by ALIF ANUGRAH NUSANTARA, MUHAMMAD FAEYZA KHAWARIZMI KODA
Prince Mutsuhito was born on 3 November 1852 in a small house on his maternal grandfather's property at the north end of the Gosho (Imperial Palace)
One contemporary described Mutsuhito as healthy and strong, somewhat of a bully, and exceptionally talented at sumo. Another states that the prince was delicate and often ill. Some biographers state that he fainted when he first heard gunfire, while others deny this account.
On 16 August 1860, Sachinomiya was proclaimed prince of the blood and heir to the throne and was formally adopted by his father's consort. Later that year on 11 November, he was proclaimed as the crown prince and given an adult name, Mutsuhito.
By the early 1860s, the shogunate was under several threats. Representatives of foreign powers sought to increase their influence in Japan. Many daimyōs (feudal lords) were increasingly dissatisfied with bakufu (feudal military government) handling foreign affairs. Large numbers of young samurai, known as shishi or "men of high purpose", began to meet and speak against the shogunate. The shishi (democratic political activists) revered Emperor Kōmei and favoured direct violent action to cure societal ills. While they initially desired the death or expulsion of all foreigners, the shishi would later begin to advocate the modernisation of the country. The bakufu enacted several measures to appease the various groups in an effort to drive a wedge between the shishi and daimyōs.
In 1866, a new shōgun, Tokugawa Yoshinobu, took office as Meiji continued his classical education. Tokugawa Yoshinobu was a reformer who desired to transform Japan into a Western-style state. Yoshinobu was the final shōgun and met with resistance from among the bakufu, even as unrest and military actions continued. In mid-1866, a bakufu army set forth to punish rebels in southern Japan.
The army was defeated.
Yoshinobu struggled to maintain power. In 1867, he repeatedly asked for Meiji's confirmation of his actions, which he eventually received, The political struggle reached its climax in later that year.
An agreement was reached by which Yoshinobu would maintain his title and some of his power, but the lawmaking power would be vested in a bicameral legislature based on the British model. The agreement fell apart and on 9 November 1867, Yoshinobu officially tendered his resignation to the Emperor and formally stepped down ten days later.
Emperor Kōmei fell seriously ill at the age of 36 and died on 30 January 1867.
British diplomat Sir Ernest Satow wrote, "it is impossible to deny that [Emperor Kōmei's] disappearance from the political scene, leaving as his successor a boy [Meiji] of fifteen or sixteen [actually fourteen], was most opportune".
In a brief ceremony in Kyoto, the crown prince formally ascended to the throne on 3 February 1867. The new Emperor continued his classical education, which did not include matters of politics.
On 23 October 1868 the era was changed from Keiō to Meiji, or "enlightened rule", which was later used for the Emperor's posthumous name. This marked the beginning of the custom of posthumously naming the Emperor after the era during which he ruled.
The Meiji Restoration was a period of dramatic political, social, and cultural change in Japan that lasted from 1868 to 1912. It was a movement that aimed to modernize and westernize Japan, which had been isolated from the rest of the world for centuries. The movement was successful in establishing a new government, which implemented policies of modernization and industrialization, as well as adopting Western legal, political, and social systems.
Due to the lack of reliable sources of the period, mysteries surrounding Emperor Meiji's personality and role in the Restoration remain a matter of historical dispute. James C. Baxter argues that the Emperor was a figurehead without real power who rarely interfered with what had been agreed upon in advance by the Meiji oligarchy. Conversely, Herbert Bix describes Meiji as a powerful autocrat whom the Genrō struggled to restrain while accommodating his anti-democratic inclinations.
R.Starr (not the Beatle) characterizes Meiji as a highly individualistic and forthright person who was no puppet to any group in his government, and although progressive, not 'liberal' or 'democratic'. Yet another group of historians contend he was never a full dictator, but remain divided on whether his personal power was "far closer to the absolutist end" or he merely played a mediating role in the Genrō's decisionmaking.