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Italian Renaissance Architecture

A brief presentation on the Architecture of Italian Renaissance
by

mark dalacat

on 1 August 2013

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Transcript of Italian Renaissance Architecture

R
rchitecture
A
enaissance
C
L
A
S
S
I
A
L
C
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(1377 - 1446)
Filippo Brunelleschi
E
Concepts of architectural order were explored and rules were formulated. The study of classical antiquity led in particular to the adoption of Classical detail and ornamentation.
R
arly
enaissance
He was one of the foremost architects and engineers of the Italian Early Renaissance. He is perhaps most famous for his discovery of perspective and for engineering the dome of the Florence Cathedral.
(1444 - 1514)
Donato Bramante
(1475 - 1564)
Michelangelo Bounarroti
H
R
igh
enaissance
The High Renaissance was a period of harmony and balance in all the arts, concepts derived from classical antiquity were developed and used with greater surety. Also the period was a very brief one, centered almost exclusively in the city of Rome
He was the architect responsible for introducing the High Renaissance style in architecture. He also expanded the applicability of classical architecture to contemporary buildings.
one of the creative giants whose achievements mark the High Renaissance. He excelled in each of the fields of painting, sculpture and architecture and his achievements brought about significant changes in each area. His architectural excellence lies chiefly in two buildings: the interiors of the Laurentian Library and its lobby at the monastery of San Lorenzo in Florence, and St Peter's Basilica in Rome.
L
R
ate
enaissance
Mannerist artists architects took the classical or idealized forms developed by Early Italian Renaissance artists of the early 16th century, but exaggerated or used these forms in unconventional ways in order to heighten tension, power, emotion, or elegance.
1436
Brunelleschi's Architectural Plan for the dome of The Basilica di Santa Maria del Fior in Florence, Italy and the dome structure in present time.
The Basilica di Santa Maria del Fior
Florence, Italy
1441
Cappella dei Pazzi
Florence, Italy
The Chapel as seen form the outside
The dome of the porch
The Chapel from the inside
1502
The Tempietto
Rome, Italy
Modern Architectural plan of The Tempietto
The dome form the inside
Bramante's Rendering of The Tempietto (1500) and the structure as we see it today
1472
Santa Maria presso San Satiro
Milan, Itally
The Church's Facade
The Church form the inside
Space was organized by proportional logic, its form and rhythm subject to geometry, rather than being created by intuition as in Medieval buildings.
Brunelleschi's Sculpture inside the Florence Cathedral. Positioned so that he is to appear to be looking at his dome.
Bramantes Plans for St. Peter's Basilica in Rome, Italy
Donato Bramante (engraving, 1472)
Vitruvius Man
Leonardo da Vinci
The Pantheon
Rome, Italy
The Parthenon
Athens, Greece
The portal of the church house at the Colditz Castle, Saxony, designed by Andreas Walther II (1584)
Portrait of Michelangelo by Jacopino del Conte (after 1535) at the age of 60
1530
The Lauretian Library
Florence, Italy
The Vestibule
The Reading Room
Cross Section of the Lauretian Library
Temple of Vesta (205 C.E.)
Rome, Italy
(Main Gallery)
Presentation by:
M
D
a r k
a l a c a t
St. Peter's Basilica
Rome, Italy
1547
St. Peter's Basilica
Giovanni Paolo Panini Piacenza 1691 - 1765, Rome. Interior of St. Peter's, Rome, 1756-1757. Oil on canvas, 64 5/8 x 92 ¾ in
The Dome
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