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Understanding Drama: Brecht

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by

loushan boardrey

on 19 April 2010

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Transcript of Understanding Drama: Brecht

He was born on 10 February, 1898 in Augsburg in Bavaria, Germany. Epic Theatre is the term used generally to describe Brecht's theory and technique. His plays were 'epic' in that the dramatic action was episodic - a disconnected montage of scenes, non-representational staging, and the 'alienation effect'. All elements contribute to Brecht's overall purpose which was to comment on the political, social and economic elements that affected the lives of his characters. Brecht believed that an actor should present a character in a way that wasn't an impersonation, rather, a narration of the actions of the character. He did this because he wanted to constantly remind his audience that they were watching a play. He also believed that if the audience developed an emotional attachment to the characters, then they could not evaluate the social realities of the play. Stanislavski thought that if an actor believed he was a character, then the audience would believe this as well, and feel the emotions that the character was feeling.
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