Encountering Detectives in Bleak House

Encountering Detectives in Bleak House

Starting with plot collations...

In Chapter 29, we are finally explicitly told that Lady D is Esther's mother--Guppy serves as a detective

In Chapter 22 we are introduced to Bucket, a police detective

In Ch 22 we are also introduced to Mrs Snagsby's bad detecting (more in ch 25)

In Ch 22 we meet Mr George for the first time

In Ch 24 we meet him again through Esther

We also meet the Smallweeds twice--through Guppy, then through Mr George

The Important Step: Shifting to Detail!!

Encounter: What makes a successful vs unsuccessful detective in this novel?

Guppy

BUCKET

SNAGSBY

Bucket

Mr. Snagsby is dismayed to see, standing with an attentive face between himself and the lawyer at a little distance from the table, a person with a hat and stick in his hand who was not there when he himself came in and has not since entered by the door or by either of the windows. There is a press in the room, but its hinges have not creaked, nor has a step been audible upon the floor. Yet this third person stands there with his attentive face, and his hat and stick in his hands, and his hands behind him, a composed and quiet listener. He is a stoutly built, steady-looking, sharp-eyed man in black, of about the middle-age. Except that he looks at Mr. Snagsby as if he were going to take his portrait, there is nothing remarkable about him at first sight but his ghostly manner of appearing.

Yes! And lookee here, Mr. Snagsby," resumes Bucket, taking him aside by the arm, tapping him familiarly on the breast, and speaking in a confidential tone. "You're a man of the world, you know, and a man of business, and a man of sense. That's what YOU are."

"I am sure I am much obliged to you for your good opinion," returns the stationer with his cough of modesty, "but—"

"That's what YOU are, you know," says Bucket. "Now, it an't necessary to say to a man like you, engaged in your business, which is a business of trust and requires a person to be wide awake and have his senses about him and his head screwed on tight (I had an uncle in your business once)—it an't necessary to say to a man like you that it's the best and wisest way to keep little matters like this quiet. Don't you see? Quiet!

"Now, what YOU want," pursues Bucket, again tapping Mr. Snagsby on the breast in a comfortable and soothing manner, "is that every person should have their rights according to justice. That's what YOU want."

"To be sure," returns Mr. Snagsby with a nod.

"On account of which, and at the same time to oblige a—do you call it, in your business, customer or client? I forget how my uncle used to call it."

"Why, I generally say customer myself," replies Mr. Snagsby.

"You're right!" returns Mr. Bucket, shaking hands with him quite affectionately. "—On account of which, and at the same time to oblige a real good customer, you mean to go down with me, in confidence, to Tom-all-Alone's and to keep the whole thing quiet ever afterwards and never mention it to any one. That's about your intentions, if I understand you?"

For the most part Mr. Bucket notices things in general, with a face as unchanging as the great mourning ring on his little finger or the brooch, composed of not much diamond and a good deal of setting, which he wears in his shirt.

"No, you don't do yourself justice. It an't what you endeavour to do," says Mr. Bucket, shaking hands with him and blessing him in the tenderest manner, "it's what you DO. That's what I estimate in a man in your way of business."

"Now lookee here, George," said the man, turning quickly round upon him and tapping him on the breast with a large forefinger. "You know me, and I know you. You're a man of the world, and I'm a man of the world. My name's Bucket, as you are aware, and I have got a peace-warrant against Gridley. You have kept him out of the way a long time, and you have been artful in it, and it does you credit."

Mr. George, looking hard at him, bit his lip and shook his head.

"Now, George," said the other, keeping close to him, "you're a sensible man and a well-conducted man; that's what YOU are, beyond a doubt. And mind you, I don't talk to you as a common character, because you have served your country and you know that when duty calls we must obey. Consequently you're very far from wanting to give trouble. If I required assistance, you'd assist me; that's what YOU'D do. Phil Squod, don't you go a-sidling round the gallery like that"—the dirty little man was shuffling about with his shoulder against the wall, and his eyes on the intruder, in a manner that looked threatening—"because I know you and won't have it."

"Phil!" said Mr. George.

"Yes, guv'ner."

"Be quiet."

The little man, with a low growl, stood still.

"Ladies and gentlemen," said Mr. Bucket, "you'll excuse anything that may appear to be disagreeable in this, for my name's Inspector Bucket of the Detective, and I have a duty to perform. George, I know where my man is because I was on the roof last night and saw him through the skylight, and you along with him. He is in there, you know," pointing; "that's where HE is—on a sofy. Now I must see my man, and I must tell my man to consider himself in custody; but you know me, and you know I don't want to take any uncomfortable measures. You give me your word, as from one man to another (and an old soldier, mind you, likewise), that it's honourable between us two, and I'll accommodate you to the utmost of my power."

