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Professor Henning
ENC 1102
As defined by The Norton Field Guide, narration is "a strategy for presenting information as a story, for telling 'what happened'" (G/I-20-21). While narratives are most often associated with fiction, narration shows up in all kinds of writing.
When writing academically, narration has to have a point; it can't tell a story just for the sake of telling a story! In other words, while narrative elements are important, they must serve the greater purpose of a text.
Narration and narrative writing can also be found in these genres of academic writing:
Memoirs
Reports
Literary analyses
& Profiles
Storytelling does more than just make us happy or feel comforted. In her article "Your Brain on Fiction," Annie Murphy Paul explains that neuroscientific research has revealed that "stories...stimulate the brain and even change how we act in life."
Narrative structures activate many parts of our brain beyond the "classical" language regions, such as the olfactory cortex, motor cortex, and the sensory cortex. According to the Annual Review of Psychology, there is also "substantial overlap in the brain networks used to understand stories and the networks used to navigate interactions with other individuals" (qtd. in Paul).
Chronological Order
Start at the beginning of an event and work through to the end.
Reverse Chronological Order
Flashback
Start at the end and end at the beginning.
In the middle of the narrative, flash back to a previous incident.
Time Markers
Transitions
Label time as you would in a diary, journal, or travel log, or use transitions that indicate the passage of time.
First
Suddenly
Then
At last
As Write What Matters explains, "The purpose of a profile is to give the reader new insight into a particular person, place, or event." The key word here is "new." Profiles are differentiated from other types of narrative writing not only because they are non-fiction, but also because they rely upon newly acquired knowledge.
Nearly anything can be the subject of a profile!
An interesting subject
One way to create an engaging profile is to write about an unusual subject, or to write about a usual subject but in an unexpected way.
Necessary background information
Because a profile is not a research paper or report, it usually includes just enough information to provide the larger context for the subject of the profile.
An interesting angle
A good profile should capture its subject from a unique angle. Sometimes this angle will be readily apparent, inherent in your subject; other times, you might have to dig a little deeper to find that interesting "twist."
A firsthand account
Spend time observing and interacting with your subject! Conducting firsthand research, such as interviews and observations, is a very important part of writing an engaging profile.
Engaging details
Use rich details and imagery that bring your subject to life. Some ways to do this include: vivid, specific descriptions; sensory imagery; figurative language; dialogue; and anecdotes.
Explore what you already know about your subject.
Ask yourself why you find a subject interesting, what you already know about it (and would like to learn about it), as well as your emotional reactions to it. Freewriting is a great tool for this kind of exploration!
If you plan on interviewing someone, prepare questions.
For your firsthand research, especially if you are writing about a person, interview them! Make sure to prepare yourself beforehand: ask their permission, write out your questions, think about how you will record the interview, etc.
Visit your subject.
Writing about a place? Go there! Talk to people, observe from a distance, take photos or videos--anything that will help you learn more about your subject.
Conduct additional research.
If your profile is not complete without secondary research, find additional information by doing research to fill in those "gaps" in the story.
Analyze your findings.
Look for ways that your findings relate to one another through patterns, recurring images or ideas or phrases, significant details, contrasts or discrepancies. How do your findings differ from your initial thoughts on your subject?
Come up with an angle.
Decide what is most memorable about your subject, what interests you the most, and what will interest your audience. Freewriting and other brainstorming strategies can help you find your unique angle.
Note details that support your unique angle.
Once you find your angle, you can figure out how to best bring to life your subject. Will photographs or illustrations enhance your profile? Dialogue? A certain medium?
Chronological order:
If you structure your profile chronologically, you will begin with the past and end with the present. As Writing What Matters explains, if your profile is about an event, you might begin when the event does and end when it's over. If your profile is about a person, you could start with their past experiences, narrate the events that led to where they are now, and even end with their plans for the future. If you are writing about a place, you could begin with your initial impressions of the place and end with your departure.
An advantage of using chronological order to structure your profile is that it is easy to follow; a disadvantage, however, is that this kind of narrative can be dry and tedious. Think of ways to mix it up, such as using flashback or engaging dialogue.
Spatial structure:
If you structure your profile spatially, you present information "as it occurs in space or by location" (Write What Matters). This is an especially effective organizational method for profiles about places. Your narrative moves your reader from place to place as if you were their tour guide. Spatial structure can even work for profiles about people if you create a narrative that follows them from place to place.
Spatial structure, however, generally does not work alone; it also draws upon chronology and topical organization. Keep this in mind as you write your profile. Ultimately, your structure should be unique to your subject and mirror the dominant impression you would like to create.
Show, don't tell! Let your audience feel like they're right there with you. Let them hear, taste, smell, feel, and see your place by using sensory imagery. These details will work to create the dominant impression of your place.
Auditory imagery = sound
Olfactory imagery = smell
Visual imagery = sight
Gustatory imagery = taste
Tactile imagery = touch