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Guillermo Gomez Peña uses images and language in his performance to demonstrate that linguistic and cultural identities are symbols that can be appropriated by users for different contexts, but can also be exploited in use and interpretation.
Guillermo Gomez Peña prompts us to ask questions about the formations of identities
-who defines them?
-how many things form your identity?
-does identity change in different contexts?
How is he speaking? a particular language?
What identities are created?
What images do you see? Cultural appropriations or cultural symbols? Familiar images?
-english/spanish/???
-batman
-Black and white faces
-bananas- UFC
-candles/alter
-music
-Native american head
-What else?
Language poetry- "Key aspects of language poetry include the idea that language dictates meaning rather than the other way around"
Interpretation of the Audience
-interpretation says more about the interpreter than the messenger
Giving objects or images meanings
-multiple languages, multiple cultures
-Peña as the artist is the blank slate where language is performed and interpreted by others
-Peña's intersecctionality and biculturalism
-The border is a place where two cultural identities combine and repel
-The border creates a unique border culture
-His identity is shaped by others through language and image observation