the repression.
by

Kit Messham-Muir

on 16 December 2016

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Transcript of AART1100 W11 Revolution by Night: Psychoanalysis and Surrealism

Id
Paul Gauguin, The Vision After The Sermon (Jacob Wrestling With The Angel), 1888
Paul Gauguin, Nevermore, 1897
Sigmund Freud
Ego
Superego
Oral
Anal
Genital
repression
Sublimation
Michelangelo, Moses, 1512-1516
Condensation
http://www.morphthing.com/
Displacement
Parapraxis
Agnolo Bronzino, Venus, Cupid, Folly and Time, c1545
Michelangelo, Last Judgment, 1537-1541
Polymorphus perverse
Oedipal
Pleasure Principal
Castration
complex
Penis
Envy
Erotogenic zones
Limin
(threshold)
Surrealism
Salvador Dali, The Temptation of St Anthony, 1946
Salvador Dali, Leda Atomica, 1949
Salvador Dali, The Persistence of Memory, 1931
Salvador Dali, The Metamorphosis of Narcissus, 1936-1937
Salvador Dali
Salvador Dali, Apparition of Face and Fruit Dish on a Beach, 1938
Max Ernst, Two Children Threatened by a Nightingale, 1926
Joan Miró, Person Throwing a Stone at a Bird, 1926
Joan Miró, Maternity, 1924
Jaques Herold, Andre Breton, Yves Tanguy and
Victor Brauner, Exquisite Corpse, 1934
AART1100 Critical Studies 1
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Week 11: Revolution by Night
Dr Kit Messham-Muir
Psychoanalysis and Surrealism
In a group of 3, make an 'exquisite corpse' drawing in three parts. Take a minute to look at the results, and then consider these questions:

• Andre Breton began using this technique of creating images in 1925. Why might this method appeal to Surrealist artists?

• Breton says "Finally, with the Exquisite Corpse we had at our command an infallible way of holding the critical intellect in abeyance." Why might 'holding the critical intellect in abeyance' be a positive thing for Surrealists?

• Surrealism effectively began with Breton's Manifesto of Surrealism and, Sarane Alexandrian argues states, "the death of André Breton in 1966 marked the end of Surrealism." Do you think Surrealism is dead? In what ways might it live on?
9am Discussion
Luis Buñuel and Salvador Dalí's Un Chien Andalou, 1929
Marcel Duchamp, L.H.O.O.Q., 1919
Dada
Jean Arp
Hugo Ball
Emmy Hennings
Richard Huelsenbeck
Marcel Janco
Sophie Täuber
Tristan Tzara
Monty Python, The Meaning of Life, 1983
Monty Python
Jake Chapman, Dinos Chapman, Exquisite Corpse 2000
Edvard Munch, The Scream, 1893
Expressionism
Hugo Ball, 1916
Archeology
of the
Unconscious

Psychoanalysis
Sigmund Freud,
The Interpretation of Dreams,
1899
Dreams
Free Association
Psychic Automatism
Joan Miro
Max Ersnst
Man Ray
Man Ray, Le Violon d'ingres, 1924
Man Ray, Object to be Destroyed, 1923
Dorothea Tanning, Eine Kleine Nachtmusik, 1943
Dorothea Tanning
Meret Oppenheim
Meret Oppenheim, Object (Luncheon in Fur), 1936
Andre Breton
Full transcript