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Transcript

SNAPSHOT vs. PHOTOGRAPHY

FOCAL POINT

FRAMING FOR COMPOSITION

To convert from snapshot to photograph I zoomed in directly on the leaf making it proportionally bigger than the details in the background, as well as changing the aperture to blur the unnecessary elements that would otherwise distract.

To convert from snapshot to photograph I reduced my field of view to only include the predominant frame of the window, I placed my focal point closer to the left, and I captured more clearly the details of the outdoors rather than glaring out the window and allowing distracting details to interact within the image.

PHOTOGRAPH

SNAPSHOT

PHOTOGRAPH

CAMERA PLACEMENT

BACKGROUND AWARENESS

To convert from snapshot to photograph positioned the camera so that the pole was not directly perpendicular to the rock, changing the how the rock is viewed as a separate subject rather than one with the pole.

To convert from snapshot to photograph I laid down and got behind the subject (pine cone), as well as zooming in to create an angle for specific emphasis on the singular entity .

SNAPSHOT

PHOTOGRAPH

THE END

FIELD OF VIEW

PHOTOGRAPH

To convert from snapshot to photograph I directly angled the camera to only capture the paint can and eliminated the unnecessary objects that weren't distinctly related to its definite, independent presence.

CHANGING CAMERA DIRECTION

SNAPSHOT

To convert the snapshot to a photograph I decided to shift the layout horizontal to highlight the details of the bumper more explicitly, and highlight the bumper scar as a point of interest.

SNAPSHOT

PHOTOGRAPH

DEPTH OF FIELD

To convert from snapshot to photograph I converted the aperture to a smaller F-stop to blur the background and present a close-up, focused view of the pop can as well as changing the placement of camera and object to create more emphasis unlike the blurred out shot on the left.

PHOTOGRAPH

SNAPSHOT

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