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Philippine Theatre

History of Philippine Theatre
by

Miggy Panganiban

on 14 September 2011

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Transcript of Philippine Theatre

Philippine Theatre
American
Colonial
Tradition

Indigenous
Theatre

Spanish
Colonial
Tradition

Contemporary
Tradition

Rituals
Babaylan
Mimesis
Tribal Dances
Well integrated into the lives of tribal Filipinos
Theatre as a colonial tool
Komedya
Secular
Religious
Love and Vengeance
Patron Saints
Sinakulo
most outstanding and enduring Philippine religious play
also known as pasion y muerte, tanggal, or centurion
started as the dramatization of Pasyong Genesis
Playlets
attests to the importance placed by the regime on teaching Catholicism and propagating the gloryof the Spanish nation and culture
most important playlets are associated with the Christmas season
Sarsuwela
Usually in three acts with music and dancing interspersed between the prose dialogue, it focuses on a lover story between members of the upper classes, which is spiced up with comic love episodes between servants, and made more relevant with satirical attacks on usurers, corrupt politicians, oppressive landlords, lazy husbands whose husbandry is wasted on cock fighting and other vices.
Introduced the first "legitimate" theatre through the Westernized educational system
Bodabil
a potpourri of songs, dances, and comedy skits which showcase what is popular in the US.
Drama
Melodrama
Comedy
Drama simboliko
a play in verse and/or prose and usually in one act
revolves on an aspect of Filipino comtemporary life
a type of drama which aims to make people cry
A type of drama which entertains with laughter
popular in Manila and environs as a vehicle of political protest
Seditious plays
dares to paint the bloody struggle of Filipinos against American colonizers
Realism
Psychological
Social
Representational Style
Presentational Style
Brecht's
"Theater of Instruction"
Boal's
"Theater of the
Oppressed"
a series of theatrical analyses and critiques developed in the 1950s
is largely based on the idea of dialogue and interaction between audience and performer. Moreover, these ideas have served as a framework for the development and evolution of stronger ideas
pioneered social realism on the modern Philippine stage
Amelia Lapeña-Bonifacio's
"Ang Paglalakbay ni Sisa"
THANK
YOU!
Honorata "Atang"
dela Rama
Katy dela
Cruz
Dula-Tula
evolved from symposia or rallies
usually inexpensive, portable and short plays
Full transcript