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Internet Tactics for Selling & Sharing Your Art
Transcript of Internet Tactics for Selling & Sharing Your Art
facebook, what to do with it..
blogs, ebay, etsy, wordpress
for Selling & Sharing
mailing lists, icontact
email me, firstname.lastname@example.org
websites - archive
or call to action?
(design & updating)
facebook, why and how?
mailing lists - email me and ask
I will save you $50 bucks
As discussed, I am putting together the "thank you" letter. Here is a draft:
Thank you for all the support you have shown me by following my work, coming to my exhibitions and sharing my work with your friends. People think that artists work in a vacuum, but we don't. You, who care about the work, are our co-creators.
I spend oceans of time working alone. Sometimes my work leaves the studio and finds a home with a collector, but I have no idea what they or anyone else think of the work. Sometimes that makes me feel like an actor who is always rehearsing and never gets a chance to perform.
____________, the fact that you follow my work and know what I am doing means a lot to me. I do like to know what you think. It often helps me in unexpected ways.
I have the good fortune of being able to do what I love for a living, but literally, what makes that possible, is you.
So, thank you. And please keep in touch.
Leslie Parke Website
Leslie Parke Blog
Find me on Facebook
Click here for a Catalog: Leslie Parke Paintings
I sent out the "thank you" email and I have heard back from several people who NEVER contact me. I also received a rousing endorsement from a corporate dealer, and a request to help a client rehange his collection of my work in his house -- he mentioned that he would compensate me for my time, but this is also a selling opportunity :-).
I have been receiving questions about my print process from folks I have been running into. It seems that I have been speaking in a language they don't understand or can't visualize. I for get that the concept of 4-color printing is not universally understood. But this is great, because I will be able to clarify their questions with another post and video. And more importantly than that, it shows that they are engaged!
I have nearly finished the plats for my first print. It is such a complex print, it will be a minor miracle if it turns out!
I have been spending time cleaning up my mailing list. Not perfect, but finally I understand how to edit in Constant Contact (a feat in itself). I am going to spend some time refining these lists, so I can do more directed mailings.
More soon, I hope. Leslie
I hope this finds you, as I am responding to your Constant Contact email.
This email was a really lovely gesture – not selling or asking anything, but thanking your broad audience of supporters. I viewed your work and enjoyed a lecture quite a few years back on a campus in San Diego. I’ve always enjoyed your newsletters, and stay on your distribution, even though we probably won’t ever meet again.
Last October, I took a trip with my family to France to celebrate my 50th birthday. The trip culminated with a very early morning appointment to tour Giverny ON my special day. . The sun was just coming up. The night had been unseasonably cool, with the first signs of frost on October 15th. The gardens were still redolent with fall blooms. I was so honored and excited to be there on my special day. I shared the story that I’d actually met an artist who had been there in residence. I thought about your time there, saw how deeply it influenced your work. That must have been a very special experience for you. I was privileged to have heard about Giverny from your talk, and know that it piqued my interest even more to see it for myself. The day was pure magic.
We don’t ever know how much we affect or influence others, but I’ll share that I’ve always admired your work, and that you found a way to follow your hearts’ passion.
Thank YOU for being an inspiration to all you meet.
Continued success to you.
I’ve had the privilege of knowing Natasha Wescoat for a few years. She’s a force of nature. Her work is colorful, powerful, and exciting. On top of that, Natasha is as technology savvy as any person that I know. She’s a rare artist who really gets the online world. I’m so excited to have Natasha guest post today – not only because I’m a big ‘ol fanboy, but because she really knows what she’s talking about – and quite frankly, I’m astounded that Natasha lays out here exactly how to do what she’s been so successful with. (Thanks Natasha)
For the last 8 years, I’ve offered my work online through various venues, with the support of my own website and organic marketing (social media, word of mouth, etc.). But it was in 2011, that I recognized a potentially sustainable source of income in one particular social network.
I have made over $50,000 selling my art on Facebook, and I will show you how you can too.
Facebook, despite it’s constant scrutiny, is a growing giant and it’s not going anywhere anytime soon. According to allfacebook.com:
Facebook currently has 845 million active users.
Facebook accounts for 1 out of every 5 pageviews on the internet worldwide.
Facebook users share over 100 billion connections collectively.
Over 50% of the population in North American uses Facebook.
250 million photos are uploaded to Facebook daily.
There are 2.7 billion likes every single day on Facebook.
Since they’ve gone public, along with it’s growing integration into every website and social network in the world, it’s becoming a force we cannot ignore. Everyone’s mom, grandfather, cousin, dog is on Facebook. It’s becoming a rich resource for finding current and new audiences. Everyone is on getting on board.
HOW I BEGAN
A year after I created my own page, I began to actively post and correspond with fans. People loved to share pictures of their favorite art or ask me questions about my work. I wasn’t really into it too much, and didn’t see the potential of the site so I rarely logged on or answered questions. I had no idea how effective or useful it would be. Within a year, I had stopped selling work on sites like eBay or Etsy and took time off to work on other endeavors. When I wanted to sell an artwork or offer prints, I’d just post them on there to see if anyone was interested.
To my surprise, they WERE.
By 2011 (a year in), My fanbase grew from 300 to 1000 as old followers and new found me on Facebook. I began to share the link to my page on Twitter (where I had 4000-9000 followers) and on my blog, which I’d been writing since 2006. I realized the potential and began to experiment on what worked and didn’t work for me and my personal following. By 2012, I was selling art on Facebook exclusively, making over $50,000 in sales from my original paintings and fine art prints.
So, HOW exactly did I make this work in 2-3 years? Here are some practices/methods I’ve used that helped not only build my fanbase, but increase engagement, develop interest and increase sales.
