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"The lawyer stood by the thesis of homicide in legitimate defense of honor ... and the twins declared that they would have done it again a thousand times" (Marquez 48).
"'Before God and before men,' Pablo Vicario said. 'It was a matter of honor'" (Marquez 49).
- After his son was killed, Aramis wanted to exact retribution on King Louis for putting his son in a position to be killed after he promised not to do so
- Philippe puts Louis in the iron mask and in jail after it's shown the King has wronged many in the nation of France
- After it's found that she is "impure", Angela Vicario tells her brothers that it was Santiago Nasar who did it, and the brothers decided that it was necessary to go out and kill him (Marquez).
“Vengeance is mine; I will repay.”
Leo Tolstoy
"How came he dead? I'll not be juggled with. To hell, allegiance! Vows, to the blackest devil! Conscience and grace, to the profoundest pit! I dare damnation. To this point I stand, That both the worlds I give to negligence, Let come what comes, only I'll be revenged Most thoroughly for my father" (Shakespeare 4.5.148-154).
“Vengeance is mine; I will repay.”
Leo Tolstoy
Was vengeance necessary in these three cases? How would the films/texts have turned out if the main characters did not seek vengeance? Would the characters have faced a similar demise anyways?
Iron Mask. Digital image. Daily Mail. Associated Newspapers, n.d. Web. 8 Jan. 2017.
Márquez, Gabriel García. Chronicle of a Death Foretold. New York, Knopf, 1983.
Pablo and Pedro. Digital image. Petchary's Blog. N.p., n.d. Web. 8 Jan. 2017.
Picture of Hamlet. Digital image. Approaches to Shakespeare. N.p., n.d. Web. 8 Jan. 2017.
Shakespeare, William. Hamlet. New York, New York, Washington Square Press, 1992.
The Man in the Iron Mask. Directed by Randall Wallace, United Artists, 1998.