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The Early Years Cont.

- Began to get into trouble (New Year's Eve celebration pistol incident)

- New Orleans Colored Waifs' Home (Professor Peter Davis)

- Leader of the home's band (performance opportunities drew attention to cornet playing)

- Brass band parades (Joe "King" Oliver's mentorship)

- Riverboats (Fate Marable, "going to the University")

- Kid Ory's band and the Tuxedo Brass Band

Career

- Joe "King" Oliver's Creole Jazz Band (1922)

- Fletcher Henderson's Orchestra (New York, 1924)

- Lil Hardin Armstrong's influence

- The Hot Fives and Sevens recordings (1925 - 1928, featuring Kid Ory - trombone, Johnny Dodds - clarinet, Johnny St. Cyr - banjo and Lil Hardin Armstrong - piano, "Potato Head Blues", "Muggles" and "West End Blues")

- Earl "Fatha" Hines ("Weatherbird", 1928)

- Erskine Tate's Little Symphony

- "Heebie Jeebies" (first recording of "scat" style singing)

- Joe Glaser

- "Hot Chocolate"

Career Cont.

- Hoagy Carmichael's influence

- Bing Crosby

- The Great Depression

- "Ex-Flame"

- Finger and lip problems

- "Pennies From Heaven"

- 300 gigs per year and the dissolution of a sixteen piece big band

The Enduring Impact and Contributions of Louis Armstrong

"It's America's classical music ... this becomes our tradition ... the bottom line of any country in the world is what did we contribute to the world? ... we contributed Louis Armstrong"

-- Tony Bennett

The All-Stars

"I think that anybody from the 20th century, up to now, has to be aware that if it wasn't for Louis Armstrong, we'd all be wearing powdered wigs. I think that Louis Armstrong loosened the world, helped people to be able to say "Yeah," and to walk with a little dip in their hip. Before Louis Armstrong, the world was definitely square, just like Christopher Columbus thought."

-- South African trumpet legend Hugh Masekela

The Early Years

"If anybody was Mr. Jazz it was Louis Armstrong. He was the epitome of jazz and always will be. He is what I call an American standard, an American original."

-- Duke Ellington

- Town Hall Concert (May 17, 1947 with Jack Teagarden)

- Group known as Louis Armstrong and His All-Stars, featured a rotating cast, which included Earl "Fatha" Hines, Barney Bigard, Edmond Hall, Jack Teagarden, Trummy Young, Arvell Shaw, Billy Kyle, Marty Napoleon, Big Sid Catlett, Cozy Cole, Tyree Glenn, Barrett Deems, Joe Darensbourg and Danny Barcelona

-Time Magazine (February 21, 1949, first jazz musician on the cover)

- Born on August 4, 1901 in New Orleans, Louisiana, despite frequently stating the date of his birth as July 4, 1900.

- Spent his youth in an impoverished neighborhood of New Orleans, known as "the Battlefield", which was a part of the infamous Storyville district. This area was frequently associated with elements of the so-called "underworld".

- Dropped out of the Fisk School at age eleven and joined a quartet of boys singing in the streets for money.

Final Years

- "Hello, Dolly!" (1964, biggest selling record, went to No. 1 on the pop chart and made Armstrong the oldest person to date to accomplish that feat, dislodged The Beatles from the No. 1 spot, which they had held for 14 consecutive weeks with three different songs)

- Maintained busy tour schedule, visiting Africa, Europe and Asia under sponsorship of the U.S. State Department, becomes known as "Ambassador Satch" and inspires Dave Brubeck's jazz musical "The Real Ambassadors".

- Continued playing until the day he died, July 6, 1971

louis armstrong: A Legacy For The Ages

Created By: Matt Chasen

music in the secondary school (MSED 544)

Professor Schneider

3/18/15

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