7 KEYS TO CREATING YOUR FANBASE AND SELLING ART ON FACEBOOK
The first thing to understand is, it’s most important to develop a reputation with your collectors/fanbase before you can really start selling your art. It’s important to engage with your collectors and build relationships. This is particularly wonderful for us as artists, because you really don’t have this opportunity in a gallery setting unless you have the time to be out and about all the time!
1. Start conversations/use engaging tools:
- Post a photo of work you are developing (Progress pictures).
- Post an artwork from your past, childhood, present. Show where you’ve come from, what you’re working on (series) or an artwork you want to offer.
- Ask a question: ask them questions about themselves, ask about your work, ask about current topics. Use topics that relate to your work or your personal audience. Everyone is different.
- Start a topic: talk about your process, what you’re working on, what you did today, etc.
People respond most to things that are visual or involve THEM. People love to talk about themselves, and they’ll be interested in sharing their own stories, thoughts, interests! Get them going!
2. Make it fun:
- Create contests: photo contests, commenting contests, liking contests. You want to create things that inspire them to share or participate in. With the new Timeline, other people are going to see their friends’ likes, shares and comments. Offer an incentive: Winner gets print of the month (or choice), someone gets discount in your shop, one of 10 commenters will get a free print, etc.
- Encourage fans to share pictures of their collections, favorite artwork or their dog. Whatever it is, that could be related to your artwork, your brand or your web presence.
3. Don’t ignore the stats:
- Research your audience: Use Facebook Insights to understand the type of people that are “liking” and engaging on your page, and from there you can learn and develop your audience.
- Study how to use insights so that you can better read the data that is offered to you. Find other tools that might help you engage with your audience.
4. Create a schedule/system:
- Decide what time of day, how many times a day, how many times per week you will post. And what ‘type’ of content you will post.
- Create a day/time for what content is shared: New art on Fridays? Studio Sales on Sundays? Illustration of the day Tuesdays? Fanchat Thursdays?
5. Sell your art with a plan:
- Create sales goals and develop a system that will help you reach those goals.
- Determine what you are willing to sell your artwork for. Will you offer prints? Will you offer just small artwork or everything you create? I never allow an original artwork to sell for less than $200, but this is all dependent on your fanbase, how many follow you on Facebook, what you offer, how long you’ve been an artist and who your audience is.
- Do you want to offer your art directly on Facebook or promote your other sites where the art is available?
6. It’s important to create an urgency and rarity for your work on a social network because everything is posted in real time, exposure on Facebook is short term and not every follower will see your posts.
- With original art, I’d give them a chance to make their price: I say: Make an offer & it’s yours! which creates an open opportunity for them to name what they’d pay. Allow yourself as much time as you want to see how many offers you get. The longer, the better, but if you feel it necessary to keep short, do so. I only offer originals for up to 24 hours for bids. After that, if there is nothing, I delete and move on. I might offer the original later a different day and time because some days are either bad timing or most people aren’t really on their Facebook.
- Use sayings like “The first (number) of people to comment-” or “The first one to say “SOLD!” can purchase-” to create the urgency to reply. I’ve found that if I simply post payment information for artworks or link to an artwork, there is less of a chance at making a sale.
- Create rarity with limited times or limited offers: Certain prints or specials will be available from this day to that day, or for 24 hours, or until the Friday of that week. Something of that nature, where the special will not be available anywhere else and is not done on a REGULAR basis. It’s completely genuine and legitimate as a form of selling art. Disney does this with their classics and it has worked well for them.
Creating urgency not only helps keep your fans’ attention but help increase engagement which in turn will help increase the exposure of that particular post across other timelines. More likes, comments or shares equals more exposure for that post.
INVEST IN PROMOTION
7. Advertise your page
- I’ve found that with even the smallest investment in advertising, you can increase your fan base as well as potential sales through the use of Facebook ads. Really study your Facebook Insights and determine the best plan for advertising. Sometimes I only advertise with my spending limit at $30-50. at a time. Facebook offers a wonderful system that makes it simple even for the novice. Play around with the advertising system a few times and you will get the hang of it. From there, decide how much you’re willing to spend each month, every few months or year. Perhaps you only advertise for a week or few weeks around a special event or artwork you are working on.
8. Promoting posts really works!
- You are able to promote a particular post (perhaps you are offering a limited print or original artwork for sale) for anywhere from $5.00 to $30.00 to reach a certain amount of your audience. That particular promotion will last anywhere up to 3 days. Promoting pages increases the chances of that post to be seen by your fans for a longer period of time. This is great because, in reality, not everyone will see that post. People log on at different times, for different lengths. Not everyone goes directly to the page to read what’s happening. I have fans who follow me regularly but might miss one post or they happened to be on vacation that week or don’t see that artwork I offered three times that month.
- And if, at any time you wish to cancel or pause a promotion, you CAN. Sometimes I’ll reach a certain amount of sales that I wanted and pause the promotion. You might only spend 30 cents or $1.40 when you promote a post.
So, how do I do it?
- I post regularly – almost every day.
- I offer art weekly, through Studio Sales, special limited edition offers and print sales.
- I promote my Etsy shop, eBay auctions and other sites through Facebook.
- I revisit old events, old artworks and past experiences for content.
In regards to the success on Youtube and Facebook, it has been a year of work of posting a weekly video. Every Tuesday I post a tutorial both in my English Channel FineArtEbooks, and on my Spanish channel: ArteDivierte (Arte Divierte means Art is Fun). From there I send them to FB. And in FB I also post the videos and send them to Youtube. And of course in FB I post photos, share material and I am generally very active. I use FB as a blog a bit.
Did you know that Facebook
was the top used social channel for spreading the royal news about the new Prince of Cambridge?