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Moden

gowtham nandakumar

Updated Dec. 19, 2023

Transcript

Modern Architecture

De Stijl 1917-1931

neo Plasticism

the object of nature is man, the object of man is style

Piet Mondrian

Theo van Doesburg.

Gerrit Rietveld

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Red Blue Chair

Gerrit Rietveld

1917

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Schröder House

Netherlands 1924

Gerrit Rietveld

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The ground floor was conventional, but the upper floor had numerous movable walls that allowed for spaces to be opened or closed as desired.

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The staircase is concealed behind a sliding door.

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wooden panels as shutters for the windows

Peter Behren

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Behrens House

Darmstadt | Germany | 1901

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modern objective industrial architecture

modern industrial design

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AEG Turbine Factory

Peter Behren | Germany 1908

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Walter Gropius | Mies Van der Rohe | Le Corbusier

junior architects

Fagus Factory

Walter Gropius + Adolf Meyer

1911-1913

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Building of the School of Art

Weimar

Henry van de Velde

1911

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Cathedral, cover of the manifesto and programme of the Weimar State Bauhaus | 1919

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Weimar - 1919 to 1925

Dessau - 1925 to 1932

Berlin - 1932 to 1933

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Oskar Schlemmer

Bauhaus Stairway 1932

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Paul Klee.

Wassily Kandinsky.

László Moholy-Nagy.

Oskar Schlemmer.

Joseph Albers.

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Walter Peterhans

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Art Deco's ultimate aim was to end the old conflict between art and industry, the old snobbish distinction between artist and artisan, partly by making artists adept at crafts, but still more by adapting design to the requirements of mass-production

1925-1940

symmetry | rectilinear

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Chrysler Building 1928

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ART NOUVEAU

ART DECO

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decorative

flowery

moving

motion

tendrils

intricate

fluid

sleek

streamlined

symmetrical

rigid

inorganic

geometric

curvilinear

Ludwig Mies van der Rohe

Bauhaus | Illinois Institute of Technology

Less is More

God is in the Details

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Skin and Bone

ARCHITECTURE

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rectilinear and planar forms | clean lines | pure use of colour extension of space around and beyond interior walls.

The Story

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1886

Aachen, Germany

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Urbig House

1917

Riehl House

1906

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Friedrichstrasse Office Building

1921

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Weissenhofsiedlung

1927

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Barcelona Chair

Tugendhat Chair

1929

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Barcelona Pavilion

1929

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the Bauhaus

1930-32

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Verseidag Factory

Krefeld, Germany | 1935

emigrate

1938

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Armour Institute

Illinois Institute of Technology, Chicago

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Minerals and Metals Building

1943

Alumni Hall

1943

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Wishnick Hall

1946

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S.R. Crown Hall

1956

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Farnsworth House

1951

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2400 square feet

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Seagram Building

1958

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travertine | bronze

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http://miessociety.org

Charles-Edouard Jeanneret

Charles l'Eplattenier

1887, La Chaux-de-Fonds, Switzerland

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Villa Fallet

1906-07

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Villa Jeanneret-Perret

1912

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1918

anti-cubism manifesto

Amédée Ozenfant

Purism

Topic

Paul Dermée

journal

L’Esprit Nouveau (The New Spirit)

le corbusier

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Le Plan Voisin

Paris 1925

Le Corbusier believe that cities (housing) can be mass produced like cars. He believed they ought to be made up of tall, large-scale buildings (housing blocks), leaving free space for green areas and streets.

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Five Points 1926

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1 Pilotis

2 Roof gardens

3 Free designing of the ground plan

4 Free design of façade

5 Horizontal window

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Domino House

1915

“The house is a machine for living.”

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Villa Savoye

1928-31

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Ronchamp 1946-1951

two entrances, an altar, and three chapels.

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4’-12’ thick

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Convent of La Tourette

| FRANCE | 1960

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one hundred individual cells, a communal library, a refectory, a rooftop cloister, a church, and classrooms

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Frank Lloyd Wright

1867-1959

Prairie school

Arts and Crafts

Strong geometry and massing, including large central chimneys
Brick or stucco exteriors
Open, asymmetric floor plans
Connected indoor and outdoor spaces
Interior wood banding
Restrained use of applied ornamentation
Exploration of motifs: one shape or plant form explored through furniture, wood carving, plaster, art glass and other elements within a building

emphasis on nature, craftsmanship and simplicity

Louis Sullivan

organic Architecture

harmony between human habitation and the natural world

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Taliesin

1911–1959

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Robie House 1910

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cantilever over the porch facing west that stretched outwards 10' feet from its nearest structural member and 21' from the closest masonry pier.

sheathed in Roman brick with yellow mortar, and only the overhangs and the floating brick balcony have steel beams for structural support

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174 art glass windows in the Robie House made of polished plate glass, cathedral glass, and copper-plated zinc cames, which are metal joints that hold the glass in place.

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1935

Fallingwater

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Johnson Wax Tower | Wisconsin | 1936-39

dendriform

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pyrex

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Guggenheim Museum 1956-59