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Approximate sizes of artworks: This painting is large - measuring seven feet by ten feet
the message: she didn't mention any message which i think is very brilliant because she give people a chance to create a different messages from this artwork.
shape: pyramidal shape dominating the center and meeting a sea of blue at center right
Composition: Oil and charcoal on canvas
colors: see the pic
Texture: canvas
Style: Abstract Expressionism, Lyrical Abstraction
Style: art of printmaking
Material: set of two alternate woodblocks
influences: the artist cut the image from four kinds of wood – birch, luan, oak, and walnut – each with distinctive surface properties, inked in blends of reds, blues, violets, and warm browns.
Approximate sizes of artworks: each 42 × 20.625 × inches
color: Essence Mulberry consists of a large bluish gray area containing orange markings, framed by two broad stripes of rich red.
Composition: An eight-color woodcut
Texture: handmade Nepalese and Japanese papers.
Message: Essence Mulberry was inspired by the faint coloring Frankenthaler saw in fifteenth century woodcuts at the Metropolitan Museum and by the more dense coloration in the sap trees on Ken Tyler’s property in Bedford.
Helen Frankenthaler was born in 1928 in New York and attended the private school, Dalton, where she studied painting with the Mexican artist Rufino Tamayo and she Died at the age of 83, on December 27, 2011 :( . Helen Frankenthaler was famous of her abstract expressionist paintings.
Frankenthaler was influenced by Abstract Expressionist painting practices, but developed her own distinct approach to the style. She invented the "soak-stain" technique, in which she poured turpentine-thinned paint onto canvas, producing luminous color washes that appeared to merge with the canvas and deny any hint of three-dimensional illusionism
Style: ABSTRACT EXPRESSIONISM, acrylic paint
Material: Acrylic on canvas
message : Canyon reflects the change in Frankenthaler's artistic practice.
color: red field surrounded by a sea of blue-green. In Canyon, the energetic, brilliant field of a cluster of reds is contained on three sides by the deeper, cooler greens, but the top of the painting is left to breathe.It’s almost as if the artist gave the reds a place to escape.
shape: she allowed cropping to shape the canvas