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A Little History of Synchronized Sound (audio)A Little History of Synchronized Sound (audio)WWA Little History of Synchronized Sound (audio)
Chion, Toward an Audiologovisual PoeticsChion, Toward an Audiologovisual PoeticsWWChion, Toward an Audiologovisual Poetics
Chion, The Real and the RenderedChion, The Real and the RenderedWWChion, The Real and the Rendered
Chion, SynchresisChion, SynchresisWWChion, Synchresis
Chion, Projections of Sound on ImageChion, Projections of Sound on ImageWWChion, Projections of Sound on Image
Chion, Three Listening ModesChion, Three Listening ModesWWChion, Three Listening Modes
UNC EnglishUNC EnglishWWUNC English
Copy of Concepts in Aristotle's POETICSCopy of Concepts in Aristotle's POETICSWWCopy of Concepts in Aristotle's POETICS
What is modernity? (F21)What is modernity? (F21)WWWhat is modernity? (F21)
Italian Neorealism (notes)Italian Neorealism (notes)WWItalian Neorealism (notes)
330: FILM STYLE & THEME330: FILM STYLE & THEMEWW330: FILM STYLE & THEME
FILM STYLE & THEMEFILM STYLE & THEMEWWFILM STYLE & THEME
Film Spectatorship: Basic ConceptsFilm Spectatorship: Basic ConceptsWWFilm Spectatorship: Basic Concepts
Film Theory, Film CriticismFilm Theory, Film CriticismWWFilm Theory, Film Criticism
Claims, Reasons & EvidenceClaims, Reasons & EvidenceWWClaims, Reasons & Evidence
HISTORICAL FILM SPECTATORHIPHISTORICAL FILM SPECTATORHIPWWHISTORICAL FILM SPECTATORHIP
Interpreting Moving ImagesInterpreting Moving ImagesWWInterpreting Moving Images
Modes of Documentary (525 audio)Modes of Documentary (525 audio)WWModes of Documentary (525 audio)
Principles of Film Form (Chaplin) (with audio)Principles of Film Form (Chaplin) (with audio)WWPrinciples of Film Form (Chaplin) (with audio)
Themes for FILM 210Themes for FILM 210WWThemes for FILM 210
Failure, from Buster Keaton to Johnny KnoxvilleFailure, from Buster Keaton to Johnny KnoxvilleWWFailure, from Buster Keaton to Johnny Knoxville
What is modernity? (audio)What is modernity? (audio)WWWhat is modernity? (audio)
A Little History of Film TheoryA Little History of Film TheoryWWA Little History of Film Theory
Modes of Documentary (audio)Modes of Documentary (audio)WWModes of Documentary (audio)
Film SoundFilm SoundWWFilm Sound
CinematographyCinematographyWWCinematography
Mise-en-SceneMise-en-SceneWWMise-en-Scene
Principles of Film FormPrinciples of Film FormWWPrinciples of Film Form
What Is Cinema? (slides and audio)What Is Cinema? (slides and audio)WWWhat Is Cinema? (slides and audio)
Classical Cinema: The History of a Critical ConstructClassical Cinema: The History of a Critical ConstructWWClassical Cinema: The History of a Critical Construct
Buster Keaton and the Machine Age (SCMS)Buster Keaton and the Machine Age (SCMS)WWBuster Keaton and the Machine Age (SCMS)
Buster Keaton's Theory of FilmBuster Keaton's Theory of FilmWWBuster Keaton's Theory of Film
Untitled PreziUntitled PreziWWUntitled Prezi
Cinemetrics Across Borders (Hilsabeck)Cinemetrics Across Borders (Hilsabeck)WWCinemetrics Across Borders (Hilsabeck)
Narrative, Narrativity, and Anarchic Burlesque:Narrative, Narrativity, and Anarchic Burlesque:WWNarrative, Narrativity, and Anarchic Burlesque:
New Waves, New CinemaNew Waves, New CinemaWWNew Waves, New Cinema
CINE 115: Italian NeorealismCINE 115: Italian NeorealismWWCINE 115: Italian Neorealism
The Hollywood Studio System (30s-50s)The Hollywood Studio System (30s-50s)WWThe Hollywood Studio System (30s-50s)
A Little History of Synchronized SoundA Little History of Synchronized SoundWWA Little History of Synchronized Sound
The Hollywood Studio System in the 20sThe Hollywood Studio System in the 20sWWThe Hollywood Studio System in the 20s
Europe in the 20s: France & GermanyEurope in the 20s: France & GermanyWWEurope in the 20s: France & Germany
What is modernity?What is modernity?WWWhat is modernity?
CINE 115: Bazin, Early CinemaCINE 115: Bazin, Early CinemaWWCINE 115: Bazin, Early Cinema
CINE 115: Film ExperienceCINE 115: Film ExperienceWWCINE 115: Film Experience
French Impressionism: History and FormFrench Impressionism: History and FormWWFrench Impressionism: History and Form
Concepts in Baudry, "Ideological Effects"Concepts in Baudry, "Ideological Effects"WWConcepts in Baudry, "Ideological Effects"
Modernism and Aesthetic Experience: Modernism and Aesthetic Experience: WWModernism and Aesthetic Experience:
Berger, "Uses of Photography"Berger, "Uses of Photography"WWBerger, "Uses of Photography"
Sontag, "In Plato's Cave"Sontag, "In Plato's Cave"WWSontag, "In Plato's Cave"
Stuart Hall, " The Work of Representation"Stuart Hall, " The Work of Representation"WWStuart Hall, " The Work of Representation"
Barthes: Studium & PunctumBarthes: Studium & PunctumWWBarthes: Studium & Punctum
Silent Cinema / Cinema MuetSilent Cinema / Cinema MuetWWSilent Cinema / Cinema Muet
A Timeline of Silent CinemaA Timeline of Silent CinemaWWA Timeline of Silent Cinema
What Is a Medium?What Is a Medium?WWWhat Is a Medium?
Modes of Documentary (Bill Nichols)Modes of Documentary (Bill Nichols)WWModes of Documentary (Bill Nichols)
The Introduction of SoundThe Introduction of SoundWWThe Introduction of Sound
Principles of Film Form (with audio)Principles of Film Form (with audio)WWPrinciples of Film Form (with audio)
Altman: Genre as LensAltman: Genre as LensWWAltman: Genre as Lens
Walter Benjamin,Walter Benjamin,WWWalter Benjamin,
Cinema and the Voice: Major Concepts (so far)Cinema and the Voice: Major Concepts (so far)WWCinema and the Voice: Major Concepts (so far)
Altman's History of Genre TheoryAltman's History of Genre TheoryWWAltman's History of Genre Theory
Concepts in Aristotle's POETICSConcepts in Aristotle's POETICSWWConcepts in Aristotle's POETICS
A Short List of Bazinian TermsA Short List of Bazinian TermsWWA Short List of Bazinian Terms
What is cinema?What is cinema?WWWhat is cinema?
Why Study the Humanities? Why Study the Humanities? WWWhy Study the Humanities?