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Perotin
AKA Perotinus
Notre Dame
Perotin's Style
Interior of Notre Dame Cathedral in Paris.
Listening:
Composer: Perotin
Title: Alleluya, Posui Adiutorium
Date: early 13th century
Genre: polyphonic organum - tripla
pg. 387, ex. 9-9
- wrote in dupla, tripla, quadrupla
- started with 2 voices, built off of the second part
- Upper voices lie in similar range and style, same phrase length
- liked order and balance in his music
- prolonged dissonance, intensified tension and release
- rondellus
- compula non ligata
- differing rhythmic textures between parts
- used mensural notation
Post-Leonin
- Perotin's clausulae were based off Leonin's work
- Perotin added voices, up to 4 total
- used rhythmic modes
- Leonin was more melismatic
Biography
- active at Notre Dame Cathedral
- best known for work on Magnus Liber
- Anonymous IV called him "expert at writing discant"
- Philip the Chancellor
- teacher
Perotin
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