MEMETIK DAUN TEMBAKAU DI KELANTAN

Title: Memetik Daun Tembakau di Kelantan

Year: 1962

Painter: Mohammad Hoessein Enas

Media: Oil paint

Theme: Describes one aspect of agricultural or economic economy of Malays in Kelantan

Style: The painter produces his work in a realistic style. The picture of the three figure girls picked tobacco leaves. The description of the background is clearly drawn.

Value: This work highlights the image of nationalism that is of a national nature

Description

• Looks at three Malay girls picking tobacco leaves.

• The three girls wear batik cloth (traditional clothes).

• The background of the work is hillside and homeowners.

• Lots of tobacco that has been planted in the field.

• There is also a home-based tobacco processing plant.

• The weather described is also very good to carry out the activities of collecting tobacco.

ASPECT FORMAL

• Color-makers use the red on the map to create an affirmation in the work. The use of cool colors on the sky shows a sight in the daytime at a time. Overall, this work is dominated by the use of a cold color on the leaf of tobacco.

• Producers try to show the women's fashion first through the lines of the three women's creases in the work. The use of lines that produce a pattern on the fabric.

• Braids - there are interlacing elements on the tobacco leaves to give an interesting effect in the work.

• Space-the size of the object affects the use of the inner space. The front object looks great while the behind-the-clock object appears to have an effectual perspective on the work.

The design principles

The design principles

• Movement - in this work there is a moving element. The line of the batik fabric creates a moving element, such as the fabric is blown in by the wind.

• Diversity exists in the work that is the use of a variety, a variety of colors and colors displayed in the work.

• Balance - in the work shows a balance of symmetry when the image shown is the same on the scribe and its right.

• The affirmation in the work is the use of the red color the hot color of the girl's dress in front of the work.

• Harmony means safe and peaceful. The use of color in the work is dominated by the color as a green leafy leaf, the colorful bluish sky creates a harmonious impression in the work.

Interpretation

• The work shows the way of community life in the east coast area, particularly the Republic of Indonesia. This is stated in the title and the views in the work.

• He tries to convey that the community practices a self-employed economic system by planting tobacco. This is clearly shown by the three Malay women who are holding the tobacco leaves they have quoted.

• The subject matter is the woman who holds the gun. Producers have used a red hot color to show their livelihood to threaten the results....

• Additionally, the creator may at times miss a calm atmosphere and want to enjoy the beauty of God's grace. The atmosphere of the village is very quiet and calm with the concerted sightseeing painting a lush backdrop.

• I also found that the authors tried to illustrate that at that time most Malay women worked as tobacco leaf pickers because at that time women were not required to learn higher levels. This is shown in the way artworks paint the women's war.

• Producers also point out that at the time the Malay woman dressed in the dress is not as precise as now fashion shirts are highly emphasized by women who are currently employed and have high levels of education. Therefore, women's image was used because she was born in the 60s where women were still underestimated by the community at that time.

• Not only that, at that time was a modernization of modernization where agricultural activity was the main occupation sector as fewer job opportunities were opened at that time.

Judgement

• Based on the work of painter, Mohd Hoessein Enas, this work demonstrates the painter producing his work in a realistic style.

• A picture of three female figures picking tobacco leaves.

• Clear description of the background.

• Oil paint produced in 1962 shows three Malay women who are plucking tobacco leaves in a farm in the countryside.

• From this work it can be said about the economic and socio-cultural activities of the people in the East Coast state in the 60's.

• Examples of the outline of this work may be interpreted that agricultural activity, which is tobacco planting, is an important economic activity of local people in the interior of Kelantan.

• Apart from fishermen for those living on the South China Sea coast.

• Cultivation of tobacco such as imagery can be said to be massive at that point as there is a processing plant that looks far cornered to the right of the catan.

• In terms of socio-culture it can be said that there is consciousness to wear a head scarf which is a requirement that Muslims are obliged to adhere to, although not quite perfect it indicates that the people of the state have applied Malay-Islamic values in the way of their dressing life .

• Additionally, three women's figure shows batik that has been a dress for so long.