"I give it," was the reply. "But it wasn't handsome in you, Mr. Bucket."

"Gammon, George! Not handsome?" said Mr. Bucket, tapping him on his broad breast again and shaking hands with him. "I don't say it wasn't handsome in you to keep my man so close, do I? Be equally good-tempered to me, old boy! Old William Tell, Old Shaw, the Life Guardsman! Why, he's a model

Guppy

"That your ladyship would have the kindness to oblige me with a little conversation," returns Mr. Guppy, embarrassed.

"You are, of course, the person who has written me so many letters?"

"Several, your ladyship. Several before your ladyship condescended to favour me with an answer."

"And could you not take the same means of rendering a Conversation unnecessary? Can you not still?"

"Thank your ladyship." Mr. Guppy does so. "Now, your ladyship"—Mr. Guppy refers to a little slip of paper on which he has made small notes of his line of argument and which seems to involve him in the densest obscurity whenever he looks at it—"I—Oh, yes!—I place myself entirely in your ladyship's hands. If your ladyship was to make any complaint to Kenge and Carboy or to Mr. Tulkinghorn of the present visit, I should be placed in a very disagreeable situation. That, I openly admit. Consequently, I rely upon your ladyship's honour."

Thank your ladyship," says Mr. Guppy; "quite satisfactory. Now—I—dash it!—The fact is that I put down a head or two here of the order of the points I thought of touching upon, and they're written short, and I can't quite make out what they mean. If your ladyship will excuse me taking it to the window half a moment, I—"

Mr. Guppy, going to the window, tumbles into a pair of love-birds, to whom he says in his confusion, "I beg your pardon, I am sure." This does not tend to the greater legibility of his notes. He murmurs, growing warm and red and holding the slip of paper now close to his eyes, now a long way off, "C.S. What's C.S. for? Oh! C.S.! Oh, I know! Yes, to be sure!" And comes back enlightened.

"Your ladyship, I do assure you that having Miss Summerson's image imprinted on my 'eart—which I mention in confidence—I found, when I had the honour of going over your ladyship's mansion of Chesney Wold while on a short out in the county of Lincolnshire with a friend, such a resemblance between Miss Esther Summerson and your ladyship's own portrait that it completely knocked me over, so much so that I didn't at the moment even know what it WAS that knocked me over. And now I have the honour of beholding your ladyship near (I have often, since that, taken the liberty of looking at your ladyship in your carriage in the park, when I dare say you was not aware of me, but I never saw your ladyship so near), it's really more surprising than I thought it."

Young man of the name of Guppy! There have been times, when ladies lived in strongholds and had unscrupulous attendants within call, when that poor life of yours would NOT have been worth a minute's purchase, with those beautiful eyes looking at you as they look at this moment. (3x)

"Your ladyship, I conclude with that." Mr. Guppy rises. "If you think there's enough in this chain of circumstances put together—in the undoubted strong likeness of this young lady to your ladyship, which is a positive fact for a jury; in her having been brought up by Miss Barbary; in Miss Barbary stating Miss Summerson's real name to be Hawdon; in your ladyship's knowing both these names VERY WELL; and in Hawdon's dying as he did—to give your ladyship a family interest in going further into the case, I will bring these papers here. I don't know what they are, except that they are old letters: I have never had them in my possession yet. I will bring those papers here as soon as I get them and go over them for the first time with your ladyship. I have told your ladyship my object. I have told your ladyship that I should be placed in a very disagreeable situation if any complaint was made, and all is in strict confidence."

Is this the full purpose of the young man of the name of Guppy, or has he any other? Do his words disclose the length, breadth, depth, of his object and suspicion in coming here; or if not, what do they hide? He is a match for my Lady there. She may look at him, but he can look at the table and keep that witness-box face of his from telling anything.

On a table near her is a rich bauble of a casket, barred and clasped like an old strong-chest. She, looking at him still, takes it to her and unlocks it.

"Oh! I assure your ladyship I am not actuated by any motives of that sort," says Mr. Guppy, "and I couldn't accept anything of the kind. I wish your ladyship good day, and am much obliged to you all the same."

So the young man makes his bow and goes downstairs, where the supercilious Mercury does not consider himself called upon to leave his Olympus by the hall-fire to let the young man out.

Mrs. Snagsby

"Well, sir," returns Mr. Snagsby, "you see, my little woman is—not to put too fine a point upon it—inquisitive. She's inquisitive. Poor little thing, she's liable to spasms, and it's good for her to have her mind employed. In consequence of which she employs it—I should say upon every individual thing she can lay hold of, whether it concerns her or not—especially not. My little woman has a very active mind, sir."

