Loading presentation...

Present Remotely

Send the link below via email or IM

Copy

Present to your audience

Start remote presentation

  • Invited audience members will follow you as you navigate and present
  • People invited to a presentation do not need a Prezi account
  • This link expires 10 minutes after you close the presentation
  • A maximum of 30 users can follow your presentation
  • Learn more about this feature in our knowledge base article

Do you really want to delete this prezi?

Neither you, nor the coeditors you shared it with will be able to recover it again.

DeleteCancel

Accessible Theatre

No description
by

Paige Lillian Hurley

on 28 May 2014

Comments (0)

Please log in to add your comment.

Report abuse

Transcript of Accessible Theatre

62
ECG
bpm
Development of 1:1
“Audience participation has always been important in applied and social theatre, where the aim to engage audience members in social activism and personal development has often been achieved through direct involvement in drama at the point of performance of a play”.

(Gareth White, 2013, p.82)
Character Profiles
Change in our ideas...
- Learning about the children

- Learning the best approach

- How these affected our plans

1:1
To what extent can we make theatre accessible to those in a non-theatrical setting?
Accessible Theatre
Here is Molly acting as a Pirate...
Example: Role Profile
-DBS check

-Good health

-Preparation

Necessities


1. Explored and developed in two halves: Character for performance and relationship with child.

2. Stages:
- Character
- Interaction in role
- Transferring roles to specific settings (entrance and meeting the child)

3. Consideration of relationship
Above: Molly acts as child whilst Paige experiments with interaction, specifically her entrance into isolated rooms as the character 'Pip' the Lost Boy.
Above: Ellie explores interaction with Philly (child) as her character 'Poppy' the Pixie.
Right: ------------->
Ellie explores
interaction with Philly
(child)
Left: <------------
Paige experiments
with 'entrance.'
"In addition to talent and craft, the capacity for warmth and compassion is an essential ingredient"
(Cleveland, 1992, pg.174)
Demonstration
"Distraction is the facilitation of an effective coping strategy for children and young people undergoing treatments of procedures, according to the particular situation and the child/young person’s individual needs. When children are relaxed they are quicker to treat, happier and not fearful of further treatment that may be necessary"


(McQueen
et al
, 2012, p.?).
Distraction
List of References
Cleveland, W. 1992. Art In Other Places, Artists at Work in America's Community and Social Institutions. Westport, CT: Praeger Publishers.
White, G. 2013. Audience Participation in Theatre, Aesthetics of the Invitation. [Online]. Hampshire: Palgrave Macmillan. [Accessed 9 May 2014]. Available from: https://www.dawsonera.com/readonline/9781137010742
Macqueen, S et al. ed(s). 2012. The Great Ormond Street Manuel for Children's Nursing Practices. [Online]. West Sussex: Blackwell Publishing Ltd. [Accessed 9 May 2014]. Available from: https://www.dawsonera.com/readonline/9781118274224
Improvisation
The Site-Specific: Performer/Patient Interaction
Distraction
Improvisation
Flexibility
Preparation
"You can get carried away in different directions rather than being consistently obliged to make things happen."

(Johnston, 2009, p.95-96)
Flexibility
Pirate, Pixie and Lost Boy engage with an able yet shy patient.
“Good preparation is absolutely vital[…] The opportunity of play before procedure is also a way of helping children to achieve a relaxed state of mind.”
(Macqueen et al, 2012)
Preparation
Entertainment
Distraction
Community
Storytelling
Ability
Transportation
Trust building
Relationship
Accessibility

Presentation to Professionals
"Prospective artists are usually asked to provide resumes and press clips as well as to audition."

(Cleveland, 1992, pg. 174)
Childrens Assessment and Treatment Unit Ward 9 Leeds General Infirmary
Presentation/ Performance

Joker encourages the spectators to step into role to actively show offer their solution to the scenario, turning the audience from passive spectators to active spect-actors.
(Boal, 2007, p.?)
'Audition'
Facilitated by a 'Joker'
"Beyond Expectations"

Feedback
Requested For:
Ward 9 - Assessment and Treatment (Short Stay)
Ward 10 - Liver and Renal
Ward 11 - Dialysis, Kidney Failure
Ward 30 - Cystic Fibrosis
Ward 31 Oncology
Response
communication
Intuition
Impact
Boal, A. 2006. The Asthetics of the oppressed. Routledge. Oxon.

Brodzinski, E. 2010. Theatre and Health Care. United Kingdom: Palgrave Macmillan.
The Rehearsal Process: workshops to explore character, interaction and adaptability
Companies that may be used to more robust settings may need to engage in quite a shift of emphasis when working with people who are vulnerable and/or ill
(Brodzinski, 2010, pg.20).

‘We don’t want theatre groups coming in here with their clodhoppers on shouting and swearing’
(Brodzinski, 2010, pg.20).
Full transcript