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End
- Used mainly to demonstrate the Flash’s speed/relative to Superman
- Superman’s speed relative to that of the team.
Any Thoughts or Criticism of the Scene?
-Quick Cuts - Used to maintain pacing, shows the urgency of the scene, and the emotional state of the characters
-Long Takes - Used mainly towards the end of the scene to juxtapose Superman’s emotional states - in the end, he’s more relaxed/more at peace upon finding Lois Lane
-POV Shots - Mainly used to show Superman’s perspective (X-Ray Vision), viewing the emotional state of other characters, shows the divide between Superman and the League
-The tail end of the second act of the film
-The Return of Superman
-Shows Superman’s power, relative to the rest of the Justice League
-Begins to establish Superman’s interpersonal connections (i.e. Lois Lane)
-Mostly Subtle, mainly noticeable in the form of sound effects - flight, quick movements, etc.
-Soundtrack flows with action of the scene
Edited By:
-Martin Walsh
Previous Work: V for Vendetta, Wrath of the Titans, Wonder Woman
-Richard Pearson
Previous Work: Iron Man 2, The Accountant, Kong: Skull Island
-David Brenner
Previous Work: Man of Steel, BVS, 300: Rise of an Empire, 2012
Directed By:
-Zack Snyder
Previous Work: Watchmen, Man of Steel, Batman V. Superman
-Joss Whedon (Uncredited)
Previous Work: The Avengers 1&2,
-Scene (More Apparent at the End) is heavily saturated compared to the rest of the film prior to this scene, shows a “hopeful” essence - despite Superman’s altered mental state, this is supposed to be a turning point for the characters
-CGI/Keying - Almost everything seen in background is computer generated, as is part of Henry Cavill’s face (Moustachegate)
-Visual Effects also apparent in a number of foreground shots - Flash's Lightning, Wonder Woman's Lasso, Cyborg's entire body, etc.
CJ De Leo, Unique Davis, TJ Prontnicki