Mr. Snagsby cannot make out what it is that he has had to do with. Something is wrong somewhere, but what something, what may come of it, to whom, when, and from which unthought of and unheard of quarter is the puzzle of his life. His remote impressions of the robes and coronets, the stars and garters, that sparkle through the surface-dust of Mr. Tulkinghorn's chambers; his veneration for the mysteries presided over by that best and closest of his customers, whom all the Inns of Court, all Chancery Lane, and all the legal neighbourhood agree to hold in awe; his remembrance of Detective Mr. Bucket with his forefinger and his confidential manner, impossible to be evaded or declined, persuade him that he is a party to some dangerous secret without knowing what it is. And it is the fearful peculiarity of this condition that, at any hour of his daily life, at any opening of the shop-door, at any pull of the bell, at any entrance of a messenger, or any delivery of a letter, the secret may take air and fire, explode, and blow up—Mr. Bucket only knows whom.

For which reason, whenever a man unknown comes into the shop (as many men unknown do) and says, "Is Mr. Snagsby in?" or words to that innocent effect, Mr. Snagsby's heart knocks hard at his guilty breast. He undergoes so much from such inquiries that when they are made by boys he revenges himself by flipping at their ears over the counter and asking the young dogs what they mean by it and why they can't speak out at once? More impracticable men and boys persist in walking into Mr. Snagsby's sleep and terrifying him with unaccountable questions, so that often when the cock at the little dairy in Cursitor Street breaks out in his usual absurd way about the morning, Mr. Snagsby finds himself in a crisis of nightmare, with his little woman shaking him and saying "What's the matter with the man!"

The little woman herself is not the least item in his difficulty. To know that he is always keeping a secret from her, that he has under all circumstances to conceal and hold fast a tender double tooth, which her sharpness is ever ready to twist out of his head, gives Mr. Snagsby, in her dentistical presence, much of the air of a dog who has a reservation from his master and will look anywhere rather than meet his eye.

These various signs and tokens, marked by the little woman, are not lost upon her. They impel her to say, "Snagsby has something on his mind!" And thus suspicion gets into Cook's Court, Cursitor Street. From suspicion to jealousy, Mrs. Snagsby finds the road as natural and short as from Cook's Court to Chancery Lane. And thus jealousy gets into Cook's Court, Cursitor Street. Once there (and it was always lurking thereabout), it is very active and nimble in Mrs. Snagsby's breast, prompting her to nocturnal examinations of Mr. Snagsby's pockets; to secret perusals of Mr. Snagsby's letters; to private researches in the day book and ledger, till, cash-box, and iron safe; to watchings at windows, listenings behind doors, and a general putting of this and that together by the wrong end.

Mrs. Snagsby is so perpetually on the alert that the house becomes ghostly with creaking boards and rustling garments. The 'prentices think somebody may have been murdered there in bygone times. Guster holds certain loose atoms of an idea (picked up at Tooting, where they were found floating among the orphans) that there is buried money underneath the cellar, guarded by an old man with a white beard, who cannot get out for seven thousand years because he said the Lord's Prayer backwards.

"Who was Nimrod?" Mrs. Snagsby repeatedly inquires of herself. "Who was that lady—that creature? And who is that boy?" Now, Nimrod being as dead as the mighty hunter whose name Mrs. Snagsby has appropriated, and the lady being unproducible, she directs her mental eye, for the present, with redoubled vigilance to the boy. "And who," quoth Mrs. Snagsby for the thousand and first time, "is that boy? Who is that—!" And there Mrs. Snagsby is seized with an inspiration

Mrs. Snagsby replies by delivering herself a prey to spasms, not an unresisting prey, but a crying and a tearing one, so that Cook's Court re-echoes with her shrieks. Finally, becoming cataleptic, she has to be carried up the narrow staircase like a grand piano. After unspeakable suffering, productive of the utmost consternation, she is pronounced, by expresses from the bedroom, free from pain, though much exhausted, in which state of affairs Mr. Snagsby, trampled and crushed in the piano-forte removal, and extremely timid and feeble, ventures to come out from behind the door in the drawing-room.

A ghostly shade, frilled and night-capped, follows the law-stationer to the room he came from and glides higher up. And henceforth he begins, go where he will, to be attended by another shadow than his own, hardly less constant than his own, hardly less quiet than his own. And into whatsoever atmosphere of secrecy his own shadow may pass, let all concerned in the secrecy beware! For the watchful Mrs. Snagsby is there too—bone of his bone, flesh of his flesh, shadow of his shadow.