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Tenebrism in Baroque Painting and Its Ideological Background
10
Caravaggio,
The Calling of Saint Matthew,
1599-1600,
Oil on canvas,
322 cm x 340 cm,
San Luigi dei Francesi, Rome.
Gerard Dou,
The Night School ,
1660-1665,
oil on panel,
53 cm x 40.3 cm,
Rijksmuseum Amsterdam.
Georges de La Tour,
Job Ridiculed by his Wife,
1625-1650,
oil on canvas,
145 cm x 97 cm,
Musée Départemental des Vosges.
Tintoretto,
The Last Supper ,
1592–1594,
Oil on canvas,
365 cm x×568 cm ,
Basilica di San
Giorgio Maggiore,
Venice.
Tenebrism
Chiaroscuro
Caravaggism
middle Ages
Baroque
Robert Grosseteste，1168－1253
light emanating from God.
In this uminous cosmos there was no room for darkness.
St. Thomas Aquinas，1225－1274
Giovanni Battista Caracciolo,
The Baptism of Christ,
1610,Oil on canvas,
136 cm x 113 cm, Quadreria
dei Girolamini,Naples.
Valentin de Boulogne,Abraham Sacrificing Isaac,1630-1631,
Oil on canvas,149.2 cm x 186.1 cm, Musée des Beaux-Arts de Montréal .
Darkness was associated with evil, negation,non-being, sin.
Dirck van Baburen,
Deposition,
San Pietro in
Montorio,Rome.
Jose de Ribera,St Sebastian Cured by St Irene,
1628, oil on canvas,156 cm x 1188 cm,
Museo del Hermitage.
Francesco Del Cairo,
Agony in the Garden,Brera,Milan.
Renaissance
middle Ages
Baroque
Renaissance
Neo-Platonism
Sfumato
Marsilio Ficino，1433-1499 Leonardo da Vinci，1452－1519
Leon Battista Alberti，1404－1472 Gian Paolo Lomazzo，1538 – 1592
by nature we like bright things.
Natural light
Metaphysical light
Artificial light
St. John of the Cross,1542－1591
《
Noche oscura
《
Subida del Monte Carmelo》
Johannes Kepler ，1571－1630
Nicolaus Copernicus， 1473－1543
The Zohar
lower darkness
upper darkness
Blaise De Vigenère，1523－1596
《Traicté du feu et du sel》
metaphysical heaven
natural heaven
putrefactio, mortificatio
Umbra solis,
Robert Fludd,
Medicina catholica,
Frankfurt,1629.
air
Robert Fludd，1574-1637
water
globe
Cardinal Francesco del Monte,1549-1627
Guidobaldo del Monte,1545-1607
Athanasius Kircher，1602-1680
Ars magna lucis et umbrae
Giacomo Cavedone,
The Adoration of the Shepherds,
1628,
oil on canvas,
240 cm x 182 cm,
San Pao;o Maggiore,Bologna.
Tintoretto,
The Martyrdom of
St. Catherine,
1590,
Accademia di Belle Arti.
conclusion
Maria Rzepińska
（1917-1993）
Artibus et Historiae
Vol. 7, No. 13 (1986), pp. 91-112
By Lin Yen
Tenebrism in Baroque Painting
and
Its Ideological Background
波蘭
家及藝術評論家