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SHMRG

Jan LaRue's approach to Musical Analysis
by

Joanna Pepple

on 9 September 2013

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Transcript of SHMRG

SHMRG
Sound
Harmony
Melody
Rhythm
Growth
pronounced "SHMeRG"
Jan LaRue's Approach to Musical Style Analysis
timbre
dynamics
texture and fabric
color
tension
conjunct/disjunct
contour
range
recurrence
development
rhythmic layers
stress and duration
meter
tempo
polyrhythm/polymeter
rhythmic interactions
stress (instability)
lull (relative stability)
response
(interdependent relationships)
major/minor
open/tertian harmonies
open/closed spacing
tonality
resolution of dissonance
instability/stability
dissonance/consonance
moduation
key area
range
contrast
idiom
choice of timbres
types of dynamics
degree of contrast
homophonic, homorhythmic, chordal
polyphonic, contrapuntal, fugal
melody/bass polarity
melody plus accompaniment
phrase analysis
form
how does the piece grow?
repetition
cadences
change of harmony
modulation
1918-2003
SHMRG
surface levels
deeper levels
Full transcript