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BIG IDEA:
During a time of religious and economic instability, Philip II ruled Spain with a strong hand.
KEY TERMS:
Philip II
Absolute Monarch
Divine Right
OBJECTIVES:
• Describe Spanish power under Philip II.
• Identify major figures from the Golden Age of Spanish art and literature.
• Describe the birth of the Netherlands.
• Do you think a wealthy society is necessary for the production of great art?
• Explain the origins of absolute monarchy.
A devout Catholic, Charles not only fought Muslims but also opposed Lutherans. In 1555, he unwillingly agreed to the Peace of Augsburg, which allowed German princes to choose the religion for their territory. The following year, Charles V divided
his immense empire and retired to a monastery. To his brother Ferdinand, he left Austria and the Holy Roman Empire. His son, Philip II, inherited Spain, the Spanish Netherlands, and the American colonies.
Philip II’s Empire
Philip was shy, serious, and—like his father—deeply religious. He was also very hardworking. Yet Philip would not allow anyone to help him. Deeply suspicious, he trusted no one for long. As his own court historian wrote, “His smile and his dagger were very close.”
Perhaps above all, Philip could be aggressive for the sake of his empire. In 1580, the king of Portugal died without an heir. Because Philip was the king’s nephew, he seized the Portuguese kingdom. Counting Portuguese strongholds in
Philip’s empire provided him with incredible wealth. By 1600, American mines had supplied Spain with an estimated 339,000 pounds of gold. Between 1550 and 1650, roughly 16,000 tons of silver bullion were unloaded from Spanish galleons, or ships. The king of Spain claimed between a fourth and a fifth of every shipload of treasure as his royal share. With this wealth, Spain was able to support a large
standing army of about 50,000 soldiers.
Spain’s great wealth did more than support navies and build palaces. It also allowed monarchs and nobles to become patrons of artists. During the 16th and 17th centuries, Spain experienced a golden age in the arts. The works of two great painters show both the faith and the pride of Spain during this period.
El Greco and Velázquez
Born in Crete, El Greco spent much of his adult life in Spain. His real name was Domenikos Theotokopoulos, but Spaniards called him El Greco, meaning “the Greek.” El Greco’s art often puzzled the people of his time. He chose brilliant, sometimes clashing colors, distorted the human figure, and expressed emotion symbolically in his paintings. Although unusual, El Greco’s techniques showed the deep Catholic faith of Spain. He painted saints and martyrs as huge, longlimbed figures that have a supernatural air.
The paintings of Diego Velázquez, on the other hand, reflected the pride of the Spanish monarchy. Velázquez, who painted 50 years after El Greco, was the court painter to Philip IV of Spain. He is best known for his portraits of the royal family and scenes of court life. Like El Greco, he was noted for using rich colors.
Certainly, the age in which Cervantes wrote was a materialistic one. The gold and silver coming from the Americas made Spain temporarily wealthy. However, such treasure helped to cause long-term economic problems.
Inflation and Taxes
One of these problems was severe inflation, which is a decline in the value of money, accompanied by a rise in the prices of goods and services. Inflation in Spain had two main causes. First, Spain’s population was growing. As more people demanded food and goods, merchants were able to raise prices. Second, as silver bullion flooded the market, its value dropped. People needed more and more silver to buy things.
Spain’s economic decline also had other causes. When Spain expelled the Jews and Moors (Muslims) around 1500, it lost many valuable artisans and businesspeople. In addition, Spain’s nobles did not have to pay taxes. The tax burden fell on the lower classes. That burden prevented them from accumulating enough wealth to start their own businesses. As a result, Spain never developed a middle class.
Even though Philip II lost his Dutch possessions, he was a forceful ruler in many ways. He tried to control every aspect of his empire’s affairs. During the next few centuries, many European monarchs would also claim the authority to rule without limits on their power.
Growing Power of Europe’s Monarchs
As Europe emerged from the Middle Ages, monarchs grew increasingly powerful. The decline of feudalism, the rise of cities, and the growth of national kingdoms all helped to centralize authority. In addition, the growing middle class usually backed monarchs, because they promised a peaceful, supportive climate for business. Monarchs used the wealth of colonies to pay for their ambitions.
Church authority also broke down during the late Middle Ages and the Reformation. That opened the way for monarchs to assume even greater control. In 1576, Jean Bodin, an influential French writer, defined absolute rule. Bodin stated that a ruler has the power to make laws without the consent of anyone else. He said that if a ruler needs to consult superiors, then not a ruler. If he needs to consult his subjects, he is not a ruler.
The Theory of Absolutism
These rulers wanted to be absolute monarchs, kings or queens who held all of the power within their states’ boundaries. Their goal was to control every aspect of society. Absolute monarchs believed in divine right, the idea that God created the monarchy and that the monarch acted as God’s representative on Earth. An absolute monarch answered only to God, not to his or her subjects.