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Junius Bassus was a member of the senatorial family, and he was a Roman prefect a position held by the Roman elites.
The feet of Christ in the Junius Bassus relief rest on the head of a bearded, muscular figure, who holds a billowing veil spread over his head. This is another formula derived from Roman art. A comparable figure appears at the top of the cuirass of the Augustus of Primaporta. The figure can be identified as the figure of Caelus, or the heavens. In the context of the Augustan statue, the figure of Caelus signifies Roman authority and its rule of everything earthly, that is, under the heavens. In the Junius Bassus relief, Caelus’s position under Christ’s feet signifies that Christ is the ruler of heaven.
The cuirass of the statue signifies Augustus as the leader of military power. The breastplate is covered with figures and is a complex of Augustan and Tiberian propaganda. It commemorates Augustus' victory over the Parthians in 20 B.C.
The lower register directly underneath depicts Christ’s Entry into Jerusalem. This image was also based on a formula derived from Roman imperial art. The adventus (from latin meaning 'coming') was a formula devised to show the triumphal arrival of the emperor with figures offering homage. A relief from the reign of Marcus Aurelius (image at near left) illustrates this formula. In including the Entry into Jerusalem, the designer of the Junius Bassus sarcophagus did not just use this to represent the New Testament story, but with the adventus iconography, this image signifies Christ’s triumphal entry into Jerusalem. Whereas the traditio legis above conveys Christ’s heavenly authority, it is likely that the Entry into Jerusalem in the form of the adventus was intended to signify Christ’s earthly authority.