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Copy of VIDEO ART

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by

ting shum

on 1 July 2013

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Transcript of Copy of VIDEO ART

1970s~1990s
VIDEO ART
Feedback
Movie Video
藝術家開始以螢幕的排列構成新語彙
近代
1970s
1.直接回饋
白南準《電視佛陀》
Bruce Nauman
[live/taped video corridor]
2.延遲效果
布魯斯諾曼(Bruce Nauman)
《繞行空間的角落》(Going around the corner piece)
丹葛蘭漢(Dan Graham)
《過往延續至當今》(present continuous past)
1980s
電影形式的轉換
伊薩克朱利安 (Lssac Julien),
《巴爾地摩》(Baltimor)
重拍電影的詮釋手法
史提夫麥昆(Steve McQueen) 《不動聲色》(Deadpan)
http://www.tunesbaby.com/dm/?x=xbczs5
事件重演的再現模式
皮耶雨格(Pierre Huyghe)《第三記憶》(The Third Memory)
1972年的銀行搶案,
劫持者的動機是為了籌募
戀人進行變性手術的費用,
被捕後27年,
皮耶雨格邀請當事人重回現場,
重組整個事件。
1990S
觀念與文本精神
馬克 渥林格Mark Wallinger
《入王國之門》(Threshold to Kingdom)
http://vimeo.com/18551262
討論著社會存在的迷思現象,辯解對立與矛盾感的衝突。
「我對藝術生盎然興趣,是在於藝術本身的真誠與曖昧,特別是他讓觀者生偏見之時,而陷入一種不安的態。」
紀格式與世界觀
古特拉格阿塔曼(Kutlug Ataman)
《斐若尼卡路的四季》(The 4 Seasons of Veronica Read)
結合多媒體的視覺效果
克里斯康寧漢(Chris Cunninghm) 《一切充滿了愛》(all is full love)
物件投影與像裝置
白南準 《The More the Better》, (1988)
Three channel video installation
with 1,003 monitors and steel structure; color, sound; approx. 60 ft. high.
Video Art 未來發展
總結導論所探討的主題
彼得、坎普斯(Peter Campus)
《交界》(interface)
Bill viola [the reflecting pool]
Gary Hill [crux]
Diana Thater 《Delphine》
Full transcript